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Writing Popular Music Fiction
Journal article
Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice.
Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Digital or visual media
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London
Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power
Conference paper
Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022
Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Conference paper
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022
Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor
Digital or visual media
Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London
Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video
Digital or visual media
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London
Music Income, Self Authoring and the Digitally Mediated Career - Video
Digital or visual media
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London
Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE
Conference paper
Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022
In The Future
Journal article
Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.
Music Income, Self Authoring and the Digitally Mediated Career
Conference paper
Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022
Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship.
Conference paper
Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022
Jazz Jamaica All Stars: The Trojan Story - Live Event
Exhibition
Riley, M. 2021. Jazz Jamaica All Stars: The Trojan Story - Live Event. Royal Festival Hall, London
Using DAWs as modelling tools for learning design sound-based applications in education
Journal article
Boon, H. 2021. Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322. https://doi.org/10.1386/jmte_00028_1
Ticket Master State of Play Grime Report
Project report
Riley, M. 2017. Ticket Master State of Play Grime Report. Online Ticket Master.
Bass Culture
Portfolio
Riley, M. 2014. Bass Culture. University of Westminster. https://doi.org/10.34737/qqvqz
Bass Culture: an alternative sound track to Britishness
Book chapter
Riley, M. 2014. Bass Culture: an alternative sound track to Britishness. in: Stratton, J. and Zuberi, N. (ed.) Black Popular Music in Britain since 1945 Farnham Ashgate. pp. 101-114