Address | Watford Road Northwick Park Middlesex HA1 3TP United Kingdom |
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Telephone number | (United Kingdom) +44 20 7911 5000 |
Head | Jonathan Stockdale |
Sporton, G. 2015. Digital Creativity: Something From Nothing. London Palgrave Macmillan.
Kavada, A. 2015. Social Media as Conversation: A Manifesto. Social Media + Society. 1 (1). https://doi.org/10.1177/2056305115580793
Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015
Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015
Mano, W. 2015. Racism, Ethnicity and the Media in Africa. in: Mano, W. (ed.) Racism, Ethnicity and the Media in Africa: Mediating Conflict in the Twenty-first Century London I.B. Tauris. pp. 1- 27
Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279
Sprio, Margherita 2015. The politics of movie memories in Fowler, N.M. (ed.) Measuring Elvis . The Cob Gallery Ltd.
Sprio, Margherita 2015. Feminisms, mirrors: Claude Cahun and Sarah Pucill - a dialogue. Moving Image Review and Art Journal. 4 (1), pp. 260-267. https://doi.org/10.1386/miraj.4.1-2.260_5
Rieple, A. and Pisano, P. 2015. Business Models in a New Digital Culture: The Open Long Tail Model. Symphonya. 2 (6), pp. 75-88. https://doi.org/10.4468/2015.2.06rieple.pisano
Pisano, P., Pironti, M. and Rieple, A. 2015. Identify Innovative Business Models: Can Innovative Business Models Enable Players to React to Ongoing or Unpredictable Trends? Entrepreneurship Research Journal. 5 (3), pp. 181-199. https://doi.org/10.1515/erj-2014-0032
Thussu, D.K. 2015. Reinventing ‘Many Voices’: MacBride and a Digital New World Information and Communication Order. Javnost / The Public. 22 (3), pp. 252-263. https://doi.org/10.1080/13183222.2015.1080454
O'Brien, M. 2015. Movement for Change. Communications Director. 01/2015, pp. 42-45.
Thussu, D.K. 2015. Digital BRICS: Building a NWICO 2.0? in: Nordenstreng, K. and Thussu, D.K. (ed.) Mapping BRICS Media London Routledge. pp. 242-263
Thussu, D.K. and Nordenstreng, K. 2015. Introduction: Contextualizing the BRICS Media. in: Nordenstreng, K. and Thussu, D.K. (ed.) Mapping BRICS Media London Routledge. pp. 1-22
Thussu, D.K. and Nordentstreng, K. (ed.) 2015. Mapping BRICS Media. London Routledge.
Koksal, O. 2015. From Wim Wenders' Lisbon to Fatih Akin's Istanbul: Producing the Cool City in Film. in: Ozkan, D. (ed.) Cool Istanbul: Urban Enclosures and Resistances Bielefeld transcript Verlag. pp. 81-101
Ratta, D., Sakr, N. and Skovgaard-Petersen, J. (ed.) 2015. Arab Media Moguls. London I.B. Tauris.
Vanwynsberghe, H., Boudry, E. and Verdegem, P. 2015. De impact van ouderschapsstijlen op de ontwikkeling van sociale mediageletterdheid bij adolescenten. Tijdschrift voor Communicatiewetenschap. 43 (1), pp. 84-100.
Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017
Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250
Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159
Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015
Youngs, G. 2015. Digital transformations of transnational feminism in theory and practice. in: Baksh, R. and Harcourt, W. (ed.) The Oxford Handbook of Transnational Feminist Movements Oxford, Oxon, UK Oxford University Press.
Youngs, G. 2015. Violence, techno-transcendence and feminism: thinking about agency in the digital age. in: Marway, H. and Widdows, H. (ed.) Women and Violence: the Agency of Victims and Perpetrators London AIAA. pp. 162-177
Craighead, A. and Thomson, J. 2015. Artist Use of Open Data. Open Data Institute summit 2015. BFI Southbank 03 Nov 2015 Open Data Institute.
Craighead, A. and Thomson, J. 2015. Hello World. Shrewsbury Museum and Art Gallery, UK Shrewsbury Museum and Art Gallery, UK.
Craighead, A. and Thomson, J. 2015. Art in the age of asymmetrical ... warfare. Witte de With, Rotterdam, London 11 Sep 2015 - 03 Jan 2016
Craighead, A. and Thomson, J. 2015. Right Here Right Now. The Lowry, Salford 14 Nov 2015 - 28 Feb 2016
Craighead, A. and Thomson, J. 2015. Data as Culture 3: Data Anthropologies. Open Data Institute, London 25 Mar - 20 Jun 2015
White, N. 2015. Secrecy and Art in Practice. Politics and Practices of Secrecy. Institute of North American Studies, Kings College, London 15 - 15 May 2015
Springer, J. 2015. Interview with Lemi Ghariokwu. 16 Oct 2015
Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015
D'heer, E. and Verdegem, P. 2015. What social media data mean for audience studies: a multidimensional investigation of Twitter use during a current affairs TV programme. Information, Communication & Society. 18 (2), pp. 221-234. https://doi.org/10.1080/1369118X.2014.952318
Vanwynsberghe, H., Vanderlinde, R., Georges, A. and Verdegem, P. 2015. The librarian 2.0: Identifying a typology of librarians’ social media literacy. Journal of Librarianship and Information Science. 47 (4), pp. 283-293. https://doi.org/10.1177/0961000613520027
Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.
Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298
Nassif, H. 2015. Home under siege: Bab al-Hara, televising morality and everyday life in the Levant. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/9yxq0