Centre for Research and Education in Arts and Media

Wright, A. 2016. Hybrid Bodies at KKW. Kunstkraftwerk, Leipzig, Germany 18 - 26 Sep 2016

Wright, A. 2016. Seeing Things As They Are : Visual Narratives of Embodied Experience. Disability, Arts and Health Conference. University of Bergen, Norway 01 - 02 Sep 2016

Craighead, A. and Thomson, J. 2016. The Story. The Story.

White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016

Craighead, A. and Thomson, J. 2016. Stutterer. The Sanger Institute, Wellcome Genome Campus, Cambridge 07 Oct 2016 - 22 Jan 2017

Craighead, A. and Thomson, J. 2016. Perpetual Uncertainty. Bildmuseet, Umeå, Sweden 02 Oct 2016 - 16 Apr 2017

Craighead, A. and Thomson, J. 2016. Nuclear Material Culture. Karst, Plymouth 27 Apr - 28 May 2016

Wright, A. 2016. Hybrid Bodies. Silent Signal. University of Derby, Derby 26 Feb 2017

Wright, A. 2016. Piecing it Together. St Pancras Hospital.

Wright, A. 2016. There's So Much More I Want To Tell You. Visions in The Nunnery, Bow, London

Craighead, A. and Thomson, J. 2016. Big Bang Data. Somerset House, London 03 Dec 2015 - 20 Mar 2016

Craighead, A. and Thomson, J. 2016. Real Time: Art en temps real. Arts Santa Monica, Barcelona 28 Jan - 10 Apr 2016

Craighead, A. and Thomson, J. 2016. Party Booby Trap. Carroll / Fletcher, London 12 Apr - 25 May 2016

Craighead, A. and Thomson, J. 2016. Tecnologies de la violència. Arts Santa Monica, Barcelona, Spain 18 Oct 2016 - 08 Jan 2017

White, N. 2016. Flat Time. Dark Matters: Exploring Thresholds of (Im)perceptibility. An AHRC Exhibition and Workshop. Peter Scott Gallery, Lancaster, United Kingdom 14 Dec 2016

White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

White, N. 2016. Super Scale Psycho Data. Ars Santa Monica, Barcelona.

White, N. 2016. Neal White realises a Skoob. Henry Moore Institute. Leeds, UK 24 Mar - 19 Jun 2016

Cumberland, S. 2016. The Painting Show. Touring Exhibition: Currently Aram Art Gallery, Goyang Cultural Centre, South Korea. Previously Vilnius Contemporary Art Centre, Lithuania, and Limerick City Gallery of Art, Ireland. 22 Jan 2016 - 24 Sep 2017

Cumberland, S. 2016. Handmade Colour Pictures. The approach 1st Floor, 47 Approach Road Bethnal Green, London E2 9LY 10 Jul - 07 Aug 2016

Machado, L. 2016. A palimpsest-image: place, space and film geographies. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q15xz

Thomas, K. 2016. Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre-Bollywood era. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q154z

Evans, G. 2016. Migrants what does home mean to you? Hive Dalston 15 Apr 2017

Schroer, K. 2016. Film matters: Historical and material considerations of colour, movement and sound in film. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q14q8

Pucill, S. 2016. Confessions To The Mirror.

Corby, T. and Baily, G. 2016. CODEX (Terra Incognita). Various

Boehnert, J. 2016. Knowledge Visualization in Environmental Communication . Jones, P. (ed.) Relating Systems Thinking and Design (RSD5) 2016 Symposium . Ontario College of Art and Design, Toronto, Ontario Canada 13 - 15 Oct 2016 Systemic Design Research Network.

David Bate 2016. Photography: The Key Concepts. London Bloomsbury.

Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587

Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Mey, K. 2016. Corpus delicti. in: Arya, R. and Chare, N. (ed.) Abject Visions: Powers of Horror in Art and Visual Culture Manchester Manchester University Press. pp. 144-159

Sanderson, P. 2016. Towards an Asynchronous Cinema: how can the asynchronous use of sound in artists' moving image underpin the creation of dialectic tension between the audio, the visual and the audience? PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9ywy4

White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406

Corby, T., Williams, D, Sheth, V and Dhar, V 2016. I Stood Up: Social Design in Practice. Art and Design Review. 4 (2), pp. 30-36. https://doi.org/10.4236/adr.2016.42005

Smart, B. and Wrigley, A. 2016. Television history: archives, excavation and the future. A discussion. Critical Studies in Television. 11 (1), pp. 96-109. https://doi.org/10.1177/1749602015618634

Breen, L. 2016. Re-modelling clay: ceramic practice and the museum in Britain (1970-2014). PhD thesis University of Westminster Art and Design https://doi.org/10.34737/9x230

Tsifouti, A. 2016. Image usefulness of compressed surveillance footage with different scene contents. PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9x1qv

Mccauley, C. 2016. Nagaland: Borders, Boundaries, Belonging: Contested spaces and disputed narratives. Journal of Illustration. 2 (2), pp. 287-302. https://doi.org/10.1386/jill.2.2.287_1

Boehnert, J., Elzenbaumer, B and Onafuwa, D 2016. Design as Symbolic Violence. Design for Social Justice. DRS2016, Design + Research + Society: Future Focused Thinking. University of Brighton, UK 27 - 30 Jun 2016 Design Research Society.