Media, Arts and Design

Leeson, L. 2014. Art as a force for change. The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London 01 May 2014

Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014

Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).

Maple, C., Prakash, E., Huang, W. and Qureshi, A.N. 2014. Taxonomy of optimisation techniques and applications. International Journal of Computer Applications in Technology. 49 (3-4), pp. 251-262. https://doi.org/10.1504/IJCAT.2014.062361

Tajeddin, Z. 2014. Egyptian faience: ancient making methods and consideration of technical challenges in sculptural practice. PhD thesis University of Westminster Faculty of Media, Arts & Design https://doi.org/10.34737/98936

Steemers, J. 2014. Selling television: addressing transformations in the international distribution of television content. Media Industries. 1 (1).

D'Arma, A. 2014. Public service media in Europe at times of crisis: some reflections. Public Value Report 2013/2014. pp. 64-66.

Allen, E., Triantaphillidou, S. and Jacobson, R.E. 2014. Perceptibility and acceptability of JPEG 2000 compressed images of various scene types. SPIE Electronic Imaging: Image Quality and System Performance XI. San Francisco, USA Jan 2014 SPIE. https://doi.org/10.1117/12.2042582

Fullman, Aimee 2014. Who would lay down their life for art? International Conference on Cultural Policy Research. University of Hildesheim, Germany 10 Sep 2014

Fullman, Aimee 2014. A decade of philanthropic trends in international cultural engagement. Social Theory, Politics and the Arts. University of Ottawa, Ontario, Canada 11 Oct 2014

Barnett, S., Townend Judith, Williams Andy and Harte Dave 2014. The state of UK hyperlocal community news: findings from a survey of practitioners. London University of Westminster.

Barnett, S. and Townend, Judith 2014. 'And what good came of it at last?' Press–politician relations post-Leveson. The Political Quarterly. 85 (2), p. 159–169. https://doi.org/10.1111/1467-923X.12088

Liu Guiping 2014. China’s popular TV dramas & their role in the party’s political communication since 2001. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/970w6

Alves de Oliveira Andreia 2014. The politics of the office: space, power, and photography. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/970v3

Toylan Gamze 2014. Reading The League of Gentlemen: study of the creation process of a comedy / horror series. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/96x09

Benson Amanda 2014. An investigation into BBC Radio 4 comedy appreciation ratings (AIs): ‘the cesspool with the velvet lid’. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/96vy2

Bunz, M. 2014. The Silent Revolution: How Digitalization Transforms Knowledge, Work, Journalism and Politics without Making Too Much Noise. Palgrave Macmillan.

Fuchs, Christian 2014. Why we need alternative social media before it is too late. Connect-World, Global-ICT. 2014 (18), pp. 29-30 13.

Cremona Cinzia 2014. Intimations: videoperformance and relationality. PhD thesis University of Westminster Faculty of Media, Art and Design https://doi.org/10.34737/96v94

Kaneva, M., Kerrigan, M.J.P., Grieco, P., Curley, G.P., Locke, I.C. and Getting, S.J. 2014. Melanocortin peptides protect chondrocytes from mechanically induced cartilage injury. Biochemical Pharmacology. 92 (2), pp. 336-347. https://doi.org/10.1016/j.bcp.2014.08.019

Pucill, S. 2014. Mourning, materiality and the feminine: Sarah Pucill’s films 2004-2010. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/964y8

Halperin, A. 2014. The Use of New Media by the UK's Palestinian Diaspora. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/964xx

Gegisian, A. 2014. The Essay Film and Space: The Essayistic Filmic Space as aLocation of Thought. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/964x7

Fuchs, Christian and Sandoval, M. 2014. Digital workers of the World unite! A framework for critically theorising and analysing digital labour. tripleC: Open Access Journal for a Global Sustainable Information Society. 12 (2), pp. 486-563.

Fuchs, Christian 2014. The dialectic: Not just the absolute recoil, but the world’s living fire that extinguishes and kindles itself. Reflections on Slavoj Žižek’s version of dialectical philosophy in "Absolute recoil. Towards a new foundation of dialectical materialism". tripleC: Open Access Journal for a Global Sustainable Information Society. 12 (2), pp. 848-875.

Fuchs, Christian 2014. WikiLeaks and the Critique of the Political Economy. International Journal of Communication. 8, pp. 2718-2732.

Fuchs, Christian 2014. Thomas Piketty’s Book “Capital in the Twenty-First Century”, Karl Marx and the Political Economy of the Internet. tripleC: Open Access Journal for a Global Sustainable Information Society. 12 (1), pp. 413-430.

Fuchs, Christian 2014. QTube – citizen-generated videos for questions to the Prime Minister. Submission to the House of Commons’-Speaker’s Commission on Digital Democracy. May 19, 2014. UK Parliament.

Fuchs, Christian 2014. OccupyMedia! The Occupy movement and social media in crisis capitalism. Winchester, UK Zero Books.

Fuchs, Christian 2014. Medios sociales y esfera pública. Telos – Revista de Pensamiento sobre Comunicación, Tecnología y Sociedad. 98, pp. 71-82.

Sandoval, M., Fuchs, Christian, Prodnik, J.A., Sevignani, S. and Allmer, T. (ed.) 2014. Philosophers of the World unite! Theorising digital labour and virtual work - definitions, dimensions and forms (tripleC Special Issue). TripleC.

Fuchs, Christian 2014. Book review: Manuel Castells, Networks of Outrage and Hope: Social Movements in the Internet Age. Media, Culture & Society. 36 (1), pp. 122-124. https://doi.org/10.1177/0163443713511886

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Watson, F. 2014. Liquid history, anxious future: the Thames estuary, a landscape under threat. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging landscapes: between production and representation Farnham Ashgate. pp. 39-44

Trottier, D. 2014. Identity problems in the Facebook era. New York Routledge.

Trottier, D. 2014. Crowdsourcing CCTV surveillance on the internet. Information, Communication and Society. 17 (5), pp. 609-626. https://doi.org/10.1080/1369118X.2013.808359

Triantaphillidou, S., Park, J.Y. and Jacobson, R.E. 2014. Just noticeable differences in perceived image contrast with changes in displayed image size. SPIE Proceedings 9016, Image Quality and System Performance XI. San Francisco, USA https://doi.org/10.1117/12.2042534

Steeves, V., Lyon, D. and Trottier, D. 2014. From them to us: surveillance as participation. in: Bennett, C.J., Haggerty, K., Lyon, D. and Steeves, V. (ed.) Transparent lives: surveillance in Canada Athabasca University Press.

Riley, T. 2014. Social media: digital content creation and sharing. A study of adults. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8yv61

Puppin, G. 2014. Advertising and China: how does a love/hate relationship work? in: Hulme, A. (ed.) The changing landscape of China’s consumerism Cambridge Chandos/Elsevier. pp. 177-195