School | Media, Arts and Design |
---|---|
Head | Prof Rosie Thomas |
Pucill, S. 2019. Ottawa Art Gallery Screening: Confessions to the Mirror. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020
Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London 24 Oct - 24 Nov 2019
White, N. Forthcoming. Tiny Love Songs (All our futures are scalable). Holland
Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Pucill, S. 2019. Garden Self Portraits after Claude Cahun and Marcel Moore. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020
Wright, A. 2019. Hybrid Minds, Hybrid Bodies. Concordia University Gallery, Montreal 07 - 09 Aug 2019
Cumberland, S. 2019. Dog with Four Rifles. Edinburgh College of Art 25 Jul - 25 Aug 2019
Wyver, J. Forthcoming. RSC Live from Stratford-upon-Avon. Stratford-upon-Avon
White, N. and Thomson, J. 2019. The Deep Field Trilogy. Part One: Initial Conditions. UN/GREEN. Naturally Artificial Intelligences RIXC Festival and the 4th Open Fields conference on Art-Science Research July 4 – 6, 2019, Riga
Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019
Wright, A. and Carnie, Andrew Forthcoming. Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017
Wright, A. Forthcoming. Heart of the Matter PHI exhibition. Montreal 23 Jan - 15 Mar 2014
Wright, A. Forthcoming. Heart of the Matter - The Flesh of the World. Toronto 25 Jun - 10 Oct 2015
Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.
Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019
Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland 08 - 14 Apr 2019
Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019
Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centres. Photography and Hysteria conference. Paris. France. Feb 2019 Award winner: Best Adaptation of Freudian Theory. Sigmund Freud Film Festival. Tampa Florida USA. May 2019 Dream interpretations and re-imaginings. The Regent Street Cinema, London FINALIST. Oaxaca Film Festival. Mexico October 2019 Selected for the European Psychoanalytic Film Festival November 2019 Selected by The Freud Museum as part of ‘Festival of the Uncanny’. November 2019
Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London 24 Jan - 30 Mar 2019
Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.
Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787
Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.
Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846
Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5