School | Media, Arts and Design |
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Head | Prof Rosie Thomas |
Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019
Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centres. Photography and Hysteria conference. Paris. France. Feb 2019 Award winner: Best Adaptation of Freudian Theory. Sigmund Freud Film Festival. Tampa Florida USA. May 2019 Dream interpretations and re-imaginings. The Regent Street Cinema, London FINALIST. Oaxaca Film Festival. Mexico October 2019 Selected for the European Psychoanalytic Film Festival November 2019 Selected by The Freud Museum as part of ‘Festival of the Uncanny’. November 2019
Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London 24 Jan - 30 Mar 2019
Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.
Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787
Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.
Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846
Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5
Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.
Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019
Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.
Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125
Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019
Goddard, M., Amaral, A., Bomfim, I, Conter, M., Fischer, G. and Silveira, F (ed.) 2019. MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II. Porto Alegre Marca de Fantasia.
Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444
Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019
Groves, Andrew 2019. Invisible Men: an Anthology from the Westminster Menswear Archive. University of Westminster. https://doi.org/10.34737/qqq4v
Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.
Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001
Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135
Wyver, J. 2019. Screening the Royal Shakespeare Company: a Critical History. London Bloomsbury.
Sprio, Margherita 2019. Italian Post-War Migration to Britain: Cinema and The Second Generation. in: Retis, J. and Tsagarousianou, R. (ed.) The Handbook of Diasporas, Media and Culture UK Wiley-Blackwell.
Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164
Twomey, C. 2018. 100 Medals For The Future. The National Memorial Arboretum 11 Dec 2018 - 31 Mar 2019
Marsh, J. 2018. Jamaat at Brick Lane Mosque (2018-9) . Brick Lane Mosque Oct - Nov 2018
Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019
Asante, Barby and Kempadoo, Roshini 2018. Creating Interference & Cream Screen event - Go Back and Get it: Seeking Sankofa, 28 June 2019.
Pucill, S. 2018. UCL Art Museum Screening: Confessions To The Mirror + Q+A with Maria Walsh. Bloomsbury Studio, UCL, London 22 May 2018
Wright, A. 2018. Hybrid Bodies Chiasma Exhibition. The Winchester Gallery, Hampshire 14 - 27 Apr 2018