Centre for Research and Education in Arts and Media

Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

Craighead, A. and Thomson, J. 2015. Data as Culture 3: Data Anthropologies. Open Data Institute, London 25 Mar - 20 Jun 2015

Boehnert, J. 2016. Data Visualisation Does Political Things . DRS2016: Design + Research + Society: Future-Focused Thinking. University of Brighton 27 - 30 Jun 2016 Design Research Society.

Moore, D. 2023. David Moore. Connecting Works 1986-1994. Sion and Moore, Bethnal Green, London 13 - 17 May 2023

Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Boehnert, J., Elzenbaumer, B and Onafuwa, D 2016. Design as Symbolic Violence. Design for Social Justice. DRS2016, Design + Research + Society: Future Focused Thinking. University of Brighton, UK 27 - 30 Jun 2016 Design Research Society.

Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.

Hogg, C. 2021. Designing and Directing Adaptations. in: Adapting Television Drama: Theory and Industry Palgrave Macmillan. pp. 129-184

Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418

Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Burgos, D. 2015. Digital anthropology and educational eGames: learning through behavioural patterns in digital, game-based contexts. PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9x1qq

Sporton, G. 2015. Digital Creativity: Something From Nothing. London Palgrave Macmillan.

Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Hall, E., Macintosh, F. and Wrigley, A. (ed.) 2004. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford Oxford University Press.

White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Cumberland, S. 2019. Dog with Four Rifles. Edinburgh College of Art 25 Jul - 25 Aug 2019

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019

Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019

Clark, G. 2018. Double Ghosts.

Clark, G. 2021. Double Ghosts. Videoclub 11 Apr 2021 - 22 May 2022

Sporton, G. 2017. Double Take Live Performance. London

Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: Looking Back at Yourself... Digital Research in Arts and Humanities. Spazju Kreattiv Castille Place, Valletta, VLT 1060 Malta 09 - 12 Sep 2018

Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London

Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Cummings, P. 2016. Early Ornament. Montreal

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Boehnert, J. 2017. Ecological Theory in Design: Participant Designers in an Age of Entanglement. in: Egenhoefer, R.B. (ed.) Routledge Handbook of Sustainable Design London Routledge.

Bratchford, B., Dominici, S., Horne, V. and Coomasaru, E. 2024. Editorial: 24 Years of Visual Culture in Britain: The Relaunch Issue. Visual Culture in Britain. 22 (1-3), pp. 1-9. https://doi.org/10.1080/14714787.2024.2428042

Cepedal, E. 2023. El Cine, 5. Gijon International Film Festival

Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books.

Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78