Westminster School of Arts

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022

Reddington, J. 2022. How Artists are Using Music NFTs to Build Active Communities.

Hermes, K. 2022. Nyokee Live at Comic Con. London 28 - 30 Oct 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Pucill, S. 2022. Screening of 'Magic Mirror ' (16mm, 75min, 2013) at Lexi Cinema, curated by Juliet Jacques.

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE - Video. London

Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Boon, H. 2022. Sound Based Music Design Demonstration. London

Reddington, J. 2022. Sound of Fractures - IRL EP.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career - Video. London

Hermes, K. 2022. Nyokee Performance at Hyper Japan. London 21 - 23 Jul 2023

Sprecher, Danielle 2022. Curating Semi-Synthetic and Synthetic Fibres and Fabrics 2022. Dress and Textile Specialists.

Pucill, S. 2022. Confessions to the Mirror. Cobra Museum, Amstelveen, Netherlands Spring 2021 and then Kunsthal Museum Gallery, Rotterdam 2022 21 May - 28 Aug 2022

Hermes, K. 2022. Machines on Stage: Approaches to Performing Electronic Music Live. Audio Engineering Society.

Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022

Orlow, U. 2022. Tori Bari (After Yellow).

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Gemma Padley and Mitra Tabrizian 2022. Interview: Mitra Tabrizian and the art of realism. RPS Journal.

Tabrizian, M. 2022. The Silence of Numbers. in: Collage: Women of Prix Pictet since 2008 Gestalten.

Orlow, U. 2022. Flora Peruana. Kunst Bulletin.

Orlow, U. 2022. Reading Wood (Backwards). https://doi.org/10.4472/9783035807141

Orlow, U. 2022. Forest Essentials Take Two (Bobé).

Pucill, S. 2022. “Eruption, rupture, suture and disruption” A text by Sarah Pucill on two films by Sandra Lahire, “Arrows “(1984) and “Night dances” (1995). in: Maria Palacios Cruz and Charlotte Proctor (ed.) ‘Cahier’ booklet to accompany a screening at Courtisane Film Festival, April/May 2021

Harrison, L. 2022. Creating Interactive Sound. Lighthouse (ed.) Women in Music: Arte Sônica Amplificada. Online across Brazil Apr 2022

Hermes, K. 2022. 8-bit Music on Twitch: How the Chiptune Scene Thrived During the Pandemic. Dancecult: Journal of Electronic Dance Music Culture. 14 (1). https://doi.org/10.12801/1947-5403.2022.14.01.07

David Bate 2022. Return of the Tableau. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Photographic Episteme. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. After Postmodernism? in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. The Archival Dream. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Alfred Stieglitz and the Migration of Meaning. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

David Bate 2022. Roland Barthes and Camera Lucida. in: Photography after Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.

Houlton, L. 2022. Vision Machines, Peggy Ahwesh, curated by Robert Leckie and Erika Balsom. Moving Image Review & Art Journal . 11 (1), pp. 128-133. https://doi.org/10.1386/miraj_00088_5

Klewitz, R. 2022. CV listing the full chronology of video art dissemination.

Klewitz, R. 2022. Index sheets of completed video artworks from 2009 to 2022.

Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

Goldschmidt, S. 2022. 'Strange Fits of Passion' - Narrational ecologies "In the House of Ephra and Bahmanduch". Hyphen Journal. 3.1 9.

Goldschmidt, S. 2022. Aramaic Incantation Bowls and Contemporary Ceramic Art Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2167