Dr Mariana Cunha

Dr Mariana Cunha


2018

The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016)
Cunha, M. 2018. The Right to Nature: Contested Landscapes and Indigenous Territoriality in Martírio (2016). in: Cunha, M. and da Silva, A.M. (ed.) Human Rights, Social Movements and Activism in Contemporary Latin American Cinema Springer. pp. 113-131

2017

Introduction
da Silva, A.M. and Cunha, M. 2017. Introduction. in: da Silva, A.M. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer.

2017

Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto
Cunha, M. 2017. Bodies in Landscape: The Scientist’s Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto. in: da Silva, A. and Cunha, M. (ed.) Space and Subjectivity in Contemporary Brazilian Cinema Springer. pp. 77-95

2013

Framing Landscapes: The Return Journey in Suely in the Sky
Cunha, M. 2013. Framing Landscapes: The Return Journey in Suely in the Sky. in: Brandellero, S. (ed.) The Brazilian Road Movie. Journeys of (Self) Discovery University of Wales Press.

2009

Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documentaries
Cunha, M.A.C.D. 2009. Between Image and Word: Minority Discourses and Community Construction in Eduardo Coutinho’s Documentaries. in: Haddu, M. and Page, J. (ed.) Visual Synergies in Fiction and Documentary Film from Latin America Palgrave Macmillan. pp. 133-150

2021

Devolver a História, Materializar o Trauma: Observações sobre os corpos migrantes em Cavalo Dinheiro (2014) e Vitalina Varela (2019) de Pedro Costa
Cunha, M. and Andrade, C. 2021. Devolver a História, Materializar o Trauma: Observações sobre os corpos migrantes em Cavalo Dinheiro (2014) e Vitalina Varela (2019) de Pedro Costa. Aniki: Portuguese Journal of the Moving Image . 8 (2), pp. 112-135. https://doi.org/10.14591/aniki.v8n2.769

2019

Minimal gestures: Displacement, affect and urban experience in A hora da estrela/The Hour of the Star (Amaral, 1985)
Cunha, M. 2019. Minimal gestures: Displacement, affect and urban experience in A hora da estrela/The Hour of the Star (Amaral, 1985). Studies in Spanish and Latin American Cinemas. 16 (2), pp. 177-193. https://doi.org/10.1386/slac.16.2.177_1

2018

Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas
Cunha, M. 2018. Natureza, paisagem e afeto em post tenebras lux de Carlos Reygadas. Revista FAMECOS. 26 (1) E-30207. https://doi.org/10.15448/1980-3729.2019.1.30207

2018

As formas da materialidade: quadro, escala e afeto no cinema de Ramsay
Cunha, M. 2018. As formas da materialidade: quadro, escala e afeto no cinema de Ramsay. Significação: Revista de Cultura Audiovisual. 45 (49), pp. 96-112. https://doi.org/10.11606/issn.2316-7114.sig.2018.137394

2006

Two Narratives, Multiple Spaces: the Literature of Ismail Kadare and the Cinema of Walter Salles
Cunha, M. 2006. Two Narratives, Multiple Spaces: the Literature of Ismail Kadare and the Cinema of Walter Salles. Polifonia. 11, pp. 109-132.

2004

Exodus, or an imagined political community: the landless workers movement and internal migration in the work of Sebastião Salgado
Cunha, M. 2004. Exodus, or an imagined political community: the landless workers movement and internal migration in the work of Sebastião Salgado. Intexto. 11, pp. 48-62.

2018

Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
Cunha, M. and Silva, A.M. (ed.) 2018. Human Rights, Social Movements and Activism in Contemporary Latin American Cinema. Springer.

2017

Space and Subjectivity in Contemporary Brazilian Cinema
da Silva, A.M. and Cunha, M. (ed.) 2017. Space and Subjectivity in Contemporary Brazilian Cinema. Springer.

2023

We live like trees inside the footsteps of our ancestors
Cunha, M. 2023. We live like trees inside the footsteps of our ancestors. Blenheim Walk Gallery, Leeds Arts University 12 May - 22 Jul 2023


Usage Statistics
660 total views of outputs
54 total downloads of outputs
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