Westminster School of Arts

Barnwell, J. 2017. How does the design of the Byers’ home in Stranger Things (2016 Netflix series) function within the narrative and wider context of the exterior landscape? Landscapes in Television Drama Series Conference. Aarhus University 28 - 29 Sep 2017 Aarhus University.

White, R. 2017. James VanDerZee’s New Negro vision. European Journal of American Culture. 36 (2), pp. 121-135. https://doi.org/10.1386/ejac.36.2.121_1

Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2017. Til We Meet in England.

Robert Leach 2017. Fashion Resource Book: Men [China Textile Press]. China China Textile Press.

Robert Leach 2017. Fashion Resource Book [China Textile Press - China]. China China Textile Press.

Rumball, H. 2017. British Quaker Women’s abandonment of Plain Quaker attire, 1860-1914. The Association of Dress Historians New Research in Dress History Conference . University of Brighton 25 Feb 2017

Rumball, H. 2017. Conference Review: From Quakers to Cowboys. Centre for Design History, University of Brighton.

Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.

Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Lee, Y. 2017. Rethinking luxury through the handmade. Animate Objects: Encounters between People and Things. Anglia Ruskin University, Cambridge 13 Oct 2017

Evans, J. and University of Westminster 2017. University of Westminster Research Data Management Policy. University of Westminster. https://doi.org/10.34737/vx8w4

David Bate, Stephen Sheehi, Helen Ennis, Shuxia Chen, Karen M. Fraser, Heangga Kwon, Alice Heeren, Cezar Bartholomeu and Mariana Holá 2017. Photography. in: Routledge Encyclopedia of Modernism Routledge.

Bate, D. 2017. Il primo libro di fotografia. Einaudi.

Bate, D. 2017. Introduction: Psychoanalysis and the photographer. Photographies. 10 (1), pp. 3-11. https://doi.org/10.1080/17540763.2016.1259896

Moore, D. 2017. Lisa and John. University of Westminster. https://doi.org/10.34737/v77w2

O'Connell, T. and White, N. 2017. Deep Architectures of Inquiry. Office of Experiments.

Gooderson, M. and Henley, J. 2017. Professional Songwriting: Creativity, the Creative Process and tensions between higher education songwriting and industry practice in the U.K. in: Smith, G.D., Moir, Z., Rambarran, S., Kirkman, P. and Brennan, M., (ed.) The Routledge Research Companion to Popular Music Education Routledge. pp. 257 - 271

Dawood, S. 2017. Leviathan. University of Westminster.

Sprecher, D. 2017. The University of Westminster menswear archive: developing a new resource. Masculinities Hub Symposium: Masculinities and Archives. London College of Fashion 18 - 18 Nov 2017 London College of Fashion.

Kempadoo, Roshini 2017. Troubling an Unjust Present: Kareem Mortimer’s Filmmaking ambition for The Bahamas. Small Axe Net: Visualities.

Riley, M. 2017. Ticket Master State of Play Grime Report. Online Ticket Master.

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Hermes, K. 2017. Parameters of high quality mixes: EQ and spectral clarity.

Hermes, K., Boon, H. and Gooderson, M. 2017. Creativity, Collaboration and Workflow in Ableton.

Holland, G. and Jones, R. 2017. Fashion Trend Forecasting. London Laurence King.

Reynolds, L. 2017. Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London. in: Applin, Jo, Spencer, Catherine and Tobim, Amy (ed.) London Art Worlds: Mobile, Contingent and Ephemeral Networks, 1960-1980 Pennslyvania, USA Pennsylvania State University Press. pp. 133-150

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017

Moore, D. 2017. Lisa and John. University of Westminster.

Gross, S. 2017. Let’s Change the Record: Women Only Studio Lock-in: An experiment in audio education and transforming the recording studio space within a university setting. Activating Inclusive Sound Spaces . Huddersfield 08 - 09 Jul 2017

Gross, S. and Musgrave, G. 2017. Can Music Make You Sick? Mental Health and Working Conditions in the UK Music Industry. The Place of Music. Loughborough University 28 - 29 Jun 2017

Gross, S. 2017. Can I get a witness? the impact of contracting in the music ecosphere. Innovation In Music 17. London 06 - 08 Sep 2017

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Goddard, M., Amaral, A, Bomfim, I, Siveira, F, Conter, M.B and Fischer G.D (ed.) 2017. Mapeando cenas da música pop: vol. 1. Porto Alegre Marca de Fantasia.

Cummings, P. 2017. Woman's Hour Craft Prize.

Dawood, S. 2017. Leviathan.

Aitken, J. and Brake, J. 2017. Joy and Division in Salford (and Manchester): The Artful Discourses of Gentrification.