| Creators | Hermes, K. |
|---|---|
| Description | This portfolio brings together practice-based and written research examining how emerging technologies can expand music performance, audiovisual production and transmedia storytelling while keeping human creativity, judgement and identity at the centre. Across live electronic performance, virtual artist identities, AI-assisted music-video production and interactive digital environments, the work explores technology not as an autonomous replacement for the artist, but as a collaborator, instrument and framework for extending creative agency. Through publications, performances, audiovisual artefacts, and tutorials, the portfolio proposes a human-centred model of creative technology in which innovation is evaluated according to how it supports expression, embodied performance, collaboration and communication with audiences. |
| Portfolio items | Generative AI as a tool to support film composition and sound design – an industry case study |
| Augmented creativity: does AI help or hinder musicians' creative processes? | |
| Performing Electronic Music Live | |
| Performing Electronic Music Live - book companion website | |
| Performing Electronic Music Live - video tutorial series | |
| Creative Considerations for On-Screen Visuals in Popular Electronic Music Performances | |
| Nyokee Performance at Develop Brighton | |
| Nyokee Live at Comic Con | |
| 8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic | |
| Nyokee at Anime Electro Night | |
| Nyokee Mainstage Performance at MAGfest | |
| An Unbiased View of AI | |
| Blender for Musicians | |
| Creative Cyborgs: Virtual 3D Characters as Artist Identities for Musicians | |
| Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard | |
| Nyokee Mainstage Performance at Hyper Japan | |
| Augmented creativity - using AI collaborators to make a music video | |
| The Emergence of AI in Music | |
| Co-Creativity for Musicians |