Media, Arts and Design

Johanssen, J. 2018. Gaming-playing on social media: using the psychoanalytic concept of ‘playing’ to theorize user labour on Facebook. Information, Communication & Society. 21 (9), pp. 1204-1218. https://doi.org/10.1080/1369118X.2018.1450433

Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134

Fuchs, Christian and Qiu, Jack 2018. Ferments in the Field: Introductory Reflections on the Past, Present and Future of Communication Studies. Journal of Communication. 68 (2), pp. 219-232. https://doi.org/10.1093/joc/jqy008

Fuchs, Christian and Qiu, Jack (ed.) 2018. Ferments in the Field: The Past, Present and Future of Communication Studies (Special issue). Journal of Communication 68 (2): 219-451. Wiley.

Sakr, N. and Steemers, J. 2018. Children's Screen Content in an Era of Forced Migration: Manchester Workshop Briefing. London Kings College London.

Xin, X. 2018. Popularizing Party Journalism in China in the Age of Social Media: The Case of Xinhua News Agency. Global Media and China. 3 (1), pp. 3-17. https://doi.org/10.1177/2059436418768331

Micholia, P., Karaliopoulos, M., Koutsopoulos, I., Navarro, L., Baig, R., Boucas, D., Michalis, M. and Antoniadis, P. 2018. Community Networks and Sustainability: a Survey of Perceptions, Practices, and Proposed Solutions. IEEE Communications Surveys & Tutorials. 20 (4), pp. 3581-3606. https://doi.org/10.1109/COMST.2018.2817686

Ride, P. 2018. Suspended: Art in the threshold. in: Parry, R., Page, R. and Moseley, A. (ed.) Museum Thresholds: The Design and Media of Arrival London Routledge.

Fuchs, Christian 2018. Why There Are Certain Parallels Between Joachim C. Fest's Hitler-Biography and Michael Wolff's Trump-Book. tripleC: Communication, Capitalism & Critique. 16 (1), pp. 260-263.

Fuchs, Christian 2018. Industry 4.0: The Digital German Ideology. tripleC: Communication, Capitalism & Critique. 16 (1), pp. 280-289.

Fuchs, Christian 2018. Digital Demagogue: Authoritarian Capitalism in the Age of Trump and Twitter. London Pluto Press.

Fuchs, Christian 2018. Nationalism 2.0: The Making of Brexit on Social Media. London Pluto Press.

Garrisi, D. and Johanssen, J. 2018. Competing narratives in framing disability in the UK media: a comparative analysis of journalistic representations of facial disfigurement versus practices of self-representations online. JOMEC Journal. 12, pp. 128-144. https://doi.org/10.18573/jomec.172

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Thomson, J. 2018. Open Codes: Living in digital worlds. Zentrum für Kunst und Medien, (ZKM) Karlsruhe 20 Oct 2017 - 05 Aug 2018

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Thussu, D., de Burgh, H. and Shi, A. (ed.) 2018. China's Media Go Global. London Routledge.

Xin, X. 2018. New Poles in Uncertain Times? in: Culture Report EUNIC Yearbook 2018, "Cultures of We": Europe and the Search for a New Narrative Göttingen, Germany Steidl Verlag. pp. 48-53

Cope, J. and Wells, M. 2018. Picturing statistical narratives: a century of data visualisation from the healthcare public relations perspective. in: Collister, S. and Roberts-Bowman, S. (ed.) Visual Public Relations: Strategic Communication Beyond Text Abingdon, Oxon Routledge.

Xin, X. 2018. Financialisation of News in China in the Age of the Internet: The Case of Xinhuanet. Media, Culture and Society. 40 (7), pp. 1039-1054. https://doi.org/10.1177/0163443717745121

Sabry, T. 2018. Arab Thought and Revolution as Event: Towards New Affective Registers of Critique. Javnost / The Public. 25 (4), pp. 351-364. https://doi.org/10.1080/13183222.2018.1463374

Marsh, V. 2018. Tiangao or tianxia? The ambiguities of CCTV's English-language news for Africa. in: Thussu, D.K., de Burgh, H. and Shi, A. (ed.) China's Media Go Global Abingdon Routledge. pp. 103-121

Kapetaniou, C., Rieple, A., Pilkington, A., Frandsen, T. and Pisano, P. 2018. Building the layers of a manufacturing taxonomy: how 3D printing is creating a new landscape of production eco-systems and competitive dynamics. Technological Forecasting & Social Change. 128, pp. 22-35. https://doi.org/10.1016/j.techfore.2017.10.011

Lodhi, A. 2018. 'Countries in the Air': Travel and Geomodernism in Louis MacNeice's BBC Features. Media History. 24 (2), pp. 226-238. https://doi.org/10.1080/13688804.2018.1471349

Wyver, J. 2018. The road to Civilisation: early television journeys to Greece. in: Hobden, F. and Wrigley, A. (ed.) Ancient Greece on British Television Edinburgh Edinburgh University Press.

Tabrizian, M. 2018. Gholam- British/Iranian feature film. UK & Internationally

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Bunz, M. and Meikle, G. 2018. The Internet of Things. Cambridge Polity Press.

O'Brien, M. 2018. Nonprofit Issues Management: A New Approach to Resist the Label of ‘Risk’. in: Garston, N. and Bruce, I. (ed.) Communicating Causes: Strategic public relations for the non-profit sector Abingdon, Oxon Routledge.

Shildrick, M., McKeever, P., Abbey, S., Poole, J., Wright, A., Bachmann, I., Carnie, A., Ross, H., Jan, E., De Luca, E., Dal Bo, Dana and El Sheikh, T. 2018. Messy entanglements: research assemblages in heart transplantation discourses and practices. Medical Humanities. 44 (1), pp. 46-54. https://doi.org/10.1136/medhum-2017-011212

Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

Verdegem, P. and D'heer, E. 2018. Social Media Logic and Its Impact on Political Communication During Election Times. in: Schwanholz, J., Graham, T.S. and Stoll, P.-T. (ed.) Managing Democracy in the Digital Age: Internet Regulation, Social Media Use, and Online Civic Engagement Springer. pp. 119-135

Sakr, N. 2018. ‘Smarter, stronger, kinder’: Interests at stake in the remake of Iftah ya Simsim for Gulf children. Middle East Journal of Culture and Communication. 11 (1), pp. 9-28. https://doi.org/10.1163/18739865-01101002

Exarchos, M. 2018. Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic . Journal of Popular Music Education. 2 (1-2), pp. 45-63. https://doi.org/10.1386/jpme.2.1-2.45_1

Specht, D. 2018. Neogeography, development and human rights in Latin America. in: Raftopoulos, Malayna and Powęska, Radosław (ed.) Natural Resource Development and Human Rights in Latin America: State and Non-state Actors in the promotion and opposition to extractivism activities London University of London.

D'Arma, A. 2018. The Hollowing Out of Public Service Media: A Constructivist Institutionalist Analysis of the Commercialisation of BBC’s In-house Production. Media, Culture and Society. 40 (3), pp. 432-448. https://doi.org/10.1177/0163443717713260

Fuchs, Christian 2018. Capitalism, Patriarchy, Slavery, and Racism in the Age of Digital Capitalism and Digital Labour. Critical Sociology. 44 (4-5), pp. 677-702. https://doi.org/10.1177/0896920517691108

Specht, D. and Tsilman, J. 2018. Teaching vicarious trauma in the journalism classroom: an examination of educational provision in UK Universities. Journal of Applied Journalism & Media Studies . 7 (2), pp. 407-427. https://doi.org/10.1386/ajms.7.2.407_1