Westminster School of Arts

Twomey, C. 2004. Consciousness/concience. in: Groom, S. (ed.) A secret history of clay: from Gauguin to Gormley Liverpool, UK Tate Liverpool in association with Tate Publishing.

Tabrizian, M. and Golding, A. 2004. The perfect crime. Elcano, Bilbao, Spain 19 May - 22 Jun 2004

Tabrizian, M. 2004. Beyond the limits: silent majority.

Tabrizian, M. 2004. Beyond the limits. London, UK Thames & Hudson.

Pucill, S., Hatfield, J. and Reynolds, L. 2004. The Question of the Subject and the Autobiographic in Artists Moving Image Practice. Filmwaves Magazine. 24 (2), pp. 5-9.

Orlow, U. and Maclennan, R. 2004. Re: the archive, the image and the very dead sheep. London, UK Double agents.

Orlow, U. 2004. A picturesque journey. Aine Art Museum, Tornio, Finland 06 Feb - 21 Mar 2004

Orlow, U. 2004. Mnemoscapes.

Orlow, U. 2004. Instead (dialogue with an absent friend). Danielle Arnaud contemporary art gallery 16 Jan 22 Feb 2004

Ingawanij, M.A. and MacDonald, R.L. 2004. The value of an impoverished aesthetic: the iron ladies and its audiences. Spectator: University of Southern California Journal of Film and Television Criticism. 24 (2), pp. 73-81.

Gray, R. and McQueen, A. 2004. Alexander McQueen in Fashion at Belsay. Belsay Hall, Northumberland 29 May - 30 Sep 2004

Carty, A. 2004. State and nation in the international law tradition: a history of French-German antagonisms and possible responses in the Spanish late medieval tradition. in: Stolleis, M. and Yanagihara, M. (ed.) East Asian and European Perspectives in the History of International Law Baden-Baden, Germany Nomos Verlag.

Carty, A. 2004. The Corfu channel case: and the missing admiralty orders. Law and Practice of International Courts and Tribunals: a practitioners' journal. 3 (1), pp. 1-35. https://doi.org/10.1163/157180301773732618

Burgin, V. and Campany, D. 2004. Los Lugares de Victor Burgin (o los placers de Vertigo a 9000 metros) / Locating Victor Burgin or Vertigo at 30000 ft. in: Ensayos Gustavo Gili. pp. 7-15

Bate, D. 2004. Voyeurism and portraiture. in: Mortensen, M., Anderson, C.R. and With, G. (ed.) Geometry of the face: photographic portraits Denmark National Museum of Photography. pp. 55-64

Bate, D. 2004. Bungled memories: Series of five photographs examining, through the conventions of the still life genre, the thesis that accidents are not necessarily 'accidents'.

Oppenheimer, J. and Cynn, C. 2003. The globalisation tapes.

Thompson, Shirley 2003. Summer notes.

David Bate 2003. The truth of the colonies. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

David Bate 2003. Black object, white subject 1. in: Photography and surrealism: sexuality, colonialism and social dissent Routledge.

David Bate 2003. Fascism and exile. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

David Bate 2003. Sadness and sanity. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

David Bate 2003. The Sadean eye. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

David Bate 2003. The automatic image. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

David Bate 2003. The Oriental signifier. in: Photography and surrealism: sexuality, colonialism and social dissent Routledge.

David Bate 2003. What is a surrealist photograph? in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.

Stewart, K. 2003. Kerry Stewart. Salamanca, Spain Consorcio Salamanca.

York, A. 2003. Keyboard techniques. in: Moore, A.F. (ed.) The Cambridge Companion to Blues and Gospel Music Cambridge Cambridge University Press. pp. 130-140

Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145

Rawlings, J. 2003. The ocean between. Dock Museum, Barrow-in-Furness, UK Feb - Apr 2003

Rawlings, J. 2003. Gone into the workhouse. Medieval Church, Old Romney, UK 20 Sep - 12 Oct 2003

Orlow, U. 2003. A dance of death and life performed by cinema and TV.

Orlow, U. 2003. Threshold of language - threshold of light (Hebrew). in: Borders of sanctity: in art, society and Jewish thought (Hebrew) Jerusalem Keter.

Lehaney, B., Clarke, S., Coakes, E. and Jack, G. 2003. Beyond knowledge management. Hershey, USA Idea Group Publishing.

Campany, D. 2003. Safety in numbness: some remarks on problems of 'late photography'. in: Green, D. (ed.) Where is the photograph? Maidstone, Kent Photoworks. pp. 88-94

Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37

Bate, D. 2003. Fotografie und der koloniale blick [Photography and colonial vision]. in: Wolf, H. (ed.) Diskurse der fotografie Munich, Germany Suhrkamp Verlag KG. pp. 115-132

Bate, D. 2003. Art, education, photography. in: Wells, L. (ed.) The photography reader London, UK Routledge. pp. 435-442

Atherton, P. and Farqhuar, M. 2003. Hair the Show.