Centre for Research and Education in Arts and Media

Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Corby, T. and Baily, G. 2016. CODEX (Terra Incognita). Various

Corby, T., Baily, G. and Sabbata, S 2017. CODEX: mapping co-created data for speculative geographies. Leonardo. 50 (1), pp. 70-71. https://doi.org/10.1162/LEON_a_01347

Leeson, L. 2016. Collaborative art activism – a UK perspective. Tuen, D. (ed.) Public Exposures. OCAD University, Toronto 27 - 28 May 2016

Douglass, C. 2015. Collaborative visual ethnography and breast cancer. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9qx13

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125

Leeson, L. 2016. Community politics of the GLC (Greater London Council). How to do It (H2DI). King's College, London 10 Apr 2016

Tsifouti, A., Triantaphillidou, S., Larabi M-C, Bilissi, E. and Psarrou, A. 2015. Comparative performance between human and automated face recognition systems, using CCTV imagery, different compression levels and scene parameters . SPIE Electronic Imaging: Image Quality and System Performance XII. San Fransisco, USA Jan 2015 SPIE. https://doi.org/10.1117/12.2083325

Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

Leeson, L. 2016. Conceptualism/feminism/cultural activism. The Practicing Feminist. Tate Britain 21 - 21 May 2016

Pucill, S. 2022. Confessions to the Mirror. Cobra Museum, Amstelveen, Netherlands Spring 2021 and then Kunsthal Museum Gallery, Rotterdam 2022 21 May - 28 Aug 2022

Pucill, S. 2016. Confessions To The Mirror.

Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 24 Mar - 22 Apr 2017

Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.

Maziere, M. 2015. Contemporary Screen-Based Curatorial Practice. Artists' Moving Image Practice in Britain: From 1990 to Today. Whitechapel Gallery 07 Nov 2015

Mey, K. 2016. Corpus delicti. in: Arya, R. and Chare, N. (ed.) Abject Visions: Powers of Horror in Art and Visual Culture Manchester Manchester University Press. pp. 144-159

Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London

Asante, Barby and Kempadoo, Roshini 2018. Creating Interference & Cream Screen event - Go Back and Get it: Seeking Sankofa, 28 June 2019.

Kempadoo, Roshini 2018. Creating Interference Project (CIP) online. Creating Interference Project (CIP).

Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346

Pucill, S. 2017. Creteil International Women's Film Festival Official Selection: Confessions To The Mirror. Maison des Arts, Place Salvador Allende, Creteil, Paris 10 - 19 Mar 2017

Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016

White, N. 2016. Cultures of the Anthropocene . RGS-IBG Annual International Conference 2015. Exeter University

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390. https://doi.org/10.1080/2154896X.2017.1373916

Maziere, M. 2018. Curating the Nomadic – Film and Video at Ambika P3. Fatehrad, A. (ed.) Sohrab Shahid Saless: Exile, Displacement and the Stateless Moving Image . Goethe-Institut London, 50 Princes Gate, Exhibition Road, London SW7 2PH 19 - 19 Jan 2018 Edinburgh University Press.

Groves, Andrew, Sprecher, Danielle, Beach, Hannah and Hitchcock, Fenella 2024. Curatorial Continuum: Symbiotic inspiration between fashion collections and the fashion industry (round table). Beyond the Blockbuster: Exhibiting Fashion Now. Museum of London Docklands and London College of Fashion 30 - 31 May 2024

Wright, A. Forthcoming. Cut. Winchester; Montreal

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Gortazar, P. 2024. Dare Me Not: Photography as Adventure in Virtual Space. in: Shobeiri, A. and Westgeest, H. (ed.) Virtual Photography: Artificial Intelligence, In-game, and Extended Reality Germany transcript Verlag. pp. 135-150

Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

Craighead, A. and Thomson, J. 2015. Data as Culture 3: Data Anthropologies. Open Data Institute, London 25 Mar - 20 Jun 2015

Boehnert, J. 2016. Data Visualisation Does Political Things . DRS2016: Design + Research + Society: Future-Focused Thinking. University of Brighton 27 - 30 Jun 2016 Design Research Society.

Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Boehnert, J., Elzenbaumer, B and Onafuwa, D 2016. Design as Symbolic Violence. Design for Social Justice. DRS2016, Design + Research + Society: Future Focused Thinking. University of Brighton, UK 27 - 30 Jun 2016 Design Research Society.