Centre for Research and Education in Arts and Media

White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture

Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018

Pucill, S. 2016. BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min). BFI Southbank, London 05 - 16 Oct 2016

Craighead, A. and Thomson, J. 2016. Big Bang Data. Somerset House, London 03 Dec 2015 - 20 Mar 2016

Leeson, L. and Dunn, P. 2015. Big Money is Moving in, Docklands Community Poster Project and posters from the East London Health Project. Museo Nacional Centro de Arte Reina Sofía, Madrid

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Thomson, J. 2018. Blind Faith: Between the cognitive and the visceral in contemporary art. Haus Der Kunst, Munich 02 Mar - 19 Aug 2018

Wyver, J. 2023. Blonde Noir. London

Corby, T. 2014. Blood and Bones. Tom Corby.

Stehlikova, T. Forthcoming. Blue Hour .

Groves, Andrew and Duffy, Eilidh 2023. BOG - Decoding the Details with the Westminster Menswear Archive. London

Thomas, K. 2016. Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre-Bollywood era. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q154z

Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a

Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

Leeson, L. 2016. Bred and Born - a reflection. Four Corners - 40 Years of Film in the East End. Whitechapel Gallery 02 - 02 Jul 2016

White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019

Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021

Wright, A. 2014. Cadenza.

Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.

Sprio, Margherita 2020. Carol White: The Bardot of Battersea. in: Petrie, D., Williams, M. and Mayne, L. (ed.) Sixties British Cinema Reconsidered Edinburgh University Press. pp. 47-62

Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.

Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London

Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Chatterjee, R. 2002. Catalogue for Vidarte 2002: Festival of video and electronics arts. UNKNOWN.

Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Angeli, S. 2017. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978). PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zwvz

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.

Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016

McMurdo, W. 2015. Children and computers: collected works (1995–2014). PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/997v9

Chatterjee, R. 2012. Cinema in the colonial city: early film audiences in Calcutta. in: Christie, I. (ed.) Audiences: defining and researching screen entertainment reception Amsterdam Amsterdam University Press. pp. 46-66

Turajlic, M. 2015. Cinema Komunisto: cinema as a memory site. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx73

Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

Pucill, S. 2017. Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope. Cinemateket, Oslo 2010 - 2019

Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Corby, T. and Baily, G. 2016. CODEX (Terra Incognita). Various

Corby, T., Baily, G. and Sabbata, S 2017. CODEX: mapping co-created data for speculative geographies. Leonardo. 50 (1), pp. 70-71. https://doi.org/10.1162/LEON_a_01347