Westminster School of Arts

Harrison, L. 2022. Creating Interactive Sound. Lighthouse (ed.) Women in Music: Arte Sônica Amplificada. Online across Brazil Apr 2022

Hermes, K. 2022. 8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic. Dancecult: Journal of Electronic Dance Music Culture. 14 (1). https://doi.org/10.12801/1947-5403.2022.14.01.07

Marsh, Julie 2022. Assembly: Investigating the Role That Artist Fieldwork Can Play in Islamic Sites of Worship. Architecture and Culture. 10 (4), pp. 753-770. https://doi.org/10.1080/20507828.2024.2336325

Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Moore, D. 2022. Pictures from the Real World. The Whitworth, Manchester. 25 Nov 2021 - 26 Feb 2023

Moore, D. 2022. Work Portraits.

David Bate 2022. Return of the Tableau. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Photographic Episteme. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. After Postmodernism? in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Archival Dream. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Alfred Stieglitz and the Migration of Meaning. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Roland Barthes and Camera Lucida. in: Photography after Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

Houlton, L. 2022. Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom. Moving Image Review & Art Journal . 11 (1), pp. 128-133. https://doi.org/10.1386/miraj_00088_5

Klewitz, R. 2022. CV listing the full chronology of video art dissemination.

Klewitz, R. 2022. Index sheets of completed video artworks from 2009 to 2022.

Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

Goldschmidt, S. 2022. 'Strange Fits of Passion' - Narrational ecologies "In the House of Ephra and Bahmanduch". Hyphen Journal. 3.1 9.

Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Goldschmidt, S. 2022. Aramaic Incantation Bowls and Contemporary Ceramic Art Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2167

Evans, J. 2022. Identifiers for Practice Research. DataCite Member Meeting 2022. British Library 22 Sep 2022 British Library. https://doi.org/10.23636/j6wh-ev50

Julia Toppin 2022. “They’re Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music. in: Anderton, C. and James, M. (ed.) Media Narratives in Popular Music Bloomsbury. pp. 53-70

Reddington, J. 2022. Re-Imagining Higher Popular Education. Masters thesis UCL IOE

Ingawanij, M.A. and Ross, J. 2022. Animistic Apparatus: A Gathering . World Records. 7.

Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Fry, C. 2022. Regulating Observers: Visuality and the influence of scopic regimes on the experience of virtual space. 25th Generative Art Conference. Biblioteca Vallicelliana, Rome 12 - 14 Dec 2022 Domus Argenia Publisher.

Sporton, G. and Allen, E. 2022. Focussing on the Critical: Film Pedagogy in the Modern University. 3rd Kyoto Conference on Arts, Media and Culture (KAMC2022). Kyoto, Japan, and online 17 - 20 Oct 2022 International Academic Forum. https://doi.org//10.22492/issn.2436-0503.2022.15

Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Begklis, Fotios 2022. Grand Tour – a film in-debt(ed): Exploring the possibilities of the essayistic filmmaking form. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vzw53

Bate, D. 2022. Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory. Routledge.

Sprecher, Danielle 2022. The Cut Must Suit the Making: Masculinity, Mass Production and Design in British Menswear Tailoring, 1945-1970. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022

Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Waring, C. 2022. The Prostitute and the PhD: Navigating Academic Spaces as a Tainted Researcher. in: Jones, D. and Sanders, T. (ed.) Student Sex Work Palgrave Macmillan.

Evans, J. 2022. Practice Research Voices (PRVoices). UK ORCID Consortium Meeting. Online 07 Jun 2022 University of Westminster. https://doi.org/10.34737/vzq86

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Evans, J., Watts, N., Mudd, T. and Renner, T. 2022. From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse. Insights. 35 14. https://doi.org/10.1629/uksg.582

Groves, A. 2022. A casual obsession: Inside the British Sock Fetish Council. Critical Studies in Men's Fashion. 9 (2), pp. 187-206. https://doi.org/10.1386/csmf_00059_1

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. 34 (4), pp. 271-296. https://doi.org/10.1177/09213740221117811

Mollenhauer, Pablo 2022. Film Practices for the Inclusion of the More than Human in the Representation of Cultural Landscapes. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vx846