Centre for Research and Education in Arts and Media

Allen, E., Triantaphillidou, S. and Jacobson, R.E. 2014. Perceptibility and acceptability of JPEG 2000 compressed images of various scene types. SPIE Electronic Imaging: Image Quality and System Performance XI. San Francisco, USA Jan 2014 SPIE. https://doi.org/10.1117/12.2042582

Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Chatterjee, R. 2014. Film history through fragments: the Aurora Archive and the transnational travels of early Indian cinema. Bioscope: South Asian Screen Studies. 5 (1), pp. 29-47. https://doi.org/10.1177/0974927614531358

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

Craighead, A., Thomson, J. and Auerbach, D. Stevenson, D. (ed.) 2013. Never Odd or Even: Thomson & Craighead. London Carroll/Fletcher.

Craighead, A. and Thomson, J. 2013. Never Odd or Even. Carroll / Fletcher Gallery, London 24 May - 13 Jul 2013

Moore, D. 2013. Pictures from the Real World, Colour Photographs 1987-88. London DewiLewis/Here Press.

Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 41), pp. 136-153. https://doi.org/10.1215/07990537-2323364

Wrigley, A. 2013. Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience. in: Hardwick, L. and Harrison, S.J. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Wrigley, A. 2013. Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience. in: Hardwick, L. and Harrison, S. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Wrigley, A. 2013. Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays. in: Wrigley, A. and Harrison, S.J. (ed.) Louis MacNeice: the classical radio plays Oxford Oxford University Press. pp. 1-30

Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Tsifouti, A., Triantaphillidou, S., Bilissi, E. and Larabi, M.C. 2013. Acceptable bit-rates for human face identification from CCTV imagery. in: Burns, P.D. and Triantaphillidou, S. (ed.) Image Quality and System Performance X SPIE.

Pucill, S. 2013. Magic Mirror.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Wrigley, A. and Harrison, S.J. (ed.) 2013. Louis MacNeice: the classical radio plays. Oxford Oxford University Press.

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Wyver, J. 2012. Dallas Bower: a producer for television's early years, 1936-39. Journal of British Cinema and Television. 9 (1), pp. 26-39. https://doi.org/10.3366/jbctv.2012.0058

Wright, A. 2012. A View From Inside. London White Card.

Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Chatterjee, R. 2012. Cinema in the colonial city: early film audiences in Calcutta. in: Christie, I. (ed.) Audiences: defining and researching screen entertainment reception Amsterdam Amsterdam University Press. pp. 46-66

Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Wrigley, A. and Davis, R. 2011. Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity? The Journal of American drama and theatre. 23 (2), pp. 7-29.

Wrigley, A. 2011. Performing Greek drama in Oxford and on tour with the Balliol Players. University of Exeter Press.

Chatterjee, R. 2011. Journeys in and beyond the city: cinema in Calcutta, 1897-1939. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/8zx68

Wrigley, A. (ed.) 2011. Translation, performance and reception of Greek drama, 1900-1960: international dialogues, a special double issue of Comparative Drama 44.4 (Winter 2010) – 45.1 (Spring 2011). Western Michigan University.

Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Wrigley, A. 2010. Robert Bridges' Masque Demeter and Oxford's Persephones. New Voices In Classical Reception Studies. 5.

Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.

Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15