Media, Arts and Design

Sabry, T. and Ait Mansour, H Forthcoming. Regulating Children’s Media Content in Morocco: Policy Paper. Morocco Economia Magazine.

Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020

Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Wright, A. Forthcoming. Piecing it Together- curator and facilitator of exhibition from participatory project. St Pancras Hospital 29 Apr - 04 Jul 2016

Clark, G. 2020. True Journey is Return: On Detours and Returning in Ute Aurand's films. in: Ortega, G. and Palacios Cruz, M. (ed.) Meditations on the Present: Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami Spain Punto de Vista.

Aouragh, M. 2020. A Reverse-Engineered Insurrection. American Ethnologist website. 25 August 2020.

Aouragh, M., Gürses, S., Pritchard, H and Snelting, F. 2020. The extractive infrastructures of contact tracing apps. Journal of Environmental Media. 1 (1), pp. 9.2-9.9. https://doi.org//10.1386/jem_00030_1

Aouragh, M. 2020. Resisting Disappearance: Military Occupation and Women’s Activism in Kashmir, by Ather Zia,. South Asia: Journal of South Asian Studies. 43 (6), pp. 1228-1230. https://doi.org/10.1080/00856401.2020.1843786

Kempadoo, R. 2020. Photobook Review: Maud Sulter: Passion. Aperture: the PhotoBook Review. 018.

Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a

Nead, L. and Wyver, J. 2020. Bert Hardy: Exercises with Photography and Film. British Art Studies. 15. https://doi.org/10.17658/issn.2058-5462/issue-15/nead-wyver

Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57

Denisova, A. 2020. How to define 'viral' for media studies? Westminster Papers in Communication and Culture. 15 (1), pp. 1-4. https://doi.org/10.16997/wpcc.375

Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959

Goodwin, P. 2020. Universal - but not necessarily useful. in: Savage, P., Medina, M. and Ferrell Lowe, G. (ed.) Universalism in Public Service Media Nordicom. pp. 25-36

Wright, A. 2020. Some Reflections on the Practice of Research. The International Journal of Creative Media Research. 4. https://doi.org/10.33008/IJCMR.2020.09

Dudley-Smith, R. and Whiteman, N. 2020. Diagramming the Social: Relational Method in Research. Routledge.

de Burgh, H. 2020. China's Media in the Emerging World Order. London University of Buckingham Press.

Gross, S. and Musgrave, G. 2020. Can Music Make You Sick? Measuring the Price of Musical Ambition. London University of Westminster Press.

Bracho-Polanco, E. 2020. A Trajectory of Caudillo Press, Journalism, and the Authoritarian Dilemma in Venezuela. in: Orchard, X., Garcia Santamaria, S., Brambila, J. and Lugo-Ocando, J. (ed.) Media and Governance in Latin America: Towards a Plurality of Voices New York, N.Y; and Oxford Peter Lang.

Bracho-Polanco, E. 2020. Chávez’s "Aló Presidente" and its Impact on Venezuela’s Journalistic Practice. Iberoamericana – Nordic Journal of Latin American and Caribbean Studies. 49 (1), pp. 42-51. https://doi.org/10.16993/iberoamericana.474

Bracho-Polanco, E. 2020. Revisiting Latin American Media Democratisation Theories and the Populist Factor. Triple C: Communication, Capitalism & Critique. 18 (2), pp. 630-654. https://doi.org/10.31269/triplec.v18i2.1152

Mano, W. and Milton, V. 2020. Civil society coalitions as pathways to PSB reform in Southern Africa. Interactions: Studies in Communication & Culture. 11 (2), pp. 135-158. https://doi.org/10.1386/iscc_00015_1

Jones, C.W. 2020. The World According to Dave Trott: An Interview. Westminster Papers in Communication and Culture. 15 (2). https://doi.org/10.16997/wpcc.393

Jones, C.W 2020. Brands may support Black Lives Matter, but advertising still needs to decolonise. The Conversation.

Charusmita, C. 2020. Filmi vs the Everyday:Hindi films in the lives of women in an Indian village. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/qz99q

Block, P. 2020. How people successfully get in and get on in the UK broadcast television industry: implications for skills policymakers. PhD thesis University of Wesminster Westminster School of Media and Communication https://doi.org/10.34737/qz998

Fuchs, Christian 2020. Towards a critical theory of communication as renewal and update of Marxist humanism in the age of digital capitalism. Journal for the Theory of Social Behaviour. 50 (3), pp. 335-356. https://doi.org/10.1111/jtsb.12247

Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566

Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957

Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130

Fuchs, Christian 2020. Preface to Manfred Knoche’s Article “Science Communication and Open Access: The Critique of the Political Economy of Capitalist Academic Publishers as Ideology Critique”. Triple C: Communication, Capitalism & Critique. 18 (2), pp. 508-509. https://doi.org/10.31269/triplec.v18i2.1183

Fuchs, Christian 2020. Kommunikation und Kapitalismus: Eine kritische Theorie. utb GmbH.

Fuchs, Christian 2020. Communication and Capitalism: A Critical Theory. London University of Westminster Press.

Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670

Sakr, N. 2020. Growing PSM Organically: International Initiatives to Support National Conversations in New Contexts. Interactions: Studies in Communication & Culture. 11 (2), pp. 269-275. https://doi.org/10.1386/iscc_00024_7

Sporton, G. 2020. Reviews for Scene 2015-. Intellect.

Fuchs, Christian 2020. Alltagsleben und Alltagskommunikation im Coronavirus-Kapitalismus . tripleC: Communication, Capitalism & Critique . 18 (1), pp. 400-428. https://doi.org/10.31269/triplec.v18i1.1168

Fuchs, Christian 2020. Everyday Life and Everyday Communication in Coronavirus Capitalism. tripleC: Communication, Capitalism & Critique . 18 (1), pp. 375-399. https://doi.org/10.31269/triplec.v18i1.1167

2020. Televised documentary: Interview with extracts from Magic Mirror and Confessions to the Mirror in the documentary 'Masquerades and Games: the Female Artists of Surrealism'.