Centre for Research and Education in Arts and Media

Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum. pp. 166-173

Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134

Ride, P. 2018. Suspended: Art in the threshold. in: Parry, R., Page, R. and Moseley, A. (ed.) Museum Thresholds: The Design and Media of Arrival London Routledge.

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe 20 Oct 2017 - 05 Aug 2018

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Tabrizian, M. 2018. Gholam- British/Iranian feature film. UK & Internationally

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

Leeson, L. and Duman, A. 2018. Art Practice and the Community. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press.

Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.

Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018

Wright, A. 2017. The Heart Project (exhibition and symposium). London Gallery West 20 - 24 Nov 2017

Craighead, A. 2017. Humans Being Digital. The Lowry, Salford 18 Nov 2017 - 26 Feb 2018

White, N. 2017. Archive in Ashes.

Cummings, P. 2017. Residue: Early Ancient Stage Chandelier . Galway Arts Centre, Ireland 12 - 27 Oct 2017

White, N. 2017. All that is Data Melts into Air.

Stehlikova, T. Forthcoming. 4 Generations of Women.

Pucill, S. 2017. White Cube, Bermondsey, London: Screening: Magic Mirror, Confessions To The Mirror. 28 Jun - 17 Sep 2017

Pucill, S. 2017. Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope. Cinemateket, Oslo 2010 - 2019

Marsh, J. 2017. Salat at Birmingham Central Mosque (2016-17). Birmingham Central Mosque 06 - 06 May 2016

Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London

Sporton, G. 2017. Double Take Live Performance. London

Pucill, S. 2017. National Portrait Gallery: Screening of Confessions To The Mirror. National Portrait Gallery, London 09 Mar - 29 May 2017

Pucill, S. 2017. Creteil International Women's Film Festival Official Selection: Confessions To The Mirror. Maison des Arts, Place Salvador Allende, Creteil, Paris 10 - 19 Mar 2017

Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Ingawanij, M.A. 2017. Forces and Volumes .

Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.

Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Moore, D. 2017. Lisa and John. University of Westminster. https://doi.org/10.34737/v77w2

Jones, C.W. 2017. Personal branding: 'Encoding a personal brand through semiotics: a case study'. in: Zantides, E. (ed.) Semiotics & Visual Communication ΙΙΙ: Cultures of Branding Cambridge Scholars Publishing.

Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.