Media, Arts and Design

Schroer, K. 2016. Film matters: Historical and material considerations of colour, movement and sound in film. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q14q8

Pucill, S. 2016. Confessions To The Mirror.

Zhang, D. 2016. Business-to-Business (B2B) Media in UK: A mixed methods study using product variables to assess the impacts of social media on product strategies. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q10qy

Corby, T. and Baily, G. 2016. CODEX (Terra Incognita). Various

Aylesworth-Spink, S. 2016. Protecting the Herd: An Analysis of Public Relations Responses to the 2015 Measles Outbreak Originating at Disneyland and Disney California Adventure Park. Case Studies in Strategic Communication. 5 (10), pp. 191-219 10.

Aylesworth-Spink, S. 2016. Take the lead from students. New Vistas. 2 (2), pp. 12-15.

Li, H. 2016. Formatted entertainment in China: change in television production practices. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q0qz1

Boehnert, J. 2016. Knowledge Visualization in Environmental Communication . Jones, P. (ed.) Relating Systems Thinking and Design (RSD5) 2016 Symposium . Ontario College of Art and Design, Toronto, Ontario Canada 13 - 15 Oct 2016 Systemic Design Research Network.

David Bate 2016. Photography: The Key Concepts. London Bloomsbury.

D'heer, E. and Verdegem, P. 2016. @THEVIEWER: Analyzing the offline and online impact of a dedicated conversation manager in the newsroom of a public broadcaster. New Media & Society. 18 (10), pp. 2287-2304. https://doi.org/10.1177/1461444815583462

Courtois, C. and Verdegem, P. 2016. With a little help from my friends: An analysis of the role of social support in digital inequalities. New Media & Society. 18 (8), pp. 1508-1527. https://doi.org/10.1177/1461444814562162

Zarate-Valderrama, Y. 2016. Revamping journalism in the midst of a conflict? Mapping the world of local war journalists. PhD thesis University of Westminster Journalism and Mass Communication https://doi.org/10.34737/9zq9w

Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587

Onyeajuwa, M. 2016. Assessment of ordinary consumer representation in liberalised mobile telecommunications markets: a case study of Nigeria. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/9z7wy

Adekunle, Y. 2016. Evolving usage and access to ICTs in the Nigerian health care sector: challenges and prospects. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/9z7wq

Kempadoo, R. 2016. Spectres in the Postcolonies: Reimagining Violence and Resistance. in: Bernier, C.M. and Durkin, H. (ed.) Visualising Slavery: Art Across the African Diaspora Liverpool Liverpool University Press. pp. 48-61

Mey, K. 2016. Corpus delicti. in: Arya, R. and Chare, N. (ed.) Abject Visions: Powers of Horror in Art and Visual Culture Manchester Manchester University Press. pp. 144-159

Leeson, L. 2016. Active Energy. Feeding the Insatiable. Dartington Hall, Devon 09 Nov - 11 Dec 2016

Fuchs, Christian 2016. Critical Theory. in: Bruhn Jensen, Klaus and Craig, Robert (ed.) International encyclopedia of communication theory and philosophy Wiley.

Michalis, M. 2016. Radio Spectrum Battles: Television Broadcast vs Wireless Broadband and the Future of PSB. International Journal of Digital Television. 7 (3), pp. 347-362. https://doi.org/10.1386/jdtv.7.3.347_1

Aouragh, M. 2016. Hasbara 2.0: Israel’s Public Diplomacy in the Digital Age. Middle East Critique. 25 (3), pp. 271-297. https://doi.org/10.1080/19436149.2016.1179432

Sanderson, P. 2016. Towards an Asynchronous Cinema: how can the asynchronous use of sound in artists' moving image underpin the creation of dialectic tension between the audio, the visual and the audience? PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9ywy4

Awan, F. 2016. Occupied childhoods: discourses and politics of childhood and their place in Palestinian and Pan-­Arab screen content for children. PhD thesis University of Westminster Journalism and Mass Communication https://doi.org/10.34737/9ywxw

Sakr, N. 2016. Children’s access to beneficial information in Arab states: Implementation of Article 17 of the Convention on the Rights of the Child in Egypt, Morocco and the United Arab Emirates. Global Studies of Childhood. 6 (4), pp. 376-387. https://doi.org/10.1177/2043610616676029

Fuchs, Christian 2016. Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet. London University of Westminster Press.

Fuchs, Christian 2016. Red Scare 2.0: User-Generated Ideology in the Age of Jeremy Corbyn and Social Media. Journal of Language and Politics . 15 (4), pp. 369-398. https://doi.org/10.1075/jlp.15.4.01fuc

White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

White, N. and Rowell, S. 2016. Overt Research: Fieldwork and Transparency. in: Williams, A.J., Jenkings, N., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Routledge. pp. 387-406

Fuchs, Christian 2016. Racism, nationalism and right-wing extremism online: The Austrian Presidential Election 2016 on Facebook. Momentum Quarterly . 5 (3), pp. 172-196.

Leeson, L. 2016. The Art of the State. The World Transformed. The Black-e, Liverpool 23 - 27 Sep 2016

Dwyer, P. 2016. Understanding media production: a rejoinder to Murdock and Golding. Media, Culture & Society. 38 (8), pp. 1272-1275. https://doi.org/10.1177/0163443716671495

Corby, T., Williams, D, Sheth, V and Dhar, V 2016. I Stood Up: Social Design in Practice. Art and Design Review. 4 (2), pp. 30-36. https://doi.org/10.4236/adr.2016.42005

Smart, B. and Wrigley, A. 2016. Television history: archives, excavation and the future. A discussion. Critical Studies in Television. 11 (1), pp. 96-109. https://doi.org/10.1177/1749602015618634

Johanssen, J. 2016. The Subject in the Crowd: A Critical Discussion of Jodi Dean’s “Crowds and Party”. tripleC: Communication, Capitalism & Critique. 14 (2), pp. 428-437.

Fuchs, Christian 2016. Information ethics in the age of digital labour and the surveillance-industrial complex. in: Kelly, M. and Bielby, J. (ed.) Information cultures in the digital age: A Festschrift in honor of Rafael Capurro Wiesbaden Springer. pp. 173-190

Fuchs, Christian 2016. Facebook. in: Birkinbine, B., Gomez, R. and Wasko, J. (ed.) Global media giants New York Routledge. pp. 428-444

Han, X. 2016. Exploring the relationship between women’s empowerment and the internet in China: potentials and constraints. PhD thesis University of Westminster Journalism and Mass Communication https://doi.org/10.34737/9x255

Breen, L. 2016. Re-modelling clay: ceramic practice and the museum in Britain (1970-2014). PhD thesis University of Westminster Art and Design https://doi.org/10.34737/9x230

Tsifouti, A. 2016. Image usefulness of compressed surveillance footage with different scene contents. PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9x1qv

Mccauley, C. 2016. Nagaland: Borders, Boundaries, Belonging: Contested spaces and disputed narratives. Journal of Illustration. 2 (2), pp. 287-302. https://doi.org/10.1386/jill.2.2.287_1