Westminster School of Arts

Bate, D. 2015. Art Photography. Tate Publishing.

Danino, N., Matthee, J., Novaczek, R., Pucill, S. and Syed, A. 2015. Roundtable Discussion: The Women of the London Filmmaker’s Co-op. The Moving Image Review & Art Journal (MIRAJ). 4 (1&2), pp. 164-179. https://doi.org/10.1386/miraj.4.1-2.164_1

Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Sprecher, D. and Raw, Natalie 2015. Tailored: A Very British Fashion.

Orlow, U. 2015. Made-Unmade.

Orlow, U. 2015. Unmade Film.

Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015

Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015

Stevens, S. 2015. Kinetics: Fronts and Frontiers. KinoKulture, Owestry, Shropshire, England 04 - 04 Feb 2015

Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

Sprio, Margherita 2015. The politics of movie memories in Fowler, N.M. (ed.) Measuring Elvis . The Cob Gallery Ltd.

Sprio, Margherita 2015. Feminisms, mirrors: Claude Cahun and Sarah Pucill - a dialogue. Moving Image Review and Art Journal. 4 (1), pp. 260-267. https://doi.org/10.1386/miraj.4.1-2.260_5

Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017

Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250

Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015

Campany, D. 2015. Photography as Rehearsal / Rehearsal as Photography. in: Teichmann, E. and Stewart, C. (ed.) Staging Rehearsal London Black Dog Publishing.

Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.

Campany, D. 2015. A Handful of Dust. London MACK.

Ross, J. 2015. Short Special: Basim Magdy. International Film Festival Rotterdam 25 - 25 Jan 2015

Ross, J. 2015. Spectral Presence: Expanded cinema from Britain and beyond. Art Cinema OFFoff 23 - 23 Oct 2015

Ross, J. 2015. Ito Takashi: Moving Still. Eye Film Institute 01 - 01 Dec 2015

Ross, J. 2015. An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art. PhotoResearcher. 24, pp. 32-37.

Ross, J. 2015. Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun. in: The Geologic Imagination Sonic Acts Press. pp. 53-63

White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015

White, N. 2015. Notes for a Manifesto. White Heat Symposium. Department of Engineering, Cambridge University in association with Kettles Yard

Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.

Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015

Bate, D. 2015. Art Photography. London Tate Publishing.

Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

Ingawanij, M.A. 2015. Long Walk to Life: the Films of Lav Diaz . Afterall . 40.

White, N. 2015. Sites of Excavation and Construction.

White, N., La Fevre, L and Yiakoumaki, N 2015. The Third Campaign: Extracts. Whitechapel Gallery 22 Sep 2014 - 22 Feb 2015