Westminster School of Arts

Rumball, H. 2017. Conference Review: From Quakers to Cowboys. Centre for Design History, University of Brighton.

Lee, Y. 2017. Rethinking luxury through the handmade. Animate Objects: Encounters between People and Things. Anglia Ruskin University, Cambridge 13 Oct 2017

Evans, J. and University of Westminster 2017. University of Westminster Research Data Management Policy. University of Westminster. https://doi.org/10.34737/vx8w4

David Bate, Stephen Sheehi, Helen Ennis, Shuxia Chen, Karen M. Fraser, Heangga Kwon, Alice Heeren, Cezar Bartholomeu and Mariana Holá 2017. Photography. in: Routledge Encyclopedia of Modernism Routledge.

Bate, D. 2017. Il primo libro di fotografia. Einaudi.

Bate, D. 2017. Introduction: Psychoanalysis and the photographer. Photographies. 10 (1), pp. 3-11. https://doi.org/10.1080/17540763.2016.1259896

Gooderson, M. and Henley, J. 2017. Professional Songwriting: Creativity, the Creative Process and tensions between higher education songwriting and industry practice in the U.K. in: Smith, G.D., Moir, Z., Rambarran, S., Kirkman, P. and Brennan, M., (ed.) The Routledge Research Companion to Popular Music Education Routledge. pp. 257

Sprecher, D. 2017. The University of Westminster menswear archive: developing a new resource. Masculinities Hub Symposium: Masculinities and Archives. London College of Fashion 18 - 18 Nov 2017 London College of Fashion.

Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

Riley, M. 2017. Ticket Master State of Play Grime Report. Online Ticket Master.

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Hermes, K., Boon, H. and Gooderson, M. 2017. Creativity, Collaboration and Workflow in Ableton.

Holland, G. and Jones, R. 2017. Fashion Trend Forecasting. London Laurence King.

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017

Gross, S. 2017. Let’s Change the Record: Women Only Studio Lock-in: An experiment in audio education and transforming the recording studio space within a university setting. Activating Inclusive Sound Spaces . Huddersfield 08 - 09 Jul 2017

Gross, S. and Musgrave, G. 2017. Can Music Make You Sick? Mental Health and Working Conditions in the UK Music Industry. The Place of Music. Loughborough University 28 - 29 Jun 2017

Gross, S. 2017. Can I get a witness? the impact of contracting in the music ecosphere. Innovation In Music. London 06 - 08 Sep 2017

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Goddard, M., Amaral, A, Bomfim, I, Siveira, F, Conter, M.B and Fischer G.D (ed.) 2017. Mapeando cenas da música pop: vol. 1. Porto Alegre Marca de Fantasia.

Cummings, P. 2017. Woman's Hour Craft Prize.

Dawood, S. 2017. Leviathan.

Aitken, J. and Brake, J. 2017. Joy and Division in Salford (and Manchester): The Artful Discourses of Gentrification.

Gross, S. and Musgrave, G. 2017. Can Music Make You Sick (Part 2)? Qualitative Study and Recommendations . MusicTank.

Musgrave, G. 2017. Collaborating to Compete: The Role of Cultural Intermediaries in Hypercompetition. International Journal of Music Business Research. 6 (2), pp. 41-68.

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 19 May - 15 Jul 2017

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 24 Mar - 22 Apr 2017

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390. https://doi.org/10.1080/2154896X.2017.1373916

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Thomson, J. and Engelmann, S. 2017. Intra-acting with the IceCube Neutrino Observatory, or; how the technosphere may come to matter. Anthropocene Review. 4 (2), pp. 81-91 683726. https://doi.org/10.1177/2053019616683726

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.