Centre for Research and Education in Arts and Media

Jones, C.W. 2017. Personal branding: 'Encoding a personal brand through semiotics: a case study'. in: Zantides, E. (ed.) Semiotics & Visual Communication ΙΙΙ: Cultures of Branding Cambridge Scholars Publishing.

Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017

Moore, D. 2017. Lisa and John. University of Westminster.

Jones, C.W. 2017. Personal branding: ‘Encoding a personal brand through semiotics: a case study’ . 3rd International Conference and Exhibition on Semiotics and Visual Communication.. Lemesos, Cyprus 03 - 05 Nov 2017 Cambridge Scholars Publishing.

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Fusari, M. 2017. Professional Training for the International Training Centre of the United Nations . International Training Centre of the UN.

Dawood, S. 2017. Leviathan.

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 19 May - 15 Jul 2017

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 24 Mar - 22 Apr 2017

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390. https://doi.org/10.1080/2154896X.2017.1373916

Fry, C. 2017. G-in-sunglassess.mov.

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The United Nations Church Centre, New York, USA May - Jun 2017

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The Streaming Museum, New York, USA May - Jul 2017

Fusari, M. 2017. From The Photograph To The Meta-Image My Practice-Led Search For A New Digital Epistemology. Proceedings. 1 (9) 889. https://doi.org/10.3390/proceedings1090889

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Corby, T. and Baily, G. 2017. Minima-Maxima. London Tom Corby.

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.

Linde, Matthew and Groves, Andrew 2017. The Overworked Body: An Anthology of 2000s Dress Curated by Matthew Linde. Goethe Institut, 38 Ludlow Street New York, NY 10002 10 Sep - 15 Oct 2017

Stehlikova, T. 2017. Journey to the Interior. Dissenters Chapel and gallery 21 - 21 May 2017

Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Ingawanij, M.A. 2017. Lav Diaz: Journeys .

White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70