Centre for Research and Education in Arts and Media

Craighead, A. and Thomson, J. 2015. Data as Culture 3: Data Anthropologies. Open Data Institute, London 25 Mar - 20 Jun 2015

White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015

Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015

Bate, D. 2015. Art Photography. London Tate Publishing.

Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

White, N. 2015. Sites of Excavation and Construction.

White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015

Wrigley, A. 2015. The Spaces of Medieval Mystery Plays on British Television. Shakespeare Bulletin. 33 (4), pp. 569-593. https://doi.org/10.1353/shb.2015.0058

Burgos, D. 2015. Digital anthropology and educational eGames: learning through behavioural patterns in digital, game-based contexts. PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9x1qq

Leeson, L. and Dunn, P. 2015. Big Money is Moving in, Docklands Community Poster Project and posters from the East London Health Project. Museo Nacional Centro de Arte Reina Sofía, Madrid

Leeson, L. 2015. Active energy - London: capital / climate / culture. Deadline@Tate. Tate Modern 04 - 06 Dec 2015

Piva, A. 2015. Landscapes of the invisible: sounds, cosmologies and poetics of space. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9w796

Bovey, D. 2015. The artist biopic: a historical analysis of narrative cinema, 1934-2010. PhD thesis University of Westminster Television, Film and Moving Image https://doi.org/10.34737/9w77z

Boehnert, J. 2015. The Politics of Data Visualisation. Discover Society. 23.

Maziere, M. 2015. Contemporary Screen-Based Curatorial Practice. Artists' Moving Image Practice in Britain: From 1990 to Today. Whitechapel Gallery 07 Nov 2015

Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016

Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1

Turajlic, M. 2015. Cinema Komunisto: cinema as a memory site. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx73

Douglass, C. 2015. Collaborative visual ethnography and breast cancer. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx13

Santos, M. and Da Fonseca Moreira Santos Maria 2015. (un)childhood: performing the voices and times of childhood through relational video-making. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9984y

McMurdo, W. 2015. Children and computers: collected works (1995–2014). PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/997v9

Tsifouti, A., Triantaphillidou, S., Larabi M-C, Bilissi, E. and Psarrou, A. 2015. Comparative performance between human and automated face recognition systems, using CCTV imagery, different compression levels and scene parameters . SPIE Electronic Imaging: Image Quality and System Performance XII. San Fransisco, USA Jan 2015 SPIE. https://doi.org/10.1117/12.2083325

Tsifouti, A., Triantaphillidou, S., Larabi, M.C., Doré, G, Bilissi, E. and Psarrou, A. 2015. The effects of scene content parameters, compression, and frame rate on the performance of analytics systems. SPIE Elecgtronic Imaging: Image Quality and System Performance XII. San Fransisco, USA Jan 2015 SPIE. https://doi.org/10.1117/12.2083426

Tsifouti, A., Triantaphillidou, S., Larabi, M.C., Bilissi, E. and Psarrou, A. 2015. A case study in identifying acceptable bitrates for human face recognition tasks. Signal Processing: Image Communication . 36, p. 14–28. https://doi.org/10.1016/j.image.2015.05.002

Wrigley, A. 2015. Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s. Oxford Oxford University Press.

Reynolds, L. 2014. A Feminist Chorus, Glasgow.

Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

Wright, A. 2014. Hybrid Bodies: the Heart Project. University of Westminster. https://doi.org/10.34737/qqw60

Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333

Jones, C.W. 2014. Advertising Tools and Techniques Appropriated to Construct the Global Brand Mr. Clean. 12th World Congress of the IASS/AIS. Sofia 16 - 20 Sep 2014 de Gruyter Mouton. https://doi.org/10.24308/iass-2014-062

Dawood, S. 2014. Towards the Possible Film .

Triscott, N., La Frenais, R., Padilla Domene, A. and Puig Domene, I. 2014. SEFT-1 Abandoned Railways Exploration Probe - Modern Ruins 1:220. Furtherfield Pavilion, Finsbury Park, London N4 2NQ 20 Jun - 27 Jul 2014

Triscott, N. and La Frenais, R. 2014. Republic of the Moon. Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH 10 Jan - 02 Feb 2014

Wyver, J. 2014. Serjeant Musgrave's Dance and the politics of possibility in two television adaptations. Critical Studies in Television. 9 (3), pp. 89-99. https://doi.org/10.7227/CST.9.3.9

Wyver, J. 2014. Television. in: Stephens, C. and Stonard, J.-P. (ed.) Kenneth Clark: Looking for Civilisation London Tate Publishing. pp. 123-32

Corby, T. 2014. Blood and Bones. Tom Corby.

Koksal, O. 2014. Past Not-So-Perfect: Ararat and Its Reception in Turkey. Cinema Journal. 54 (1), pp. 45-64. https://doi.org/10.1353/cj.2014.0069

Oppenheimer, J 2014. The Look of Silence. Venice Film Festival

Corby, T. and Williams, D. Forthcoming. I stood up (2015). London/New Delhi/Ahmedabad