Address | Watford Road Northwick Park Middlesex HA1 3TP United Kingdom |
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Telephone number | (United Kingdom) +44 20 7911 5000 |
Head | Jonathan Stockdale |
Bovey, D. 2015. The artist biopic: a historical analysis of narrative cinema, 1934-2010. PhD thesis University of Westminster Television, Film and Moving Image https://doi.org/10.34737/9w77z
Boehnert, J. 2015. The Politics of Data Visualisation. Discover Society. 23.
Maziere, M. 2015. Contemporary Screen-Based Curatorial Practice. Artists' Moving Image Practice in Britain: From 1990 to Today. Whitechapel Gallery 07 Nov 2015
Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016
Niblock, S. 2015. From the high ground to the swamp: A model for immersive journalism research. Journal of Applied Journalism & Media Studies. 4 (2), pp. 223-237. https://doi.org/10.1386/ajms.4.2.223_1
Niblock, S. 2015. Russell Brand: the compassionate humorist. in: Keeble, R.L. and Swick, D. (ed.) Pleasure of the Prose: Humour in Journalism Bury St Edmunds, Suffolk Abramis Academic Publishing.
Rashid, I. 2015. The politics of DTT policy-making in Bulgaria: the significance of path dependencies and institutional characteristics. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9w194
Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1
Turajlic, M. 2015. Cinema Komunisto: cinema as a memory site. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx73
Douglass, C. 2015. Collaborative visual ethnography and breast cancer. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx13
Garrisi, D. 2015. Reading skin in Victorian newspapers: an analysis of British newspapers’ coverage of human skin, 1840-1900. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qvyq
Leeson, L. 2015. Community Collaborations 1978-2015. Community Arts? Learning from the legacy of artists’ social initiatives. The Black-e, Liverpool 01 Nov 2015
Bunz, M. 2015. Things Are Not to Blame: Technical Agency and Thing Theory in the Age of Internet of Things. in: Chun, W., Watkins Fisher, A. and Keenan, T. (ed.) New Media, Old Media: A History and Theory Reader London Routledge. pp. 388-400
Leeson, L. 2015. Giving More than You Take. in: Collins, D. (ed.) The Tetley Feast: Documentation and Critical Reflections Leeds Leeds College of Art. pp. 81-85
Santos, M. and Da Fonseca Moreira Santos Maria 2015. (un)childhood: performing the voices and times of childhood through relational video-making. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9984y
McMurdo, W. 2015. Children and computers: collected works (1995–2014). PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/997v9
Fuchs, Christian 2015. The MacBride Report in Twenty-first-century Capitalism, the Age of Social Media and the BRICS Countries. Javnost / The Public. 22 (3), pp. 226-239. https://doi.org/10.1080/13183222.2015.1059626
Leeson, L. 2015. Engaging older people in creative thinking: the active energy project. in: Camic, P. and Clift, S. (ed.) Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research Oxford Oxford University Press. pp. 245-249
Fuchs, Christian 2015. Power in the Age of Social Media. Heathwood Journal of Critical Theory. 1 (1), pp. 1-29.
Fuchs, Christian 2015. The digital labour theory of value in the age of Facebook, YouTube, Twitter and Weibo. in: Fisher Eran and Fuchs Christian (ed.) Reconsidering value and labour in the digital age Basingstoke Palgrave Macmillan. pp. 26-41
Fuchs, Christian and Fisher, Eran 2015. Introduction: Value and labour in the digital age. in: Fuchs Christian and Fisher Eran (ed.) Reconsidering value and labour in the digital age Basingstoke Palgrave Macmillan. pp. 3-25
Fuchs, Christian 2015. Surveillance and critical theory. Media and Communication. 3 (2), pp. 6-9. https://doi.org/10.17645
D'Arma, A. 2015. Media and Politics in Contemporary Italy: From Berlusconi to Grillo. Lanham/Boulder Lexington Books.
Prakash, E., Navarro-Newball, A., Moreno, I., Arya, A., Contreras, V.E., Quiceno, V.A., Lozano, S., Mejìa, J.D. and Loaiza, D.F. 2015. Gesture based human motion and game principles to aid understanding of science and cultural practices. Multimedia Tools and Applications. pp. 1-24. https://doi.org/10.1007/s11042-015-2667-5
Gomes, A.J.P. and Prakash, E. 2015. Guest Editor's Introduction: Massively Multiplayer Online Games Technologies and Applications. IEEE Transactions on Emerging Topics in Computing. 3 (2), pp. 258-259. https://doi.org/10.1109/TETC.2015.2426031
Bunz, M. 2015. School Will Never End: On Infantilization in Digital Environments–Amplifying Empowerment or Propagating Stupidity? in: Berry David, M. and Dieter Michael (ed.) Postdigital Aesthetics: art, computation and design Basingstoke, New York Palgrave Macmillan. pp. 191-202
Fuchs, Christian 2015. Zur Theoriebildung und Analyse der digitalen Arbeit. Die globale Produktion digitaler Hard- und Software (Teil I). Z. Zeitschrift Marxistische Erneuerung . 2015 (103), pp. 85-94.
Fuchs, Christian 2015. Christian Fuchs (Interview conducted by Michelle Amazeen). in: Lent, John and Amazeen, Michelle (ed.) Key thinkers in critical communication scholarship: From the pioneers to the next generation Basingstoke Palgrave Macmillan.
Stevenson Neil 2015. The production and mediatisation of political talk television in the United States, Australia, and the United Kingdom. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/988z1
Dwyer, P. 2015. Theorizing media production: the poverty of political economy. Media, Culture & Society. 37 (7), pp. 988-1004. https://doi.org/10.1177/0163443715591667
Mangalanayagam, N. 2015. Living with contradictions: re-reading the representation of hybridity in visual art. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/97vw7
Fuchs, Christian 2015. Dallas Smythe and digital labor. in: Richard Maxwell (ed.) Routledge companion to labor and media New York Routledge. pp. 51-62
Steemers, J. and Sakr, N. 2015. Co-producing content for pan-Arab children's TV: state, business, and the workplace. in: Banks, M., Conor, B. and Mayer, V. (ed.) Production studies, the sequel!: cultural studies of global media industries London Routledge. pp. 238-250
Steemers, J. 2015. Broadcasting is dead. Long live television: perspectives from Europe. in: Steemers, J., Trappel, J. and Thomass, B. (ed.) European media in crisis: values, risks and policies London Routledge. pp. 64-81
Steemers, J., Thomass, B. and Trappel, J. (ed.) 2015. European media in crisis: values, risks and policies. London Routledge.
D'Arma, A., Nieminen, H., Padovani, C. and Sousa, H. 2015. Challenges and confusion in media and communication regulation: a four country comparison. in: Trappel, J., Steemers, J. and Thomass, B. (ed.) European media in crisis: values, risks and policies London Routledge. pp. 163-181
Fullman, Aimee 2015. Duplication and divergence: an investigation of international arts and cultural-related management, policy and diplomacy MA programs. Association of Arts Administration Educators Annual Conference. Portland, Oregon, USA 18 Apr 2015
Tsifouti, A., Triantaphillidou, S., Larabi M-C, Bilissi, E. and Psarrou, A. 2015. Comparative performance between human and automated face recognition systems, using CCTV imagery, different compression levels and scene parameters . SPIE Electronic Imaging: Image Quality and System Performance XII. San Fransisco, USA Jan 2015 SPIE. https://doi.org/10.1117/12.2083325
Tsifouti, A., Triantaphillidou, S., Larabi, M.C., Doré, G, Bilissi, E. and Psarrou, A. 2015. The effects of scene content parameters, compression, and frame rate on the performance of analytics systems. SPIE Elecgtronic Imaging: Image Quality and System Performance XII. San Fransisco, USA Jan 2015 SPIE. https://doi.org/10.1117/12.2083426