Centre for Research and Education in Arts and Media

Boehnert, J. 2018. Design, Ecology, Politics: Towards the Ecocene. London Bloomsbury Academic.

Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418

Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Burgos, D. 2015. Digital anthropology and educational eGames: learning through behavioural patterns in digital, game-based contexts. PhD thesis University of Westminster Media, Arts and Design https://doi.org/10.34737/9x1qq

Sporton, G. 2015. Digital Creativity: Something From Nothing. London Palgrave Macmillan.

Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286

Hall, E., Macintosh, F. and Wrigley, A. (ed.) 2004. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford Oxford University Press.

White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Cumberland, S. 2019. Dog with Four Rifles. Edinburgh College of Art 25 Jul - 25 Aug 2019

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019

Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019

Clark, G. 2018. Double Ghosts.

Clark, G. 2021. Double Ghosts. Videoclub 11 Apr 2021 - 22 May 2022

Sporton, G. 2017. Double Take Live Performance. London

Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: Looking Back at Yourself... Digital Research in Arts and Humanities. Spazju Kreattiv Castille Place, Valletta, VLT 1060 Malta 09 - 12 Sep 2018

Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London

Triscott, N., Bunsie, Z., Steward, G., Mathison, T. and Gould, G. 2017. Dreamed Native Ancestry (DNA) by Mission//Misplaced Memory. London 23 Nov 2017 - 27 Jan 2018

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Cummings, P. 2016. Early Ornament. Montreal

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Boehnert, J. 2017. Ecological Theory in Design: Participant Designers in an Age of Entanglement. in: Egenhoefer, R.B. (ed.) Routledge Handbook of Sustainable Design London Routledge.

Bratchford, B., Dominici, S., Horne, V. and Coomasaru, E. 2024. Editorial: 24 Years of Visual Culture in Britain: The Relaunch Issue. Visual Culture in Britain. 22 (1-3), pp. 1-9. https://doi.org/10.1080/14714787.2024.2428042

Cepedal, E. 2023. El Cine, 5. Gijon International Film Festival

Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books.

Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023

Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

Marsh, J. 2024. Faith, Place and Migration. Staffordshire Street Gallery, London SE15 08 - 17 Mar 2024

Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022

Shinkle, E. 2017. Fashion Photography: The Story in 180 Pictures. London Thames & Hudson.

Sprio, Margherita 2015. Feminisms, mirrors: Claude Cahun and Sarah Pucill - a dialogue. Moving Image Review and Art Journal. 4 (1), pp. 260-267. https://doi.org/10.1386/miraj.4.1-2.260_5