| College | Design, Creative and Digital Industries |
|---|---|
| Head | Ms Virginia Grose |
David Bate 2003. The automatic image. in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.
David Bate 2003. The Oriental signifier. in: Photography and surrealism: sexuality, colonialism and social dissent Routledge.
David Bate 2003. What is a surrealist photograph? in: Photography and Surrealism: Sexuality, Colonialism and Social Dissent Routledge.
York, A. 2003. Keyboard techniques. in: Moore, A.F. (ed.) The Cambridge Companion to Blues and Gospel Music Cambridge Cambridge University Press. pp. 130-140
Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180
Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145
Rawlings, J. 2003. The ocean between. Dock Museum, Barrow-in-Furness, UK Feb - Apr 2003
Rawlings, J. 2003. Gone into the workhouse. Medieval Church, Old Romney, UK 20 Sep - 12 Oct 2003
Orlow, U. 2003. A dance of death and life performed by cinema and TV.
Orlow, U. 2003. Threshold of language - threshold of light (Hebrew). in: Borders of sanctity: in art, society and Jewish thought (Hebrew) Jerusalem Keter.
Campany, D. 2003. Safety in numbness: some remarks on problems of 'late photography'. in: Green, D. (ed.) Where is the photograph? Maidstone, Kent Photoworks. pp. 88-94
Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37
Bate, D. 2003. Fotografie und der koloniale blick [Photography and colonial vision]. in: Wolf, H. (ed.) Diskurse der fotografie Munich, Germany Suhrkamp Verlag KG. pp. 115-132
Bate, D. 2003. Art, education, photography. in: Wells, L. (ed.) The photography reader London, UK Routledge. pp. 435-442
Bate, D. 2003. Photography and surrealism: sexuality, colonialism and social dissent. London, UK I.B. Tauris.
Thompson, Shirley 2002. New nation rising: a 21st century symphony. London Philharmonic Orchestra.
Goddard, M. 2002. Hypothesis of the Stolen Aesthetics. Contretemps: An Online Journal of Philosophy. 3, pp. 75-84.
Orlow, U. 2002. Deposits: a body of work comprising 1942 (Poznan), Housed memory, the Weiner library, Inside the archive.
Orlow, U. 2002. Chris Marker: the archival power of the image. in: Comay, R. and Knechtel, J. (ed.) Alphabet city #8: lost in the archives Toronto, Canada Alphabet City Media Inc.. pp. 436-451
David Bate 2001. Notes on Beauty and Landscape 1. in: Fehily, Catherine, Newton, Kate and Wells, Liz (ed.) Shifting Horizons Routledge.
Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64
Orlow, Uriel 2000. Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000).
Goddard, M. 2000. The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm. in: Walker, R., Brass, K. and Byron, J. (ed.) Anatomies of Violence: an interdisciplinary investigation Sydney RIHSS, Sydney University. pp. 62-73
Thomas, R. 1995. Melodrama and the negotiation of morality in mainstream Hindi film. in: Breckenridge, C. (ed.) Consuming modernity: public culture in a South Asian world University of Minnesota Press. pp. 157-182
David Bate 1993. Photography and the colonial vision. Third Text. 7 (22), pp. 81-91. https://doi.org/10.1080/09528829308576403
David Bate 1990. Train up a child in the way he should go. Third Text. 4 (10), pp. 53-59. https://doi.org/10.1080/09528829008576252