Westminster School of Arts

Upeniece, Vita 2022. The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vw732

Groves, Andrew 2022. Inside the Westminster Menswear Archive: A case study of garment-research as a pedagogical practice. IFFTI2022. University of Nottingham 05 - 08 Apr 2022 International Foundation of Fashion Technology Institute.

Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Sprecher, Danielle 2022. Book Review: Dandy Style: 250 Years of British Men's Fashion. Costume. 56 (1), pp. 142-143. https://doi.org/10.3366/cost.2022.0222

Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9

Leisewitz, A. and Musgrave, G. 2022. Does Spotify Create Attachment? Algorithmic Playlists, Intermediation and the Artist-Fan Relationship. Culture Unbound: Journal of Current Cultural Research. 14 (1), pp. 75-100. https://doi.org/10.3384/cu.3384

Redman, S. and Waring, C. 2022. Visual Violence: Sex Workers' Experiences of Image-Based Abuses. United Kingdom National Ugly Mugs.

Gross, S. 2022. ‘Women Working in the Music Business: An Alumni Study’. in: Abfalter, D. and Reitsamer, R. (ed.) Music as Labour: Inequalities and Activism in the Past and Present London Routledge.

Evans, J. 2022. Next steps for practice research: the PR Voices and SPARKLE projects. Jisc Digital Research Community Event. 09 Feb 2022 University of Westminster. https://doi.org/10.34737/vqz2y

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.

Campany, D. 2022. Walker Evans & Anastasia Samoylova: Floridas. Germany Steidl Verlag.

Campany, D. 2022. Indeterminacy: Thoughts on Time, the Image, and Race(ism) . UK MACK.

Campany, D. 2022. Victor Burgin's Photopath. UK MACK.

Lee, Yeseung 2022. Eyes in the skin I live in: The incorporation of surveillance in mediatized culture. Fashion Theory. 26 (2), pp. 185-210. https://doi.org/10.1080/1362704X.2019.1697509

Boon, H. 2022. Two Production Strategies for Music Synchronisation As Speculative Entrepreneurship. InMusic2022. Royal College of Music Stockholm 24 - 26 Mar 2022

Negus, K. and Astor, P. 2022. Authenticity, Empathy, and the Creative Imagination. Rock Music Studies. 9 (2), pp. 157-173. https://doi.org/10.1080/19401159.2021.1989272

Wyver, J. 2022. The screen language of lockdown: connection and choice in split-screen performance. in: Allred, G.K., Broadribb, B. and Sullivan, E. (ed.) Lockdown Shakespeare: New Evolutions in Performance and Adaptation London Bloomsbury Academic.

Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

Musgrave, G. 2022. Lessons from the Loss of Avicii: Business Ethics, Responsibility, and Mental Wellbeing. SAGE Business Cases. https://doi.org/10.4135/9781529794601

Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50

Musgrave, G. 2022. ‘Losing Work, Losing Purpose’: Representations of Musicians' Mental Health in the Time of Covid-19. in: Morrow, G., Nordgård, D. and Tschmuck, P. (ed.) Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19 Springer. pp. 11-28

Ross, J. 2022. Rebellion of the Body: Hijikata Tatsumi, Performance Documentation and Japanese Experimental Film. in: Windhausen, F. (ed.) A Companion to Experimental Film Wiley-Blackwell. pp. 307-322

Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.

Wrigley, A. and Wyver, J. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.

Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023

Sprecher, Danielle and Groves, Andrew 2021. Clothing the Pandemic: A Virtual Exhibition of COVID-19 Face Masks from Around the World. 23 Dec 2021

Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022

Boon, H. 2021. Risky Business - Music Creator's Earnings In The Digital Era – A Discussion Of Comments. London

Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021

Boon, H. 2021. Music Creator's Earnings In The Digital Era - A Discussion Of The Findings. London

Christodoulou, C. 2021. The Impact and Significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’. Dancecult.

Bate, D. 2021. Machinic Unconscious.

Klewitz, R. 2021. WZ59_Mont2_Poem1 (2021). Bournemouth, England

Reddington, J. 2021. Universal Publishing Production Music UK .

Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022

Hermes, K. 2021. Performing Electronic Music Live - video tutorial series.

Reddington, J. 2021. Real Friends EP.

Riley, M. 2021. Jazz Jamaica All Stars: The Trojan Story - Live Event. Royal Festival Hall, London