Westminster School of Arts

Gross, S., Musgrave, G. and Janciute, L. 2018. Well Being and Mental Health in the Gig Economy: Policy Perspectives on Precairty. London University of Westminster Press.

Cummings, P. 2018. Critical Mass. South Korea

Thomson, J. 2018. Rethinking Affordances - Symposium and Exhibition.

Thomson, J. 2018. Shaping Earth Futures, Centre for GeoHumanities Creative Commission.

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe 20 Oct 2017 - 05 Aug 2018

Bate, D. 2018. Camera Phones and Mobile Intimacies. in: Bohr, M. and Sliwinska, B. (ed.) The Evolution of the Image Abingdon, Oxon Routledge. pp. 14-26

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Cummings, P. 2018. Model for a Common Room. Victoria Gallery and museum - University of Liverpool 19 Jan - 23 Jun 2018

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Tabrizian, M. 2018. Gholam- British/Iranian feature film. UK & Internationally

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

Ross, J. 2017. A Taste of Terayama.

Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018

Ross, J. 2017. Throw Away Your Books: The Films of Shuji Terayama.

Ross, J. 2017. Shuji Terayama's Laura/The Trial.

Ross, J. 2017. Japanese Expanded Cinema project.

Ross, J. 2017. Shuji Terayama, Emperor of the Underground.

Boon, H., Gooderson, M. and Hermes, K. 2017. Creativity, Collaboration and Workflow in Ableton. Truman Brewery 29 - 31 Jan 2021

Cummings, P. 2017. Residue: Early Ancient Stage Chandelier . Galway Arts Centre, Ireland 12 - 27 Oct 2017

Thompson, Shirley Forthcoming. Questions Unanswered - opera for solo voice.

Pucill, S. 2017. White Cube, Bermondsey, London: Screening: Magic Mirror, Confessions To The Mirror. 28 Jun - 17 Sep 2017

Pucill, S. 2017. Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope. Cinemateket, Oslo 2010 - 2019

Marsh, J. 2017. Salat at Birmingham Central Mosque (2016-17). Birmingham Central Mosque 06 - 06 May 2016

Reynolds, L. 2017. Un Refrain Féministe/A Feminist Chorus.

Pucill, S. 2017. National Portrait Gallery: Screening of Confessions To The Mirror. National Portrait Gallery, London 09 Mar - 29 May 2017

Pucill, S. 2017. Creteil International Women's Film Festival Official Selection: Confessions To The Mirror. Maison des Arts, Place Salvador Allende, Creteil, Paris 10 - 19 Mar 2017

Sprecher, D. and Raw, Natalie 2017. Fashionable Yorkshire – Five Centuries of Style. Lotherton Hall, Leeds Museums and Galleries 16 Mar - 31 Dec 2017

MOORE, D. 2017. The Lisa and John Slideshow.

Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Ingawanij, M.A. 2017. Forces and Volumes .

White, R. 2017. James VanDerZee’s New Negro vision. European Journal of American Culture. 36 (2), pp. 121-135. https://doi.org/10.1386/ejac.36.2.121_1

Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2017. Til We Meet in England.

Robert Leach 2017. Fashion Resource Book: Men [China Textile Press]. China China Textile Press.

Robert Leach 2017. Fashion Resource Book [China Textile Press - China]. China China Textile Press.

Rumball, H. 2017. British Quaker Women’s abandonment of Plain Quaker attire, 1860-1914. The Association of Dress Historians New Research in Dress History Conference . University of Brighton 25 Feb 2017