Centre for Research and Education in Arts and Media

Fusari, M. 2017. From The Photograph To The Meta-Image My Practice-Led Search For A New Digital Epistemology. Proceedings. 1 (9) 889. https://doi.org/10.3390/proceedings1090889

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Corby, T. and Baily, G. 2017. Minima-Maxima. London Tom Corby.

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.

Linde, Matthew and Groves, Andrew 2017. The Overworked Body: An Anthology of 2000s Dress Curated by Matthew Linde. Goethe Institut, 38 Ludlow Street New York, NY 10002 10 Sep - 15 Oct 2017

Stehlikova, T. 2017. Journey to the Interior. Dissenters Chapel and gallery 21 - 21 May 2017

Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Ingawanij, M.A. 2017. Lav Diaz: Journeys .

White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70

Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Cummings, P. 2017. Triumph of the Immaterial. Victoria and Albert Museum, London

Cummings, P. 2017. Of Desire . France

Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017

Peters, T. 2017. Narrative Strategies, Christie Brown. New Ceramics: the European Ceramics Magazine. 1 (2017), pp. 8-13.

Craighead, A. and Thomson, J. 2017. Hybrid Landscapes. Digital Catapult, London 03 Apr 2017 - 31 Mar 2018

Craighead, A. and Thomson, J. 2017. Wake me up when it's over. Young Projects Gallery, Pacific Design Centre, West Hollywood, LA 27 Jan - 30 Apr 2017

Craighead, A. and Thomson, J. 2017. I Want! I Want!: Art & Technology. Birmingham Museum 01 Apr - 01 Oct 2017

Craighead, A. and Thomson, J. 2017. Recruitment Gone Wrong @ The New Observatory. Fact, Liverpool,UK 22 Jun - 01 Oct 2017

Barnwell, J. 2017. Production Design for Screen: Visual Storytelling in Film and Television. London Bloomsbury.

Allen, E. 2017. Image Quality Evaluation in Lossy Compressed Images. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q0vq5

Granziol-fornera, M. 2017. The Fragmented Body and the Artwork of Berlinde De Bruyckere. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q0923

Nikolic, M. 2017. minoritarian ecologies: performance before a more-than-human world. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zyyy

Angeli, S. 2017. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978). PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zwvz

Shinkle, E. 2017. The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs. Fashion Theory. 21 (2), pp. 201-217. https://doi.org/10.1080/1362704X.2016.1252524

Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180

Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) 2017. Music/Video: Histories, Aesthetics, Media. London Bloomsbury Academic.

Corby, T., Baily, G. and Sabbata, S 2017. CODEX: mapping co-created data for speculative geographies. Leonardo. 50 (1), pp. 70-71. https://doi.org/10.1162/LEON_a_01347

Boehnert, J. 2017. Ecological Theory in Design: Participant Designers in an Age of Entanglement. in: Egenhoefer, R.B. (ed.) Routledge Handbook of Sustainable Design London Routledge.

Ingawanij, M.A. 2016. Southern Collectives screening programmes and discussion . Buenos Aires 29 Oct - 13 Nov 2016