Centre for Research and Education in Arts and Media

Wrigley, A. and Davis, R. 2011. Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity? The Journal of American drama and theatre. 23 (2), pp. 7-29.

Wrigley, A. 2011. Performing Greek drama in Oxford and on tour with the Balliol Players. University of Exeter Press.

Chatterjee, R. 2011. Journeys in and beyond the city: cinema in Calcutta, 1897-1939. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8zx68

Wrigley, A. (ed.) 2011. Translation, performance and reception of Greek drama, 1900-1960: international dialogues, a special double issue of Comparative Drama 44.4 (Winter 2010) – 45.1 (Spring 2011). Western Michigan University.

Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Wrigley, A. 2010. Robert Bridges' Masque Demeter and Oxford's Persephones. New Voices In Classical Reception Studies. 5.

Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.

Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15

Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Wrigley, A. 2010. Greek drama in the first six decades of the twentieth century: tradition, identity, migration. Comparative drama. 44 (4), pp. 371-384.

Wrigley, A. 2010. From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column. Classicizing Chicago.

Chatterjee, R. 2010. Peripheral encounters: early cinema advertising and attractions in Calcutta. in: de la Bretèque, F. (ed.) Peripheral early cinema: Domitor 2008 conference proceedings Domitor. pp. 171-182

Goddard, M. 2009. “Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”. in: Rasmus, A. and Cieslak, M. (ed.) Images of the City Cambridge Scholars Publishing. pp. 323-333

Goddard, M. 2009. Raymond Bellour. in: Colman, F. (ed.) Film, Theory and Philosophy: The Key Thinkers Durham Acumen Press. pp. 256-265

Wyver, J. Forthcoming. TV against TV: video art on television. in: Comer, S. (ed.) Film and Video Art London Tate Publishing.

Wrigley, A. 2009. Louis MacNeice’s radio classics: “all so unimaginably different”? in: Lowe, D. and Shahabudin, K. (ed.) Classics for all: reworking antiquity in mass culture Cambridge Scholars Publishing. pp. 39-61

Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

Chatterjee, R. 2008. TV review: The story of India with Michael Wood: BBC television series (BBC/PBS: 2007). Global Media and Communication. 4 (3), pp. 369-373. https://doi.org/10.1177/1742766508096086

Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281

Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187

Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.

Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346

Moore, D. 2007. The Last Things. London Dewi Lewis.

Wrigley, A. 2007. Stages of imagination: Greek plays on BBC radio. in: Stray, C. (ed.) Remaking the classics: literature, genre and media in Britain 1800-2000 London Duckworth. pp. 57-73

Wrigley, A. 2007. The Balliol Players at Holywell Manor. in: Murray, O. (ed.) Holywell Manor: an anecdotal history Oxford Balliol College. pp. 172-183

Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154

Hall, E. and Wrigley, A. (ed.) 2007. Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs. Oxford Legenda.

McArthur, S., Siddique, Z.L., Christian, H.C., Capone, G., Theogaraj, E., John, C.D., Smith, S.F., Morris, J.F., Buckingham, J.C. and Gillies, G.E. 2006. Perinatal glucocorticoid treatment disrupts the hypothalamo-lactotroph axis in adult female, but not male, rats. Endocrinology. 147 (4), pp. 1904-1915. https://doi.org/10.1210/en.2005-1496

Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435

Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958

Goddard, M. 2004. The Saragossa Manuscript. in: Hames, P. (ed.) 24 Frames: The Cinema of Central Europe London Wallflower Press. pp. 87-96

Moore, D. 2004. The Commons . London Velvet Press.

Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418

Hall, E., Macintosh, F. and Wrigley, A. (ed.) 2004. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford Oxford University Press.

Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145

Chatterjee, R. 2002. Catalogue for Vidarte 2002: Festival of video and electronics arts. UNKNOWN.

Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64