School | Media, Arts and Design |
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Head | Prof Rosie Thomas |
Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99
Wrigley, A. 2010. Greek drama in the first six decades of the twentieth century: tradition, identity, migration. Comparative drama. 44 (4), pp. 371-384.
Wrigley, A. 2010. From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column. Classicizing Chicago.
Chatterjee, R. 2010. Peripheral encounters: early cinema advertising and attractions in Calcutta. in: de la Bretèque, F. (ed.) Peripheral early cinema: Domitor 2008 conference proceedings Domitor. pp. 171-182
Goddard, M. 2009. “Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”. in: Rasmus, A. and Cieslak, M. (ed.) Images of the City Cambridge Scholars Publishing. pp. 323-333
Goddard, M. 2009. Raymond Bellour. in: Colman, F. (ed.) Film, Theory and Philosophy: The Key Thinkers Durham Acumen Press. pp. 256-265
Wyver, J. Forthcoming. TV against TV: video art on television. in: Comer, S. (ed.) Film and Video Art London Tate Publishing.
Wrigley, A. 2009. Louis MacNeice’s radio classics: “all so unimaginably different”? in: Lowe, D. and Shahabudin, K. (ed.) Classics for all: reworking antiquity in mass culture Cambridge Scholars Publishing. pp. 39-61
Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.
Chatterjee, R. 2008. TV review: The story of India with Michael Wood: BBC television series (BBC/PBS: 2007). Global Media and Communication. 4 (3), pp. 369-373. https://doi.org/10.1177/1742766508096086
Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281
Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187
Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.
Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172
Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196
Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346
Wrigley, A. 2007. Stages of imagination: Greek plays on BBC radio. in: Stray, C. (ed.) Remaking the classics: literature, genre and media in Britain 1800-2000 London Duckworth. pp. 57-73
Wrigley, A. 2007. The Balliol Players at Holywell Manor. in: Murray, O. (ed.) Holywell Manor: an anecdotal history Oxford Balliol College. pp. 172-183
Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154
Hall, E. and Wrigley, A. (ed.) 2007. Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs. Oxford Legenda.
McArthur, S., Siddique, Z.L., Christian, H.C., Capone, G., Theogaraj, E., John, C.D., Smith, S.F., Morris, J.F., Buckingham, J.C. and Gillies, G.E. 2006. Perinatal glucocorticoid treatment disrupts the hypothalamo-lactotroph axis in adult female, but not male, rats. Endocrinology. 147 (4), pp. 1904-1915. https://doi.org/10.1210/en.2005-1496
Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435
Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958
Goddard, M. 2004. The Saragossa Manuscript. in: Hames, P. (ed.) 24 Frames: The Cinema of Central Europe London Wallflower Press. pp. 87-96
Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418
Hall, E., Macintosh, F. and Wrigley, A. (ed.) 2004. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford Oxford University Press.
Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180
Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145
Chatterjee, R. 2002. Catalogue for Vidarte 2002: Festival of video and electronics arts. UNKNOWN.
Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64
Goddard, M. 2000. The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm. in: Walker, R., Brass, K. and Byron, J. (ed.) Anatomies of Violence: an interdisciplinary investigation Sydney RIHSS, Sydney University. pp. 62-73