Media, Arts and Design

Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957

Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130

Fuchs, Christian 2020. Preface to Manfred Knoche’s Article “Science Communication and Open Access: The Critique of the Political Economy of Capitalist Academic Publishers as Ideology Critique”. Triple C: Communication, Capitalism & Critique. 18 (2), pp. 508-509. https://doi.org/10.31269/triplec.v18i2.1183

Fuchs, Christian 2020. Kommunikation und Kapitalismus: Eine kritische Theorie. utb GmbH.

Fuchs, Christian 2020. Communication and Capitalism: A Critical Theory. London University of Westminster Press.

Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670

Sakr, N. 2020. Growing PSM Organically: International Initiatives to Support National Conversations in New Contexts. Interactions: Studies in Communication & Culture. 11 (2), pp. 269-275. https://doi.org/10.1386/iscc_00024_7

Sporton, G. 2020. Reviews for Scene 2015-. Intellect.

Fuchs, Christian 2020. Alltagsleben und Alltagskommunikation im Coronavirus-Kapitalismus . tripleC: Communication, Capitalism & Critique . 18 (1), pp. 400-428. https://doi.org/10.31269/triplec.v18i1.1168

Fuchs, Christian 2020. Everyday Life and Everyday Communication in Coronavirus Capitalism. tripleC: Communication, Capitalism & Critique . 18 (1), pp. 375-399. https://doi.org/10.31269/triplec.v18i1.1167

2020. Televised documentary: Interview with extracts from Magic Mirror and Confessions to the Mirror in the documentary 'Masquerades and Games: the Female Artists of Surrealism'.

Dwyer, P. and Zhang, D. 2020. An Extraordinary Duckling B2B Magazines as Information and Networking Tools for Professionals. in: Stenadori, M. and Holmes, T. (ed.) The Handbook of Magazine Studies Hoboken Wiley-Blackwell. pp. 120-136

Can, V., Locke, I.C., Kaneva, M., Kerrigan, M.J.P., Merlino, F., De Pascale, C., Grieco, P. and Getting, S.J. 2020. Novel anti-inflammatory and chondroprotective effects of the human melanocortin MC1 receptor agonist BMS-470539 dihydrochloride and human melanocortin MC3 receptor agonist PG-990 on lipopolysaccharide activated chondrocytes. European Journal of Pharmacology. 872 172971. https://doi.org/10.1016/j.ejphar.2020.172971

Mano, W. 2020. Alternative Responses to Presidential Tweets on Elections in Africa: A New Counter Power? in: Ndlela M. and Mano W. (ed.) Ndlela M., Mano W. (eds) Social Media and Elections in Africa, Volume 1. Palgrave Macmillan, Cham Palgrave Macmillan. pp. 61-73

Ndlela, N.M. and Mano, W. 2020. The Changing Face of Election Campaigning in Africa. in: Ndlela, N.M. and Mano, W. (ed.) Social Media and Elections in Africa, Volume 1: Theoretical Perspectives and Election Campaigns Palgrave Macmillan. pp. 1-12

Specht, D. (ed.) 2020. Mapping Crisis: Participation, Datafication, and Humanitarianism in the Age of Digital Mapping. London University of London Press.

Gimenez, J., Baldwin, M., Breen, P., Green, J., Roque Gutierrez, E., Paterson, R., Pearson, J., Percy, M., Specht, D. and Waddell, G. 2020. Reproduced, reinterpreted, lost: Trajectories of scientific knowledge across contexts. Text & Talk. 40 (3), pp. 293-324. https://doi.org/10.1515/text-2020-2059

Xin, X. 2020. Soft Power to Whom? A Critical Analysis of the Publicity Film “CPC (Communist Party of China) is With You Along the Way” in Relation to China’s Soft Power Project. tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society. 18 (1), pp. 286-303. https://doi.org/10.31269/triplec.v18i1.1087

Fuchs, Christian 2020. The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism. Triple C: Communication, Capitalism & Critique. 18 (1), pp. 146-186. https://doi.org/10.31269/triplec.v18i1.1143

Fuchs, Christian 2020. Communicative Socialism/Digital Socialism. Triple C: Communication, Capitalism & Critique. 18 (1), pp. 1-31. https://doi.org/10.31269/triplec.v18i1.1144

Fuchs, Christian Fuchs, Christian (ed.) 2020. Communicative Socialism/Digital Socialism (Special issue). tripleC: Communication, Capitalism & Critique 18 (1) TripleC.

Fuchs, Christian 2020. Marxism: Karl Marx's Fifteen Key Concepts for Cultural and Communication Studies. Routledge.

McNicholas, A. 2020. Sharq al-Adna: British Covert Radio and the Development of Arab Broadcasting. Middle East Journal of Culture and Communication. 13 (3), pp. 237-255. https://doi.org/10.1163/18739865-20201000

Fuchs, Christian 2020. Erich Fromm and the Critical Theory of Communication. Humanity & Society. 44 (3), pp. 298-325. https://doi.org/10.1177/0160597620930157

Fuchs, Christian 2020. The Ethics of the Digital Commons. Journal of Media Ethics. 35 (2), pp. 112-126. https://doi.org/10.1080/23736992.2020.1736077

Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

Lodhi, A. and Wrigley, A. (ed.) 2020. Radio Modernisms: Features, Cultures and the BBC. London Routledge.

Shinkle, E. 2020. Of Particle Systems and Picturesque Ontologies: Landscape, Nature and Realism in Video Games. Art Journal. 79 (2), pp. 59-67. https://doi.org/10.1080/00043249.2020.1765556

Wright, A. 2020. Parallax, a story in two parts. in: Tammer el Sheikh (ed.) Entangled Bodies: Art, Identity and Intercorporeality Wilmington, USA Vernon Press. pp. 64 - 90

Barnwell, J. 2020. How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan. pp. 223-242

Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.

Kavada, A. and Trere, Emiliano 2020. Live Democracy and Its Tensions: Making Sense of Livestreaming in the 15M and Occupy. Information, Communication & Society. 23 (12), pp. 1787-1804. https://doi.org/10.1080/1369118X.2019.1637448

Sprio, Margherita 2020. Carol White: The Bardot of Battersea. in: Petrie, D., Williams, M. and Mayne, L. (ed.) Sixties British Cinema Reconsidered Edinburgh University Press. pp. 47-62

Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

Goddard, M. 2020. “This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) Punk Rock New York Oxford University Press.

Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

Sprio, Margherita 2020. Women in the Frame: Feminist Intimacies on the British Screen . London, UK Bloomsbury Academic.

Pucill, S. 2019. Ottawa Art Gallery Screening: Confessions to the Mirror. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020

Sprecher, Danielle and Groves, Andrew 2019. Invisible Men: An Anthology from the Westminster Menswear Archive . Ambika P3, London 24 Oct - 24 Nov 2019

White, N. Forthcoming. Tiny Love Songs (All our futures are scalable). Holland