Centre for Research and Education in Arts and Media

Wrigley, A. 2015. Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s. Oxford Oxford University Press.

Reynolds, L. 2014. A Feminist Chorus, Glasgow.

Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

Wright, A. 2014. Hybrid Bodies: the Heart Project. University of Westminster. https://doi.org/10.34737/qqw60

Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333

Jones, C.W. 2014. Advertising Tools and Techniques Appropriated to Construct the Global Brand Mr. Clean. 12th World Congress of the IASS/AIS. Sofia 16 - 20 Sep 2014 de Gruyter Mouton. https://doi.org/10.24308/iass-2014-062

Dawood, S. 2014. Towards the Possible Film .

Triscott, N., La Frenais, R., Padilla Domene, A. and Puig Domene, I. 2014. SEFT-1 Abandoned Railways Exploration Probe - Modern Ruins 1:220. Furtherfield Pavilion, Finsbury Park, London N4 2NQ 20 Jun - 27 Jul 2014

Triscott, N. and La Frenais, R. 2014. Republic of the Moon. Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH 10 Jan - 02 Feb 2014

Wyver, J. 2014. Serjeant Musgrave's Dance and the politics of possibility in two television adaptations. Critical Studies in Television. 9 (3), pp. 89-99. https://doi.org/10.7227/CST.9.3.9

Wyver, J. 2014. Television. in: Stephens, C. and Stonard, J.-P. (ed.) Kenneth Clark: Looking for Civilisation London Tate Publishing. pp. 123-32

Corby, T. 2014. Blood and Bones. Tom Corby.

Koksal, O. 2014. Past Not-So-Perfect: Ararat and Its Reception in Turkey. Cinema Journal. 54 (1), pp. 45-64. https://doi.org/10.1353/cj.2014.0069

Oppenheimer, J 2014. The Look of Silence. Venice Film Festival

Corby, T. and Williams, D. Forthcoming. I stood up (2015). London/New Delhi/Ahmedabad

Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

Craighead, A. and Thomson, J. 2014. Maps DNA and Spam. Dundee Contemporary Arts, Dundee 18 Jan - 16 Mar 2014

Craighead, A. and Thomson, J. 2014. Flat Earth. Germany MEWO Kunsthalle and Dundee Contemporary Arts.

Wright, A. 2014. Heart of the Matter. London

Wright, A. 2014. Cadenza.

Mey, K. 2014. Sculpture. in: Kelly, M. (ed.) Encyclopedia of Aesthetics: Volume 4. 2nd edition Oxford Oxford University Press.

White, N. 2014. Dislocated Data Palm (in Two Parts) . Portikus, Frankfurt. Germany 10 May - 29 Jun 2014

Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7

Allen, E., Triantaphillidou, S. and Jacobson, R.E. 2014. Perceptibility and acceptability of JPEG 2000 compressed images of various scene types. SPIE Electronic Imaging: Image Quality and System Performance XI. San Francisco, USA Jan 2014 SPIE. https://doi.org/10.1117/12.2042582

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Chatterjee, R. 2014. Film history through fragments: the Aurora Archive and the transnational travels of early Indian cinema. Bioscope: South Asian Screen Studies. 5 (1), pp. 29-47. https://doi.org/10.1177/0974927614531358

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

Craighead, A., Thomson, J. and Auerbach, D. Stevenson, D. (ed.) 2013. Never Odd or Even: Thomson & Craighead. London Carroll/Fletcher.

Craighead, A. and Thomson, J. 2013. Never Odd or Even. Carroll / Fletcher Gallery, London 24 May - 13 Jul 2013

Moore, D. 2013. Pictures from the Real World, Colour Photographs 1987-88. London DewiLewis/Here Press.

Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

Wrigley, A. 2013. Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience. in: Hardwick, L. and Harrison, S.J. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Wrigley, A. 2013. Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience. in: Hardwick, L. and Harrison, S. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364