Media, Arts and Design

Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

Michalis, M. 2014. Focal Points of European Media Policy from Inception till Present: Plus ça change? in: Donders, K., Pauwels, C. and Loisen, J. (ed.) Palgrave Handbook on European Media Policy New York Palgrave Macmillan. pp. 128-142

Wright, A. 2014. Hybrid Bodies: the Heart Project. University of Westminster. https://doi.org/10.34737/qqw60

Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333

Jones, C.W. 2014. Advertising Tools and Techniques Appropriated to Construct the Global Brand Mr. Clean. 12th World Congress of the IASS/AIS. Sofia 16 - 20 Sep 2014 de Gruyter Mouton. https://doi.org/10.24308/iass-2014-062

Kavada, A. 2014. Transnational Civil Society and Social Movements. in: Wilkins, K.G., Tufte, T. and Obregon, R. (ed.) Handbook of Development Communication & Social Change Chichester Wiley-Blackwell. pp. 351-369

Dawood, S. 2014. Towards the Possible Film .

Triscott, N., La Frenais, R., Padilla Domene, A. and Puig Domene, I. 2014. SEFT-1 Abandoned Railways Exploration Probe - Modern Ruins 1:220. Furtherfield Pavilion, Finsbury Park, London N4 2NQ 20 Jun - 27 Jul 2014

Triscott, N. and La Frenais, R. 2014. Republic of the Moon. Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH 10 Jan - 02 Feb 2014

Wyver, J. 2014. Serjeant Musgrave's Dance and the politics of possibility in two television adaptations. Critical Studies in Television. 9 (3), pp. 89-99. https://doi.org/10.7227/CST.9.3.9

Wyver, J. 2014. Television. in: Stephens, C. and Stonard, J.-P. (ed.) Kenneth Clark: Looking for Civilisation London Tate Publishing. pp. 123-32

Corby, T. 2014. Blood and Bones. Tom Corby.

Thussu, D.K. 2014. De-Americanizing Soft Power Discourse? CPD Perspectives on Public Diplomacy. 2014 (2), pp. 5-25.

Thussu, D.K. 2014. Television news and an Indian infotainment sphere. in: Sen, B. and Roy, A. (ed.) Channeling Cultures: Fifty Years of Television in India New Delhi Oxford University Press. pp. 129-141

Koksal, O. 2014. Past Not-So-Perfect: Ararat and Its Reception in Turkey. Cinema Journal. 54 (1), pp. 45-64. https://doi.org/10.1353/cj.2014.0069

Oppenheimer, J 2014. The Look of Silence. Venice Film Festival

Corby, T. and Williams, D. Forthcoming. I stood up (2015). London/New Delhi/Ahmedabad

Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

D'heer, E. and Verdegem, P. 2014. An intermedia understanding of the networked Twitter ecology. The 2012 Local Elections in Belgium. in: Patrut, B. and Patrut, M. (ed.) Social media in politics: Case Studies on the Political Power of Social Media Cham Heidelberg New York Dordrecht London Springer. pp. 81-96

Vanwynsberghe, H., Boudry, E., Vanderlinde, R. and Verdegem, P. 2014. Experts as facilitators for the implementation of social media in the library?: a social network approach. Library Hi Tech. 32 (3), pp. 529-545. https://doi.org/10.1108/LHT-02-2014-0015

Goodwin, P. 2014. The Price of Everything and the Value of Nothing? Economic Arguments and the Politics of Public Service Media. in: Ferrell Lowe, G. and Martin, F. (ed.) The Value of Public Service Media Goteborg, Sweden Nordicom. pp. 77-86

Youngs, G. 2014. Designing the Digital Economy: Embedding Growth Through Design, Innovation and Technology. London Policy Connect.

Craighead, A. and Thomson, J. 2014. Maps DNA and Spam. Dundee Contemporary Arts, Dundee 18 Jan - 16 Mar 2014

Craighead, A. and Thomson, J. 2014. Flat Earth. Germany MEWO Kunsthalle and Dundee Contemporary Arts.

Wright, A. 2014. Heart of the Matter. London

Wright, A. 2014. Cadenza.

D'heer, E. and Verdegem, P. 2014. Conversations about the elections on Twitter: Towards a structural understanding of Twitter’s relation with the political and the media field. European Journal of Communication. 29 (6), pp. 720-734. https://doi.org/10.1177/0267323114544866

Courtois, C., De Marez, L. and Verdegem, P. 2014. The composition and role of convergent technological repertoires in audiovisual media consumption. Behaviour & Information Technology. 33 (8), pp. 844-858. https://doi.org/10.1080/0144929X.2013.872189

Mey, K. 2014. Sculpture. in: Kelly, M. (ed.) Encyclopedia of Aesthetics: Volume 4. 2nd edition Oxford Oxford University Press.

White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7

Bourgett, J. 2014. Children’s public service broadcasters and their challenges in the online era: a comparison between the UK and Germany. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9v3zq

Leeson, L. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art 18 Sep 2014

Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 Jun 2014

Leeson, L. 2014. Re-thinking (e)valuation. Art, Recognition and Social Science: Re-Thinking (E)valuation. Central Library, Liverpool 16 May 2014

Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds

Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago 14 Feb 2014

Leeson, L. 2014. Art as a force for change. The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London 01 May 2014

Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014