Westminster School of Arts

Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

Campany, D. 2013. Gasoline. London MACK.

Moore, D. 2013. Pictures from the Real World, Colour Photographs 1987-88. London DewiLewis/Here Press.

Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

Goddard, M. 2013. No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries. in: Halligan, B., Edgar, R. and Fairclough-Isaacs, K. (ed.) The Music Documentary: Acid Rock to Electropop New York, London Routledge. pp. 115-130

Goddard, M. 2013. Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music. in: Goddard, M., Halligan, B. and Spelman, N. (ed.) Resonances: Noise and Contemporary Music London; New York Bloomsbury Academic.

Goddard, M. 2013. Cinema, Insatiability and Impure Form: Witkacy on Film. The Polish Journal of Aesthetics/Estetyka i Krytyka. 31 (4), pp. 99-108.

Goddard, M. 2013. Impossible Cartographies: Approaching Raúl Ruiz's Cinema. Em Questão. 19 (1), pp. 22-41. https://doi.org/10.19132/1808-5245191.22-41

Goddard, M., Halligan, B and Spelman, N (ed.) 2013. Resonances: Noise and Contemporary Music. London Bloomsbury Academic.

Goddard, M. 2013. The Cinema of Raul Ruiz: Impossible Cartographies. London Wallflower Press.

White, N. 2013. Modern British Sculpture Catalogue. in: Curtis, P. and Wilson, K. (ed.) Modern British Sculpture London Royal Academy of Arts. pp. 278-279

White, N. 2013. Experiments and Archives in the Expanded Field. in: Stuckey, K., Lane, V. and Vaknin, J. (ed.) All This Stuff: Archiving the Artist Faringdon, Oxfordshire Libri Publishing. pp. 47-61

White, N. 2013. On Not Knowing. in: Fisher, E. and Fortnum, R. (ed.) On Not Knowing: How Artists Think Black Dog Publishing.

White, N. 2013. Epistemic Events. in: Schwab, M. (ed.) Experimental Systems: Future Knowledge in Artistic Research Belgium Leuven University Press.

ten Brink, J. and Oppenheimer, J. 2013. Invincible.

Thompson, Shirley 2013. Nanny of the maroons.

Thomas, R. 2013. Thieves of the Orient: the Arabian Nights in early Indian cinema. in: Kennedy, P.F. and Warner, M. (ed.) Scheherazade's children: global encounters with the Arabian Nights New York New York University Press. pp. 362-393

Tabrizian, M. 2013. Tehran project. Fondazione Fotografia, Modena, Italy 20 Apr - 23 Jun 2013

Tabrizian, M. 2013. Another country, 2010. Fondazione Fotografia, Modena, Italy 20 Apr - 23 Jun 2013

Sprio Margherita 2013. Sombra Dolorosa (Guy Maddin, 2004): a queer archival performance. in: Borggreen, G. and Gade, R. (ed.) Performing archives/archives of performance Copenhagen Museum Tusculanum Press (University of Copenhagen).

Sprio Margherita 2013. Migrant memories: cultural history, cinema and the Italian post-war diaspora in Britain. Oxford Peter Lang.

Sprio Margherita 2013. Love Meetings, Pasolini (1964). in: Pigott, M. (ed.) World film locations: Venice Bristol Intellect.

Sprio, Margherita 2013. Diaspora in the field of vision. Visual Culture in Britain. 14 (3), pp. 342-355. https://doi.org/10.1080/14714787.2013.832104

Sprio Margherita 2013. Book review: Seeing witness: visuality and the ethics of testimony (Jane Blocker, University Minnesota Press). Performing Ethos. 4 (1), p. 79. https://doi.org/10.1386/peet.4.1.79_5

Shinkle, E. 2013. Fashion's digital body: seeing and feeling in fashion interactives. in: Bartlett, D., Cole, S. and Rocamora, A. (ed.) Fashion media: past and present London Bloomsbury Publishing.

Pucill, S. 2013. Magic Mirror.

Orlow, U. 2013. Sounds from beneath. Japan 10 Aug - 27 Oct 2013

Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Christodoulou, C. 2013. DJs and the aesthetic of acceleration in drum 'n' bass. in: Attias, B.A., Gavanas, A. and Rietveld, H.C. (ed.) DJ culture in the mix: power, technology, and social change in electronic dance music London Bloomsbury Academic. pp. 195-218

Bate, D. 2013. The digital condition of photography: cameras, computers and display. in: Lister, M. (ed.) The photographic image in digital culture (2nd edition) Routledge. pp. 77-94

Mays, S. and Matheson, N. (ed.) 2013. The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester Manchester University Press.

Reddington, J. 2012. McQ Autumn/Winter Show 2012.

Ingawanij, M.A. 2012. Mother India in six voices: melodrama, voice performance, and Indian films in Siam. Bioscope: South Asian Screen Studies. 3 (2), pp. 99-121. https://doi.org/10.1177/097492761200300202

Wyver, J. 2012. Julius Caesar.

Barnwell, J. 2012. Axed.

Orlow, U. 2012. In Praise of Ghosts. in: Segal, N. and Kivland, S. (ed.) Vicissitudes: Histories and Destinies of Psychoanalysis University of London Press.

Lunn, Felicity, Orlow, Uriel, Reust, Hans Rudolf and Thal, A. 2012. Time is a place. Uriel Orlow - Time Is a Place. CentrePasquArt Biel 01 Jul - 26 Aug 2012 Publishers for Modern Art.

Peters, T. 2012. Tradition & Innovation: Five Decades of Harrow Ceramics. Contemporary Applied Arts, London W1 20 Apr - 09 Jun 2012