Media, Arts and Design

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.

Linde, Matthew and Groves, Andrew 2017. The Overworked Body: An Anthology of 2000s Dress Curated by Matthew Linde. Goethe Institut, 38 Ludlow Street New York, NY 10002 10 Sep - 15 Oct 2017

Stehlikova, T. 2017. Journey to the Interior. Dissenters Chapel and gallery 21 - 21 May 2017

Bunz, M. 2017. Submission to House of Lords Select Committee on Artificial Intelligence. UK Parliament.

Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Ingawanij, M.A. 2017. Lav Diaz: Journeys .

White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

Johanssen, J. 2017. Book Review: Knafo / Lo Bosco - The Age of Perversion: Desire and Technology in Psychoanalysis and Culture. Journal of Media Critiques. 3 (10), pp. 205-211. https://doi.org/10.17349/jmc117213

Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70

Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

D'heer, E. and Verdegem, P. 2017. Media coverage of an election campaign on Twitter. The case of Belgium in the EU elections. in: Davis, R., Holtz-Bacha, C. and Just, M.R. (ed.) Twitter and Elections around the World: Campaigning in 140 Characters or Less London Routledge. pp. 57-71

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Cummings, P. 2017. Triumph of the Immaterial. Victoria and Albert Museum, London

Cummings, P. 2017. Of Desire . France

Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017

Peters, T. 2017. Narrative Strategies, Christie Brown. New Ceramics: the European Ceramics Magazine. 1 (2017), pp. 8-13.

Craighead, A. and Thomson, J. 2017. Hybrid Landscapes. Digital Catapult, London 03 Apr 2017 - 31 Mar 2018

Craighead, A. and Thomson, J. 2017. Wake me up when it's over. Young Projects Gallery, Pacific Design Centre, West Hollywood, LA 27 Jan - 30 Apr 2017

Craighead, A. and Thomson, J. 2017. I Want! I Want!: Art & Technology. Birmingham Museum 01 Apr - 01 Oct 2017

Craighead, A. and Thomson, J. 2017. Recruitment Gone Wrong @ The New Observatory. Fact, Liverpool,UK 22 Jun - 01 Oct 2017

Specht, D. 2017. Undressing with the Lights On: Surveillance and The Naked Society in a Digital Era. Westminster Papers in Communication and Culture. 12 (3), pp. 78-90. https://doi.org/10.16997/wpcc.268

Fuchs, Christian 2017. Preface: Horst Holzer’s Theory of Communication . tripleC. 15 (2), pp. 686-706.

Fuchs, Christian 2017. The Relevance of Franz L. Neumann’s Critical Theory in 2017: "Anxiety and Politics" in the New Age of Authoritarian Capitalism. tripleC. 15 (2), pp. 637-650.

Fuchs, Christian 2017. Günther Anders’ Undiscovered Critical Theory of Technology in the Age of Big Data Capitalism. tripleC. 15 (2), pp. 584-613.

Fuchs, Christian 2017. Die Kritik der Politischen Ökonomie der Medien/Kommunikation: ein hochaktueller Ansatz. Publizistik. 62 (3), pp. 255-272. https://doi.org/10.1007/s11616-017-0341-9

Aouragh, M. 2017. L-Makhzan al-’Akbari: Resistance, Remembrance and Remediation in Morocco. Middle East Critique. 26 (3), pp. 241-263. https://doi.org/10.1080/19436149.2017.1331516

Jain, S. 2017. Rethinking media systems: insights from a case study of paid news in India. PhD thesis University of Westminster Communication and Media Research Institute https://doi.org/10.34737/q10x3

Fuchs, Christian 2017. Information Technology and Sustainability in the Information Society. International Journal of Communication. 11, pp. 2431-2461.

Barnwell, J. 2017. Production Design for Screen: Visual Storytelling in Film and Television. London Bloomsbury.

Aylesworth-Spink, S. 2017. The Failure of Public Relations during a Pandemic Outbreak: Using Actor-Network Theory to Highlight the News Media as a complex mediator. Public Relations Journal. 11 (2), pp. 1-17.

Allen, E. 2017. Image Quality Evaluation in Lossy Compressed Images. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q0vq5

D'Arma, A. 2017. Italia: Políticas sobres Concentratión y Medios Públicos. in: Fernández Alonso, I. (ed.) Austeridad y Clientelismo: Política Audiovisual en España en el Contexto Mediterráneo y de la Crisis Financiera Barcelona Gedisa Editorial. pp. 19-38

Aylesworth-Spink, S. 2017. Finding Hope in Media Hype: The Challenges of Crisis Communications During Disease Outbreak. Research Journal of the Institute for Public Relations. 3 (2).

Granziol-fornera, M. 2017. The Fragmented Body and the Artwork of Berlinde De Bruyckere. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q0923

Denisova, A. 2017. Democracy, protest and public sphere in Russia after the 2011–2012 anti-government protests: digital media at stake. Media, Culture & Society. 39 (7), pp. 976-994. https://doi.org/10.1177/0163443716682075