Centre for Research and Education in Arts and Media

Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Pucill, S. 2022. “Eruption, rupture, suture and disruption” A text by Sarah Pucill on two films by Sandra Lahire, “Arrows “(1984) and “Night dances” (1995). in: Maria Palacios Cruz and Charlotte Proctor (ed.) ‘Cahier’ booklet to accompany a screening at Courtisane Film Festival, April/May 2021

Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.

Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50

Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.

Wrigley, A. and Wyver, J. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023

Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022

Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021

Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London

White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture

Clark, G. 2021. Double Ghosts. Videoclub 11 Apr 2021 - 22 May 2022

Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021

Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021

Clark, G. and Ndiritu, G 2021. ‘Double Lives: A Conversation between Grace Ndiritu and George Clark’. in: Ball, E. (ed.) Old Land New Waters Freelands Foundation.

Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.

Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.

Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books.

Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7

Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15

Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

Groves, Andrew and Sprecher, D. 2021. Undercover.

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.