Media, Arts and Design

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Watson, F. 2014. Liquid history, anxious future: the Thames estuary, a landscape under threat. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging landscapes: between production and representation Farnham Ashgate. pp. 39-44

Trottier, D. 2014. Identity problems in the Facebook era. New York Routledge.

Trottier, D. 2014. Crowdsourcing CCTV surveillance on the internet. Information, Communication and Society. 17 (5), pp. 609-626. https://doi.org/10.1080/1369118X.2013.808359

Triantaphillidou, S., Park, J.Y. and Jacobson, R.E. 2014. Just noticeable differences in perceived image contrast with changes in displayed image size. SPIE Proceedings 9016, Image Quality and System Performance XI. San Francisco, USA https://doi.org/10.1117/12.2042534

Steeves, V., Lyon, D. and Trottier, D. 2014. From them to us: surveillance as participation. in: Bennett, C.J., Haggerty, K., Lyon, D. and Steeves, V. (ed.) Transparent lives: surveillance in Canada Athabasca University Press.

Riley, T. 2014. Social media: digital content creation and sharing. A study of adults. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8yv61

Puppin, G. 2014. Advertising and China: how does a love/hate relationship work? in: Hulme, A. (ed.) The changing landscape of China’s consumerism Cambridge Chandos/Elsevier. pp. 177-195

Pridmore, J. and Trottier, D. 2014. Extending the audience: social media marketing, technologies and the construction of markets. in: Manzerolle, V. and McGuigan, L. (ed.) The audience commodity in a digital age: revisiting a critical theory of commercial media New York Peter Lang.

Park, J.Y. 2014. Evaluation of changes in image appearance with changes in displayed image size. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8yv3x

Oh, K.H. 2014. The effect of scene content on image quality. MPhil thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8yv37

Milne, M. 2014. Moving the goalposts: the transformation of television sport in the UK (1992-2014). PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8yv1y

Mansour, N., Chatty, D., El-Kak, F. and Yassin, N. 2014. They aren't all first cousins: Bedouin marriage and health policies in Lebanon. Ethnicity and Health. 19 (5), pp. 529-547. https://doi.org/10.1080/13557858.2013.848844

Gauntlett, D. 2014. Making things is even more vital than you think. in: Baichtal, J. (ed.) Maker Pro: essays on making a living by making Maker Media.

Gauntlett, D. 2014. The LEGO System as a tool for thinking, creativity, and changing the world. in: Wolf, M.J.P. (ed.) LEGO studies: examining the building blocks of a transmedial phenomenon New York Routledge. pp. 189-205

Gauntlett, D. 2014. Enabling and constraining creativity and collaboration: some reflections after Adventure Rock. in: Thornham, H. and Popple, S. (ed.) Content cultures: transformations of user generated content in public service broadcasting London I.B. Tauris. pp. 161-180

Garnham, N. and Fuchs, Christian 2014. Revisiting the political economy of communication. tripleC: Open Access Journal for a Global Sustainable Information Society. 12 (1), pp. 102-141.

Fuchs, Christian and Sandoval, M. 2014. Introduction: Critique, social media and the information society in the age of capitalist crisis. in: Fuchs, Christian and Sandoval, M. (ed.) Critique, social media and the information society New York Routledge. pp. 1-47

Fuchs, Christian and Sandoval, M. 2014. Critique, social media and the information society. New York Routledge.

Fuchs, Christian 2014. Theorising and analysing digital labour: from global value chains to modes of production. The Political Economy of Communication. 2 (1), pp. 3-27.

Fuchs, Christian 2014. Social media: a critical introduction. London Sage.

Fuchs, Christian 2014. Social media and the public sphere. tripleC: Open Access Journal for a Global Sustainable Information Society. 12 (1), pp. 57-101.

Fuchs, Christian 2014. Karl Marx and the study of media and culture today. Culture Unbound: Journal of Current Cultural Research. 6 (3), pp. 39-76. https://doi.org/10.3384/cu.2000.1525.14639

Fuchs, Christian 2014. Digital prosumption labour on social media in the context of the capitalist regime of time. Time & Society. 23 (1), pp. 97-123. https://doi.org/10.1177/0961463X13502117

Fuchs, Christian 2014. Digital labour and Karl Marx. New York Routledge.

Fuchs, Christian 2014. Dallas Smythe reloaded: critical media and communication studies today. in: McGuigan, L. and Manzerolle, V. (ed.) The audience commodity in a digital age: revisiting critical theory of commercial media New York Peter Lang. pp. 267-288

Fuchs, Christian 2014. Critique of the political economy of informational capitalism and social media. in: Fuchs, Christian and Sandoval, M. (ed.) Critique, social media and the information society New York Routledge. pp. 51-65

Chatterjee, R. 2014. Film history through fragments: the Aurora Archive and the transnational travels of early Indian cinema. Bioscope: South Asian Screen Studies. 5 (1), pp. 29-47. https://doi.org/10.1177/0974927614531358

Banet-Weiser, S., Baym, N.K., Coppa, F., Gauntlett, D., Gray, J., Jenkins, H. and Shaw, A. 2014. Participations: Dialogues on the participatory promise of contemporary culture and politics — part 1: Creativity. International Journal of Communication. 8, pp. 1069-1088.

Allmer, T., Fuchs, Christian, Kreilinger, V. and Sevignani, S. 2014. Social networking sites in the surveillance society: critical perspectives and empirical findings. in: Christensen, M. and Jansson, A. (ed.) Media, surveillance and identity: social perspectives New York Peter Lang.

Alexander, A. and Aouragh, M. 2014. Egypt’s unfinished revolution: the role of the media revisited. International Journal of Communication. 8, pp. 890-915.

Corby, T. 2014. Visualizing the news: mutant barcodes and geographies of conflict. Leonardo: Art Science and Technology. 47 (1), pp. 84-85. https://doi.org/10.1162/LEON_a_00713

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Awan, F. and Gauntlett, D. 2013. Young people’s uses and understandings of online social networks in their everyday lives. Young. 21 (2), pp. 111-132. https://doi.org/10.1177/1103308813477463

Chatty, D., Mansour, N. and Yassin, N. 2013. Bedouin in Lebanon: social discrimination, political exclusion, and compromised health care. Social Science & Medicine. 82, pp. 43-50. https://doi.org/10.1016/j.socscimed.2013.01.003

Trottier, D. 2013. The business of conversations: market social media surveillance and visibility. First Monday. 18 (2).

Awan, F. and Gauntlett, D. 2013. Remote living: exploring online (and offline) experiences of young people living in rural areas. European Journal of Cultural Studies. 16 (1), pp. 3-23. https://doi.org/10.1177/1367549412457476

Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013