Centre for Research and Education in Arts and Media

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

Leeson, L. and Duman, A. 2018. Art Practice and the Community. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press.

Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.

Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018

Wright, A. 2017. The Heart Project (exhibition and symposium). London Gallery West 20 - 24 Nov 2017

Craighead, A. 2017. Humans Being Digital. The Lowry, Salford 18 Nov 2017 - 26 Feb 2018

White, N. 2017. Archive in Ashes.

Cummings, P. 2017. Residue: Early Ancient Stage Chandelier . Galway Arts Centre, Ireland 12 - 27 Oct 2017

White, N. 2017. All that is Data Melts into Air.

Stehlikova, T. Forthcoming. 4 Generations of Women.

Pucill, S. 2017. White Cube, Bermondsey, London: Screening: Magic Mirror, Confessions To The Mirror. 28 Jun - 17 Sep 2017

Pucill, S. 2017. Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope. Cinemateket, Oslo 2010 - 2019

Marsh, J. 2017. Salat at Birmingham Central Mosque (2016-17). Birmingham Central Mosque 06 - 06 May 2016

Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London

Sporton, G. 2017. Double Take Live Performance. London

Pucill, S. 2017. National Portrait Gallery: Screening of Confessions To The Mirror. National Portrait Gallery, London 09 Mar - 29 May 2017

Pucill, S. 2017. Creteil International Women's Film Festival Official Selection: Confessions To The Mirror. Maison des Arts, Place Salvador Allende, Creteil, Paris 10 - 19 Mar 2017

Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Ingawanij, M.A. 2017. Forces and Volumes .

Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.

Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Moore, D. 2017. Lisa and John. University of Westminster. https://doi.org/10.34737/v77w2

Jones, C.W. 2017. Personal branding: 'Encoding a personal brand through semiotics: a case study'. in: Zantides, E. (ed.) Semiotics & Visual Communication ΙΙΙ: Cultures of Branding Cambridge Scholars Publishing.

Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017

Moore, D. 2017. Lisa and John. University of Westminster.

Jones, C.W. 2017. Personal branding: ‘Encoding a personal brand through semiotics: a case study’ . 3rd International Conference and Exhibition on Semiotics and Visual Communication.. Lemesos, Cyprus 03 - 05 Nov 2017 Cambridge Scholars Publishing.

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.