Centre for Research and Education in Arts and Media

Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

Craighead, A. and Thomson, J. 2014. Maps DNA and Spam. Dundee Contemporary Arts, Dundee 18 Jan - 16 Mar 2014

Craighead, A. and Thomson, J. 2014. Flat Earth. Germany MEWO Kunsthalle and Dundee Contemporary Arts.

Wright, A. 2014. Heart of the Matter. London

Wright, A. 2014. Cadenza.

Mey, K. 2014. Sculpture. in: Kelly, M. (ed.) Encyclopedia of Aesthetics: Volume 4. 2nd edition Oxford Oxford University Press.

White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7

Allen, E., Triantaphillidou, S. and Jacobson, R.E. 2014. Perceptibility and acceptability of JPEG 2000 compressed images of various scene types. SPIE Electronic Imaging: Image Quality and System Performance XI. San Francisco, USA Jan 2014 SPIE. https://doi.org/10.1117/12.2042582

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Chatterjee, R. 2014. Film history through fragments: the Aurora Archive and the transnational travels of early Indian cinema. Bioscope: South Asian Screen Studies. 5 (1), pp. 29-47. https://doi.org/10.1177/0974927614531358

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

Craighead, A., Thomson, J. and Auerbach, D. Stevenson, D. (ed.) 2013. Never Odd or Even: Thomson & Craighead. London Carroll/Fletcher.

Craighead, A. and Thomson, J. 2013. Never Odd or Even. Carroll / Fletcher Gallery, London 24 May - 13 Jul 2013

Moore, D. 2013. Pictures from the Real World, Colour Photographs 1987-88. London DewiLewis/Here Press.

Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

Wrigley, A. 2013. Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience. in: Hardwick, L. and Harrison, S.J. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Wrigley, A. 2013. Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience. in: Hardwick, L. and Harrison, S. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Wrigley, A. 2013. Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays. in: Wrigley, A. and Harrison, S.J. (ed.) Louis MacNeice: the classical radio plays Oxford Oxford University Press. pp. 1-30

Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Tsifouti, A., Triantaphillidou, S., Bilissi, E. and Larabi, M.C. 2013. Acceptable bit-rates for human face identification from CCTV imagery. in: Burns, P.D. and Triantaphillidou, S. (ed.) Image Quality and System Performance X SPIE.

Pucill, S. 2013. Magic Mirror.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Wrigley, A. and Harrison, S.J. (ed.) 2013. Louis MacNeice: the classical radio plays. Oxford Oxford University Press.

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Wright, A. 2012. A View From Inside. London White Card.

Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Chatterjee, R. 2012. Cinema in the colonial city: early film audiences in Calcutta. in: Christie, I. (ed.) Audiences: defining and researching screen entertainment reception Amsterdam Amsterdam University Press. pp. 46-66

Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92