Westminster School of Arts

Orlow, U. 2015. Unmade Film.

Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015

Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015

Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017

Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250

Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015

Campany, D. 2015. Photography as Rehearsal / Rehearsal as Photography. in: Teichmann, E. and Stewart, C. (ed.) Staging Rehearsal London Black Dog Publishing.

Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.

Campany, D. 2015. A Handful of Dust. London MACK.

Ross, J. 2015. Short Special: Basim Magdy. International Film Festival Rotterdam 25 - 25 Jan 2015

Ross, J. 2015. Spectral Presence: Expanded cinema from Britain and beyond. Art Cinema OFFoff 23 - 23 Oct 2015

Ross, J. 2015. Ito Takashi: Moving Still. Eye Film Institute 01 - 01 Dec 2015

Ross, J. 2015. An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art. PhotoResearcher. 24, pp. 32-37.

Ross, J. 2015. Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun. in: The Geologic Imagination Sonic Acts Press. pp. 53-63

Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.

Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015

Bate, D. 2015. Art Photography. London Tate Publishing.

Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

Ingawanij, M.A. 2015. Long Walk to Life: the Films of Lav Diaz . Afterall . 40.

Goddard, M. 2015. Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality. New Media and Society. 17 (11), pp. 1761-1766. https://doi.org/10.1177/1461444814532193

Mazierska, E and Goddard, M. (ed.) 2015. Polish Cinema in a Transnational Context. Albany, New York State University of New York Press.

Wyver, J. 2015. Television and the Anti-Realist Theatricality of "not Shakespeare". Shakespeare Bulletin. 33 (4), pp. 543-568. https://doi.org/10.1353/shb.2015.0055

Wyver, J. 2015. Screening the RSC stage: the 2014 Live from Stratford-upon-Avon cinema broadcasts. Shakespeare. 11 (3), pp. 286-302. https://doi.org/10.1080/17450918.2015.1048280

Christodoulou, C. 2015. Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture. Dancecult: Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02.12

Aitken, J. Forthcoming. Inaugural Talk - Why Fieldwork? Fieldwork Photography Forum. University of Central Lancashire 12 Nov 2015

Aitken, J. and Brake, J. 2015. Temporary Research Space - The Industrial Road Project - Guangzhou. Centre for Chinese Contemporary Art, Manchester 29 Sep 2015

Stewart, K. 2014. The Uplawmoor Show . Uplawmoor, Renfrewshire 08 - 21 Apr 2014

Reynolds, L. 2014. A Feminist Chorus, Glasgow.

Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.

Alamouti, D. 2014. Ghazi Rabihavi.

Orlow, Uriel and Mader, Rachel 2014. <<EINE>> OFFENHEIT, DIE MEHRDEUTIGKEIT ERMÖGLICHT EIN E-MAIL-AUSTAUSCH [ An openness that allows for ambiguity. An email exchange between Uriel Orlow and Rachel Mader]. in: Mader, Rachel (ed.) Radikal ambivalent: Engagement und Verantwortung in den Künsten heute [Radically Ambivalent: commitment and responsibility in the arts today] Diaphanes. pp. 159-174

Harrison, L. 2014. That I will do my best... Alexandra Palace 22 - 23 Feb 2014

Peters, T. 2014. Ceramics, Collections, Collaborations and Communities. Ceramics in the Expanded Field. University of Westminster, London 17 - 19 Jul 2014