| College | Design, Creative and Digital Industries |
|---|---|
| Head | Ms Virginia Grose |
Campany, D. 2009. Quotations for an essay about editing. Source Magazine. 60.
Campany, D. 2009. Motion pictures. in: Mark Lewis: cold morning Canadian Pavilion, Venice Biennale. pp. 17-21
Campany, D. 2009. Interview with David Campany. in: EXTRA no.3, Summer 2009 Antwerp Fotomuseum. pp. 22-25
Campany, D. 2009. In the light of the lumieres. in: Kierulf, I. (ed.) Seminarene pa Fotogalleriet 2005-2008 Oslo Photogalleriet. pp. 99-114
Campany, D. 2009. Historia de arte conceptualo un hogar para 'Homes for America'. Papel Alpha: cuadernos de fotografia. 7, pp. 3-24.
Campany, D. 2009. Eugene Atget's intelligent documents. in: Eugene Atget: photographe de Paris Errata Editions.
Campany, D. 2009. And yes, it's over, now the powerful have found me (or, LA through a high altitude daydream). PA Magazine. 2.
Bate, D. 2009. Thirty years of British photography. Portfolio: contemporary photography in Britain. 50.
Urwin, P.J., Di Pietro, G., Sturgis, P. and Jack, G. 2008. Measuring the returns to networking and the accumulation of social capital: any evidence of bonding, bridging or linking? American Journal of Economics and Sociology. 67 (5), pp. 941-968. https://doi.org/10.1111/j.1536-7150.2008.00603.x
Ursu, M.F., Kegel, I., Williams, D., Thomas, M., Mayer, H., Zsombori, V., Tuomola, M.L., Larsson, H. and Wyver, J. 2008. ShapeShifting TV: interactive screen media narratives. Multimedia Systems. 4 (2), pp. 115-132. https://doi.org/10.1007/s00530-008-0119-z
Attridge, G.G., Vagal, G., Allen, E., Triantaphillidou, S. and Pointer, M.R. 2008. Subjective and objective measures of colour hard copy images. Imaging Science Journal. 56 (3), pp. 163-174. https://doi.org/10.1179/174313108X281326
Campany, D. 2008. That obscure object of photography. Photoworks. 10, pp. 4-7.
Campany, D. 2008. Motion pictures: the films of Mark Lewis. Frieze. 112, pp. 124-129.
Barnwell, J. 2008. The Fundamentals of Film-making. Switzerland AVA.
Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281
Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187
Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.
Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172
Ursu, M.F., Kegel, I.C., Williams, D., Thomas, M., Mayer, H., Zsombori, V., Tuomola, M.L., Larsson, H. and Wyver, J. 2008. ShapeShifting TV: interactive screen media narratives. Multimedia Systems. 4 (2), pp. 115-132. https://doi.org/10.1007/s00530-008
Wyver, J., Blight, R. and Fleetwood, A. 2008. The eternity man.
Wyver, J. 2008. Spider in the city: la machine in Liverpool.
Rawlings, J. 2008. Tri-angulation. Duff House (outstation National gallery of Scotland) 2nd april - 31st May 2009
Rawlings, J. 2008. As the crow flies. London Gallery West 30 Jan - 08 Mar 2008
Matheson, N. 2008. National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz. Journal of War and Culture Studies. 1 (3), pp. 261-274. https://doi.org/10.1386/jwcs.1.3.261_1
Matheson, N. 2008. Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction. in: Holmgren Troy, M. and Wenno, E. (ed.) Space, haunting, discourse Newcastle Cambridge Scholars Publishing.
Campany, D. 2008. The one, the many, the one. PA Magazine. 1, pp. 4-5.
Campany, D. 2008. A conversation with Edgar Martins. in: Edgar Martins: Topologies New York Aperture. pp. 115-122
Campany, D. 2008. The aesthetics of the pixel: Thomas Ruff's JPEGs. IANN Magazine. 2, pp. 32-47.
Campany, D. 2008. Strangely simple and simply strange: the photobook for children. Source Magazine. 54, pp. 20-25.
Campany, D. 2008. From ecstacy to agony: cinema and the fashion shoot. Aperture. 190, pp. 40-45.
Campany, D. 2008. Brian Alfred is a person. in: Brian Alfred: Millions now living will never die!!! London Haunch of Venison. pp. 4-8