Centre for Research and Education in Arts and Media

Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1

Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: Looking Back at Yourself... Digital Research in Arts and Humanities. Spazju Kreattiv Castille Place, Valletta, VLT 1060 Malta 09 - 12 Sep 2018

Sporton, G. 2018. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. https://doi.org/10.1386/scene_00017_5

Sporton, G. 2018. Ballet and the Soviet body. Scene. 6 (2), pp. 153-164. https://doi.org/10.1386/scene_00015_1

Maziere, M. 2018. Curating the Nomadic – Film and Video at Ambika P3. Fatehrad, A. (ed.) Sohrab Shahid Saless: Exile, Displacement and the Stateless Moving Image . Goethe-Institut London, 50 Princes Gate, Exhibition Road, London SW7 2PH 19 - 19 Jan 2018 Edinburgh University Press.

Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.

Kempadoo, Roshini 2018. Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018. FotoFest's INDIA Symposium. Asia Society Texas Center, 1370 Southmore Blvd, Houston TX 77004 22 - 23 Mar 2018

Kempadoo, Roshini 2018. Creating Interference Project (CIP) online. Creating Interference Project (CIP).

Shinkle, E. 2018. Painting, Photography, Photographs: George Shaw's Landscapes. in: Hallett, M. (ed.) George Shaw: A Corner of a Foreign Field Yale University Press. pp. 45-61

Gregory Sporton 2018. Reviews: Life and Fate, Life is a Dream, New Work/New Music. Scene. 6 (1), pp. 91-97. https://doi.org/10.1386/scene.6.1.91_5

Ross, J. and Stojkovic, J. 2018. Performance in Print: Channeling Tōmatsu Shōmei’s NO.541. Photography and Culture. 11 (2), pp. 181-196. https://doi.org/10.1080/17514517.2018.1467087

Wright, A. 2018. Papworth Hospital Heart Transplant Recipient Workshop.

Wright, A. 2018. When Words Fail, an interdisciplinary investigation into thephenomenological effects of heart transplantation. Art Materiality and Representation (Royal Anthropological Society). British Museum/ SOAS, London 01 - 03 Jun 2018

Triscott, N., Crisp, F., Sebastian, S., Shears, T., Malina, R., Nahum, Neyrinck, M., Saraceno, T., Cipcigan, F., Kukula, M., Lawson, H., Coy, P., Bello, M. and Thomson. J. Triscott, N. and Crisp, F. (ed.) 2018. The Live Creature and Ethereal Things: Physics in Culture. London Arts Catalyst (Publisher).

Triscott, N. 2018. The Live Creature and Ethereal Things. in: Triscott, N. and Crisp, F. (ed.) The Live Creature and Ethereal Things London Arts Catalyst (Publisher). pp. 12-24

Cummings, P. 2018. Model for a Common Room. Post-Medium Collecting Study Day (Seminar). Victoria Gallery & Museum, University of Liverpool 02 Feb 2018

Cummings, P. 2018. Material Performance: Presentation/panel discussion. Beyond the Object Symposium. Uppsala Konstmuseum, Sweden 03 Jun 2018

Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018

Cummings, P. 2018. Fugitive Objects. Association for Art History 2018 Summer Symposium: (Re-)Forming Sculpture. The Hepworth Museum and University of Leeds 26 - 27 Jun 2018

Cummings, P. 2018. Seminar Presentation and Panel Discussion - Agenda Art & Craft: What is your question? Agenda Art and Craft: What is your question?. Cinema, Kunstnernes Hus, Wergelandsveien 17, Oslo 23 Nov 2018

Abrams, I. 2018. Ice Maps / Mapping Ice. London Iwona Abrams.

Soutter, L. 2018. Why art photography? 2nd edition. Abingdon Routledge.

Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.

Jones, C. 2018. Getting ads banned is a planned PR and Advertising strategy. The Drum.

Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Jones, C.W. 2018. Why is the new British Army advert actually a communication success? The Drum.

Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.

Craighead, A. and Thomson, J. 2018. The Internet of Living Things. in: Kholeif, Omar (ed.) I Was Raised on the Internet Prestel Publishing. pp. 244

Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum. pp. 166-173

Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134

Ride, P. 2018. Suspended: Art in the threshold. in: Parry, R., Page, R. and Moseley, A. (ed.) Museum Thresholds: The Design and Media of Arrival London Routledge.

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe 20 Oct 2017 - 05 Aug 2018

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Tabrizian, M. 2018. Gholam- British/Iranian feature film. UK & Internationally

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212