School | Media, Arts and Design |
---|---|
Head | Prof Rosie Thomas |
Shinkle, E. 2018. Painting, Photography, Photographs: George Shaw's Landscapes. in: Hallett, M. (ed.) George Shaw: A Corner of a Foreign Field Yale University Press. pp. 45-61
Gregory Sporton 2018. Reviews: Life and Fate, Life is a Dream, New Work/New Music. Scene. 6 (1), pp. 91-97. https://doi.org/10.1386/scene.6.1.91_5
Ross, J. and Stojkovic, J. 2018. Performance in Print: Channeling Tōmatsu Shōmei’s NO.541. Photography and Culture. 11 (2), pp. 181-196. https://doi.org/10.1080/17514517.2018.1467087
Wright, A. 2018. Papworth Hospital Heart Transplant Recipient Workshop.
Wright, A. 2018. When Words Fail, an interdisciplinary investigation into thephenomenological effects of heart transplantation. Art Materiality and Representation (Royal Anthropological Society). British Museum/ SOAS, London 01 - 03 Jun 2018
Triscott, N., Crisp, F., Sebastian, S., Shears, T., Malina, R., Nahum, Neyrinck, M., Saraceno, T., Cipcigan, F., Kukula, M., Lawson, H., Coy, P., Bello, M. and Thomson. J. Triscott, N. and Crisp, F. (ed.) 2018. The Live Creature and Ethereal Things: Physics in Culture. London Arts Catalyst (Publisher).
Triscott, N. 2018. The Live Creature and Ethereal Things. in: Triscott, N. and Crisp, F. (ed.) The Live Creature and Ethereal Things London Arts Catalyst (Publisher). pp. 12-24
Cummings, P. 2018. Model for a Common Room. Post-Medium Collecting Study Day (Seminar). Victoria Gallery & Museum, University of Liverpool 02 Feb 2018
Cummings, P. 2018. Material Performance: Presentation/panel discussion. Beyond the Object Symposium. Uppsala Konstmuseum, Sweden 03 Jun 2018
Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018
Cummings, P. 2018. Fugitive Objects. Association for Art History 2018 Summer Symposium: (Re-)Forming Sculpture. The Hepworth Museum and University of Leeds 26 - 27 Jun 2018
Cummings, P. 2018. Seminar Presentation and Panel Discussion - Agenda Art & Craft: What is your question? Agenda Art and Craft: What is your question?. Cinema, Kunstnernes Hus, Wergelandsveien 17, Oslo 23 Nov 2018
Soutter, L. 2018. Why art photography? 2nd edition. Abingdon Routledge.
Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.
Jones, C. 2018. Getting ads banned is a planned PR and Advertising strategy. The Drum.
Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263
Jones, C.W. 2018. Why is the new British Army advert actually a communication success? The Drum.
Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.
Craighead, A. and Thomson, J. 2018. The Internet of Living Things. in: Kholeif, Omar (ed.) I Was Raised on the Internet Prestel Publishing. pp. 244
Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum. pp. 166-173
Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018
Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134
Ride, P. 2018. Suspended: Art in the threshold. in: Parry, R., Page, R. and Moseley, A. (ed.) Museum Thresholds: The Design and Media of Arrival London Routledge.
Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018
Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe 20 Oct 2017 - 05 Aug 2018
Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018
Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.
Tabrizian, M. 2018. Gholam- British/Iranian feature film. UK & Internationally
Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255
Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212
Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16
Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289
Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001
Leeson, L. and Duman, A. 2018. Art Practice and the Community. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press.
Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.
Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.
Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018
Wright, A. 2017. The Heart Project (exhibition and symposium). London Gallery West 20 - 24 Nov 2017
Craighead, A. 2017. Humans Being Digital. The Lowry, Salford 18 Nov 2017 - 26 Feb 2018