Centre for Research and Education in Arts and Media

Wrigley, A. 2013. Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays. in: Wrigley, A. and Harrison, S.J. (ed.) Louis MacNeice: the classical radio plays Oxford Oxford University Press. pp. 1-30

Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Tsifouti, A., Triantaphillidou, S., Bilissi, E. and Larabi, M.C. 2013. Acceptable bit-rates for human face identification from CCTV imagery. in: Burns, P.D. and Triantaphillidou, S. (ed.) Image Quality and System Performance X SPIE.

Pucill, S. 2013. Magic Mirror.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Wrigley, A. and Harrison, S.J. (ed.) 2013. Louis MacNeice: the classical radio plays. Oxford Oxford University Press.

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Wright, A. 2012. A View From Inside. London White Card.

Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Chatterjee, R. 2012. Cinema in the colonial city: early film audiences in Calcutta. in: Christie, I. (ed.) Audiences: defining and researching screen entertainment reception Amsterdam Amsterdam University Press. pp. 46-66

Barnwell, J. 2011. British Film Design: A History, Laurie Ede . Historical Journal of Film, Radio and Television. 31 (3), pp. 419-421. https://doi.org/10.1080/01439685.2011.597997

Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Wrigley, A. and Davis, R. 2011. Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity? The Journal of American drama and theatre. 23 (2), pp. 7-29.

Wrigley, A. 2011. Performing Greek drama in Oxford and on tour with the Balliol Players. University of Exeter Press.

Chatterjee, R. 2011. Journeys in and beyond the city: cinema in Calcutta, 1897-1939. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8zx68

Wrigley, A. (ed.) 2011. Translation, performance and reception of Greek drama, 1900-1960: international dialogues, a special double issue of Comparative Drama 44.4 (Winter 2010) – 45.1 (Spring 2011). Western Michigan University.

Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Wrigley, A. 2010. Robert Bridges' Masque Demeter and Oxford's Persephones. New Voices In Classical Reception Studies. 5.

Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.

Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15

Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Wrigley, A. 2010. Greek drama in the first six decades of the twentieth century: tradition, identity, migration. Comparative drama. 44 (4), pp. 371-384.

Wrigley, A. 2010. From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column. Classicizing Chicago.

Chatterjee, R. 2010. Peripheral encounters: early cinema advertising and attractions in Calcutta. in: de la Bretèque, F. (ed.) Peripheral early cinema: Domitor 2008 conference proceedings Domitor. pp. 171-182

Goddard, M. 2009. “Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”. in: Rasmus, A. and Cieslak, M. (ed.) Images of the City Cambridge Scholars Publishing. pp. 323-333

Goddard, M. 2009. Raymond Bellour. in: Colman, F. (ed.) Film, Theory and Philosophy: The Key Thinkers Durham Acumen Press. pp. 256-265

Wyver, J. Forthcoming. TV against TV: video art on television. in: Comer, S. (ed.) Film and Video Art London Tate Publishing.

Wrigley, A. 2009. Louis MacNeice’s radio classics: “all so unimaginably different”? in: Lowe, D. and Shahabudin, K. (ed.) Classics for all: reworking antiquity in mass culture Cambridge Scholars Publishing. pp. 39-61

Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

Chatterjee, R. 2008. TV review: The story of India with Michael Wood: BBC television series (BBC/PBS: 2007). Global Media and Communication. 4 (3), pp. 369-373. https://doi.org/10.1177/1742766508096086

Barnwell, J. 2008. The Fundamentals of Film-making. Switzerland AVA.

Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281

Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187

Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.

Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196