Media, Arts and Design

Bracho-Polanco, E. 2020. A Trajectory of Caudillo Press, Journalism, and the Authoritarian Dilemma in Venezuela. in: Orchard, X., Garcia Santamaria, S., Brambila, J. and Lugo-Ocando, J. (ed.) Media and Governance in Latin America: Towards a Plurality of Voices New York, N.Y; and Oxford Peter Lang.

Kennett, C. 2008. A tribe called Chris: pop music analysis as idioethnomusicology. Open Space Magazine. 10 (1).

Wright, A. 2012. A View From Inside. London White Card.

Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Qusous, A., Kaneva, M., Getting, S.J. and Kerrigan, M.J.P. 2010. A13/BACII, a novel bovine chondrocytic cell line with differentiation potential. Combined Meeting of Orthopaedic Research Societies. Kyoto, Japan

Kerrigan, M.J.P., Matskevitch, I., Flatman, P.W. and Hall, A.C. 2002. Absence of regulatory volume increase (RVI) in isolated bovine articular chondrocytes. European Journal of Physiology. 443, pp. S288-S289.

Tsifouti, A., Triantaphillidou, S., Bilissi, E. and Larabi, M.C. 2013. Acceptable bit-rates for human face identification from CCTV imagery. in: Burns, P.D. and Triantaphillidou, S. (ed.) Image Quality and System Performance X SPIE.

Gauntlett, D. and Awan, F. 2011. Action-based visual and creative methods in social research. in: Heywood, I. and Sandywell, B. (ed.) The handbook of visual culture Oxford Berg.

Leeson, L. 2016. Active Energy. Feeding the Insatiable. Dartington Hall, Devon 09 Nov - 11 Dec 2016

Leeson, L. 2015. Active energy - London: capital / climate / culture. Deadline@Tate. Tate Modern 04 - 06 Dec 2015

Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago 14 Feb 2014

Leeson, L. and Borland, T. 2016. Active Energy: Three Mills - open workshop. Active Energy.

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Puppin, G. 2006. Ad Spot award 2006: la Cina è protagonista (Ad Spot award 2006: China plays the leading role). Mondo Cinese. CXXIX, pp. 69-75.

Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.

Kerrigan, M.J.P., Mackenzie, J., Raymond, R. and Patterson, A. 2006. Advanced online learning to support student-centred active learning. University of Westminster Teaching & Learning Symposium. University of Westminster, London 2006 Association for Learning Technology.

Puppin, G. 2014. Advertising and China: how does a love/hate relationship work? in: Hulme, A. (ed.) The changing landscape of China’s consumerism Cambridge Chandos/Elsevier. pp. 177-195

Jones, C.W. 2014. Advertising Tools and Techniques Appropriated to Construct the Global Brand Mr. Clean. 12th World Congress of the IASS/AIS. Sofia 16 - 20 Sep 2014 de Gruyter Mouton. https://doi.org/10.24308/iass-2014-062

Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958

Koksal, O. 2016. Aesthetics of Displacement: Turkey and its Minorities on Screen. Bloomsbury Academic.

Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164

Mano, W. 2010. Africa: Media Systems. in: The International Encyclopedia of Intercultural Communication Wiley.

Mano, W. and Meribe N. 2017. African Communication Modes. in: The International Encyclopedia of Intercultural Communication Wiley.

Mano, W., Knorpp, B. and Agina, A. (ed.) 2017. African Film Cultures: Contexts of Creation and Circulation. Newcastle Upon Tyne Cambridge Scholars Publishing.

Milton, V. and Mano, W. 2022. Afrokology and the right to communicate in Africa. Javnost / The Public. 29 (1), pp. 33-49. https://doi.org/10.1080/13183222.2021.1889830

Milton, V. and Mano, W. 2021. Afrokology as a transdisciplinary approach to media and communication studies. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of African Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.256-275

Mano, W. and Milton, V. 2021. Afrokology of media and communication studies: theorising from the margins. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.19-42

Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Kempadoo, R. 2023. Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing. in: Tatiana Flores, Florencia San Martín and Charlene Villaseñor Black (ed.) The Routledge Companion to Decolonizing Art History New York Routledge. pp. 274-285

Fuchs, Christian 2015. Against divisiveness: Digital workers of the world unite! A rejoinder to César Bolaño and Eloy Vieira. Television & New Media. 16 (1), pp. 62-71. https://doi.org/10.1177/1527476414528053

Fuchs, Christian 2016. Against theoretical Thatcherism: a reply to Nicholas Garnham. Media, Culture and Society. 38 (2), pp. 301-311. https://doi.org/10.1177/0163443715612542

Verdegem, P., Kaplan, A., Hofkirchner, W., Ng, J., McQuillan, D., Rehak, R., Daly, A., Devit, S.K., Mann, M., Steinhoff, J., Brevini, B., Akdag Salah, A.A., O’Connell, C., Van de Wiele, C., Prodnik, J.A., Babu, A., Shahin, S., Grohmann, R., Araújo, W.F. and Dencik, L. Verdegem, P. (ed.) 2021. AI for Everyone? Critical Perspectives. London University of Westminster Press.

Medrado, A. and Verdegem, P. 2024. AI for Social Good? Inspirations from Participatory Action Research (PAR) to Critical Data Studies. London University of Westminster.

Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.

White, N. 2017. All that is Data Melts into Air.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017