Westminster School of Arts

Moore, D. 2017. Lisa and John. University of Westminster.

Gross, S. 2017. Let’s Change the Record: Women Only Studio Lock-in: An experiment in audio education and transforming the recording studio space within a university setting. Activating Inclusive Sound Spaces . Huddersfield 08 - 09 Jul 2017

Gross, S. and Musgrave, G. 2017. Can Music Make You Sick? Mental Health and Working Conditions in the UK Music Industry. The Place of Music. Loughborough University 28 - 29 Jun 2017

Gross, S. 2017. Can I get a witness? the impact of contracting in the music ecosphere. Innovation In Music. London 06 - 08 Sep 2017

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Goddard, M., Amaral, A, Bomfim, I, Siveira, F, Conter, M.B and Fischer G.D (ed.) 2017. Mapeando cenas da música pop: vol. 1. Porto Alegre Marca de Fantasia.

Cummings, P. 2017. Woman's Hour Craft Prize.

Dawood, S. 2017. Leviathan.

Aitken, J. and Brake, J. 2017. Joy and Division in Salford (and Manchester): The Artful Discourses of Gentrification.

Gross, S. and Musgrave, G. 2017. Can Music Make You Sick (Part 2)? Qualitative Study and Recommendations . MusicTank.

Musgrave, G. 2017. Collaborating to Compete: The Role of Cultural Intermediaries in Hypercompetition. International Journal of Music Business Research. 6 (2), pp. 41-68.

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 19 May - 15 Jul 2017

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 24 Mar - 22 Apr 2017

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390. https://doi.org/10.1080/2154896X.2017.1373916

Fry, C. 2017. G-in-sunglassess.mov.

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Thomson, J. and Engelmann, S. 2017. Intra-acting with the IceCube Neutrino Observatory, or; how the technosphere may come to matter. Anthropocene Review. 4 (2), pp. 81-91 683726. https://doi.org/10.1177/2053019616683726

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.

Linde, Matthew and Groves, Andrew 2017. The Overworked Body: An Anthology of 2000s Dress Curated by Matthew Linde. Goethe Institut, 38 Ludlow Street New York, NY 10002 10 Sep - 15 Oct 2017

Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Ingawanij, M.A. 2017. Lav Diaz: Journeys .

Thompson, Shirley 2017. BBC Proms Brochure - BBC Prom 62 - August 30 2017.

Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70

Reynolds, L. 2017. Whose History? Feminist Advocacy and Experimental Film and Video. in: Clayton, S. and Mulvey, L. (ed.) Other Cinemas: Politics, culture and Experimental Film in the 1970s London I.B. Tauris. pp. 138-149

Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Orlow, U. 2017. Muthi.

Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Cummings, P. 2017. Triumph of the Immaterial. Victoria and Albert Museum, London

Cummings, P. 2017. Of Desire . France

Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Campany, D. 2017. Beneath the Street: Helen Levitt’s Subway Photographs. in: Manhattan Transit: The Subway Photographs of Helen Levitt Cologne, Germany Konig.

Campany, D. 2017. Afterword. in: Tod Papageorge: Dr. Blankman’s New York (1966-1967) Gottingen, Germany Steidl.