Address | Watford Road Northwick Park Middlesex HA1 3TP United Kingdom |
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Telephone number | (United Kingdom) +44 20 7911 5000 |
Head | Jonathan Stockdale |
Wright, A. 2016. Phantom Limb. Victoria Museum and Gallery, Liverpool 09 Jul 2016 - 11 Feb 2017
Wright, A. 2016. Hybrid Bodies at KKW. Kunstkraftwerk, Leipzig, Germany 18 - 26 Sep 2016
Wright, A. 2016. Seeing Things As They Are : Visual Narratives of Embodied Experience. Disability, Arts and Health Conference. University of Bergen, Norway 01 - 02 Sep 2016
Exarchos, M. 2016. Sonic Necessity and Compositional Invention in #Blues-Hop: Composing the Blues for Sample-Based Hip-Hop. New Zealand Musicological Society Annual Conference. Hamilton, New Zealand 19 - 20 Nov 2016
Exarchos, M. 2016. Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap. 2nd Annual Synthposium. Melbourne, Australia 14 Nov 2016
White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016
Craighead, A. and Thomson, J. 2016. Stutterer. The Sanger Institute, Wellcome Genome Campus, Cambridge 07 Oct 2016 - 22 Jan 2017
Craighead, A. and Thomson, J. 2016. Perpetual Uncertainty. Bildmuseet, Umeå, Sweden 02 Oct 2016 - 16 Apr 2017
Craighead, A. and Thomson, J. 2016. Nuclear Material Culture. Karst, Plymouth 27 Apr - 28 May 2016
Wright, A. 2016. Hybrid Bodies. Silent Signal. University of Derby, Derby 26 Feb 2017
Wright, A. 2016. There's So Much More I Want To Tell You. Visions in The Nunnery, Bow, London
Craighead, A. and Thomson, J. 2016. Big Bang Data. Somerset House, London 03 Dec 2015 - 20 Mar 2016
Craighead, A. and Thomson, J. 2016. Real Time: Art en temps real. Arts Santa Monica, Barcelona 28 Jan - 10 Apr 2016
Craighead, A. and Thomson, J. 2016. Party Booby Trap. Carroll / Fletcher, London 12 Apr - 25 May 2016
Craighead, A. and Thomson, J. 2016. Tecnologies de la violència. Arts Santa Monica, Barcelona, Spain 18 Oct 2016 - 08 Jan 2017
White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016
White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University
White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016
Cumberland, S. 2016. The Painting Show. Touring Exhibition: Currently Aram Art Gallery, Goyang Cultural Centre, South Korea. Previously Vilnius Contemporary Art Centre, Lithuania, and Limerick City Gallery of Art, Ireland. 22 Jan 2016 - 24 Sep 2017
Cumberland, S. 2016. Handmade Colour Pictures. The approach 1st Floor, 47 Approach Road Bethnal Green, London E2 9LY 10 Jul - 07 Aug 2016
Machado, L. 2016. A palimpsest-image: place, space and film geographies. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q15xz
Thomas, K. 2016. Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre-Bollywood era. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q154z
Evans, G. 2016. Migrants what does home mean to you? Hive Dalston 15 Apr 2017
Schroer, K. 2016. Film matters: Historical and material considerations of colour, movement and sound in film. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q14q8
Zhang, D. 2016. Business-to-Business (B2B) Media in UK: A mixed methods study using product variables to assess the impacts of social media on product strategies. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q10qy
Corby, T. and Baily, G. 2016. CODEX (Terra Incognita). Various
Aylesworth-Spink, S. 2016. Protecting the Herd: An Analysis of Public Relations Responses to the 2015 Measles Outbreak Originating at Disneyland and Disney California Adventure Park. Case Studies in Strategic Communication. 5 (10), pp. 191-219 10.
Aylesworth-Spink, S. 2016. Take the lead from students. New Vistas. 2 (2), pp. 12-15.
Li, H. 2016. Formatted entertainment in China: change in television production practices. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q0qz1
Boehnert, J. 2016. Knowledge Visualization in Environmental Communication . Jones, P. (ed.) Relating Systems Thinking and Design (RSD5) 2016 Symposium . Ontario College of Art and Design, Toronto, Ontario Canada 13 - 15 Oct 2016 Systemic Design Research Network.
D'heer, E. and Verdegem, P. 2016. @THEVIEWER: Analyzing the offline and online impact of a dedicated conversation manager in the newsroom of a public broadcaster. New Media & Society. 18 (10), pp. 2287-2304. https://doi.org/10.1177/1461444815583462
Courtois, C. and Verdegem, P. 2016. With a little help from my friends: An analysis of the role of social support in digital inequalities. New Media & Society. 18 (8), pp. 1508-1527. https://doi.org/10.1177/1461444814562162
Zarate-Valderrama, Y. 2016. Revamping journalism in the midst of a conflict? Mapping the world of local war journalists. PhD thesis University of Westminster Journalism and Mass Communication https://doi.org/10.34737/9zq9w
Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587
Onyeajuwa, M. 2016. Assessment of ordinary consumer representation in liberalised mobile telecommunications markets: a case study of Nigeria. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/9z7wy