Media, Arts and Design

Wyver, J. 2023. All's Well That Ends Well. United Kingdom

Fuchs, Christian 2020. Alltagsleben und Alltagskommunikation im Coronavirus-Kapitalismus . tripleC: Communication, Capitalism & Critique . 18 (1), pp. 400-428. https://doi.org/10.31269/triplec.v18i1.1168

Mano, W. 2020. Alternative Responses to Presidential Tweets on Elections in Africa: A New Counter Power? in: Ndlela M. and Mano W. (ed.) Ndlela M., Mano W. (eds) Social Media and Elections in Africa, Volume 1. Palgrave Macmillan, Cham Palgrave Macmillan. pp. 61-73

Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Dwyer, P. and Zhang, D. 2020. An Extraordinary Duckling B2B Magazines as Information and Networking Tools for Professionals. in: Stenadori, M. and Holmes, T. (ed.) The Handbook of Magazine Studies Hoboken Wiley-Blackwell. pp. 120-136

Goodwin, P. 2018. An Impossible Challenge for Public Service Media? The Intellectual Context of the Networked Society. in: Ferrell Lowe, G., Van den Bulck, H. and Donders, K. (ed.) Public Service Media in the Networked Society Gothenburg Nordicom. pp. 29-41

D'heer, E. and Verdegem, P. 2014. An intermedia understanding of the networked Twitter ecology. The 2012 Local Elections in Belgium. in: Patrut, B. and Patrut, M. (ed.) Social media in politics: Case Studies on the Political Power of Social Media Cham Heidelberg New York Dordrecht London Springer. pp. 81-96

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Benson Amanda 2014. An investigation into BBC Radio 4 comedy appreciation ratings (AIs): ‘the cesspool with the velvet lid’. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/96vy2

Cummings, P. 2019. An Ugly Aside. Warwickshire

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Fuchs, Christian 2014. Anonymous: Hacktivism and contemporary politics. in: Trottier, D. and Fuchs, Christian (ed.) Social media, politics and the state: protests, revolutions, riots, crime and policing in the age of Facebook, Twitter and YouTube New York Routledge. pp. 88-106

Gauntlett, D. 1997. Another crisis for media studies. In The Picture: media education magazine. 31.

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Fuchs, Christian 2015. Anti-semitism, Anti-Marxism, and Technophobia: The fourth volume of Martin Heidegger’s Black Notebooks (1942-1948). tripleC: Communication, Capitalism & Critique. 13 (1), pp. 93-100.

Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

Craighead, A. 2018. Anytime Now. TENT Rotterdam, Holland 19 Apr - 10 Jun 2018

Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435

Nair, R.R., Raina, S., Keshavarz, T. and Kerrigan, M.J.P. 2011. Application of fluorescent indicators to analyse intracellular calcium and morphology in filamentous fungi. Fungal Biology. 115 (4-5), pp. 326-334. https://doi.org/10.1016/j.funbio.2010.12.012

Fuchs, Christian 2019. Appropriation of Digital Machines and Appropriation of Fixed Capital as the Real Appropriation of Social Being: Reflections on Toni Negri’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 215-221

Ratta, D., Sakr, N. and Skovgaard-Petersen, J. (ed.) 2015. Arab Media Moguls. London I.B. Tauris.

Sabry, T. 2018. Arab Thought and Revolution as Event: Towards New Affective Registers of Critique. Javnost / The Public. 25 (4), pp. 351-364. https://doi.org/10.1080/13183222.2018.1463374

Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

White, N. 2017. Archive in Ashes.

Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Hall, E. and Wrigley, A. (ed.) 2007. Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs. Oxford Legenda.

Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Leeson, L. 2014. Art as a force for change. The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London 01 May 2014

Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135

Craighead, A. and Thomson, J. 2015. Art in the age of asymmetrical ... warfare. Witte de With, Rotterdam, London 11 Sep 2015 - 03 Jan 2016