Westminster School of Arts

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.

Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019

Thomson, J. Forthcoming. G24|0vßß. Galeria Arte Moderna e Contemporanea (GAMeC), Bergamo 04 Oct 2018 - 06 Jan 2019

Thomson, J. Forthcoming. Deep Time Machine Leanring. Various Venues across Paris 05 - 10 Mar 2019

Thomson, J. Forthcoming. Deep Time Machine Leanring. AUSTRIA CENTER VIENNA, 04 - 06 Dec 2018

Thomson, J. Forthcoming. Deep Time Machine Learning. Palace of Culture, Sofia, Bulgaria 25 - 26 Jun 2018

Thomson, J. Forthcoming. Deep Time Machine Learning. Akademie Schloss Solitude 17 May - 29 Jun 2018

Thomson, J. Forthcoming. Quantum Real: Spectral Exchange. Exhibition Research Lab, Liverpool UK 17 Dec 2018 - 01 Feb 2019

Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland 08 - 14 Apr 2019

Ross, J. 2019. Blackout. Greylight Projects, Brussels 06 - 14 Apr 2019

Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.

Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019

Ross, J. 2019. Blackout. Ambika P3, London 12 - 17 Mar 2019

Dawood, S. 2019. Encroachments (Premiered at Sharjah Biennial 14: Leaving the Echo Chamber). Sharjah, UAE 07 Mar - 10 Jun 2019

Thomson, J. 2019. #eco_techno_cosmo_logic. Reaktorhalle, Munich 09 Feb 2019

Ross, J. 2019. Cauleen Smith: Calling Planet Earth. Rotterdam 23 Jan - 03 Feb 2019

Ross, J. 2019. Blackout. Kunsthal, Rotterdam 24 Jan - 03 Feb 2019

Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London 24 Jan - 30 Mar 2019

Thomson, J. 2019. Conversation with Susan Schuppli and Matthew C. Wilson. Exhibition Research Lab, Liverpool UK 17 Dec 2018 - 01 Feb 2019

White, R. 2019. Agustín Victor Casasola’s engagement with positivism and spectacle in his imagining of Mexico City during the Late Porfiriato, 1900-1910. Hispanic Research Journal. 20 (5), pp. 515-532. https://doi.org/10.1080/14682737.2019.1734351

Harrison, L. 2019. Principles of gaming sound in interactive and immersive theatre. Ludo2019. Leeds Beckett 26 - 28 Apr 2019

Peters, T. 2019. Chair of panel: Future of Craft & Clay. Future of Craft symposium, London Craft Week 2019. Bargehouse, Oxo Tower Wharf, South Bank, London 09 - 12 May 2019

Peters, T. 2019. Member of panel: History & Persistence of Clay.

Peters, T. 2019. Chair of panel: I Am an Artist: Listen Louder.

Peters, T. 2019. Clay + Culture + Society. SYMPOSIUM: Ceramic For The Real World 2019 – Indonesian Contemporary Ceramic Biennal. Jebor Hall – Jatiwangi art Factory, Jatisura, Indonesia 28 Oct 2019

Mitterfellner, O. 2019. Fashion Marketing and Communication: Theory and Practice across the Fashion Industry. Abingdon Routledge.

Rumball, H. 2019. As “a hedge, as a convenience, a good thing”: Elizabeth Petipher Cash’s continued fashioning of a Plain appearance. 107th CAA Annual Conference. New York, New York, United States 13 - 16 Feb 2016

Rumball, H. 2019. Symposium Review: Reframing 19th-century Fashion and Dress Symposium. Centre for Design History, University of Brighton.

Cummings, P. 2019. Sustaining Instability. Clay Across Cultures Symposium. Mesher, Istanbul Nov 2019

Jaeckel, M. 2019. Signalling - at the molecular level. Hyphen Journal. 1.

de Oliveira, A.A. and Bate, D. 2019. Instinct. Membrana Journal of Photography. 4 (1). https://doi.org/10.47659/m6.020.int

Evans, J. 2019. Building a repository in collaboration with our research community to support practice-research. Capturing practice research: improving visibility and searchability. London 15 Mar 2019

Reynolds, L. (ed.) 2019. Women Artists, Feminism and the Moving Image: Contexts and Practices. Bloomsbury Academic.

Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18

Gortazar, P. 2019. Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work. Fotocinema. 19, pp. 101-123. https://doi.org/10.24310/Fotocinema.2019.v2i19.6647

Gortazar, P. 2019. Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89). Photography and Culture. 12 (2), pp. 151-170. https://doi.org/10.1080/17514517.2019.1596598

Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Sprecher, D. 2019. I am an ordinary man: Getting and wearing suits in Britain 1945-1980. Everyday Fashion: Extraordinary Stories of Ordinary Clothes. University of Huddersfield and University of Leeds 27 - 28 Jun 2019 University of Huddersfield.

Sprecher, D. 2019. Fashion parades - for men only: Multiple tailor Hepworths, designer Hardy Amies and the marketing of men's suits in Britain in the 1960s. Critical Studies in Men's Fashion. 6 (1&2), pp. 161-178. https://doi.org/10.1386/csmf_00010_1