Westminster School of Arts

Klewitz, R. 2022. Index sheets of completed video artworks from 2009 to 2022.

Boon, H. 2022. Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education. in: Powell, B. and Smith, G.D. (ed.) Places and Purposes of Popular Music Education: Perspectives from the Field Bristol Intellect. pp. 261-266

Goldschmidt, S. 2022. 'Strange Fits of Passion' - Narrational ecologies "In the House of Ephra and Bahmanduch". Hyphen Journal. 3.1 9.

Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Goldschmidt, S. 2022. Aramaic Incantation Bowls and Contemporary Ceramic Art Practice. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2167

Evans, J. 2022. Identifiers for Practice Research. DataCite Member Meeting 2022. British Library 22 Sep 2022 British Library. https://doi.org/10.23636/j6wh-ev50

Julia Toppin 2022. “They’re Not in It Like the Man Dem”: How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music. in: Anderton, C. and James, M. (ed.) Media Narratives in Popular Music Bloomsbury. pp. 53-70

Reddington, J. 2022. Re-Imagining Higher Popular Education. Masters thesis UCL IOE

Ingawanij, M.A. and Ross, J. 2022. Animistic Apparatus: A Gathering . World Records. 7.

Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Fry, C. 2022. Regulating Observers: Visuality and the influence of scopic regimes on the experience of virtual space. 25th Generative Art Conference. Biblioteca Vallicelliana, Rome 12 - 14 Dec 2022 Domus Argenia Publisher.

Sporton, G. and Allen, E. 2022. Focussing on the Critical: Film Pedagogy in the Modern University. 3rd Kyoto Conference on Arts, Media and Culture (KAMC2022). Kyoto, Japan, and online 17 - 20 Oct 2022 International Academic Forum. https://doi.org//10.22492/issn.2436-0503.2022.15

Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452

Begklis, Fotios 2022. Grand Tour – a film in-debt(ed): Exploring the possibilities of the essayistic filmmaking form. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vzw53

Bate, D. 2022. Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory. Routledge.

Sprecher, Danielle 2022. The Cut Must Suit the Making: Masculinity, Mass Production and Design in British Menswear Tailoring, 1945-1970. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022

Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Waring, C. 2022. The Prostitute and the PhD: Navigating Academic Spaces as a Tainted Researcher. in: Jones, D. and Sanders, T. (ed.) Student Sex Work Palgrave Macmillan.

Evans, J. 2022. Practice Research Voices (PRVoices). UK ORCID Consortium Meeting. Online 07 Jun 2022 University of Westminster. https://doi.org/10.34737/vzq86

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Evans, J., Watts, N., Mudd, T. and Renner, T. 2022. From legacy to next generation: a story of collaboration to push the boundaries of the open source Haplo repository from Cayuse. Insights. 35 14. https://doi.org/10.1629/uksg.582

Groves, A. 2022. A casual obsession: Inside the British Sock Fetish Council. Critical Studies in Men's Fashion. 9 (2), pp. 187-206. https://doi.org/10.1386/csmf_00059_1

Boon, H. 2022. Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE . Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022

Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. 34 (4), pp. 271-296. https://doi.org/10.1177/09213740221117811

Mollenhauer, Pablo 2022. Film Practices for the Inclusion of the More than Human in the Representation of Cultural Landscapes. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vx846

Sprecher, Danielle 2022. More than a Uniform: Westminster Menswear Archive. More than a Uniform: Wrens in Wartime and Beyond. Prince Philip Maritime Collections Centre, Royal Museums Greenwich 17 Jun 2022

Hueyuen Choong 2022. The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia. International Journal of Music Education. 41 (3), pp. 345-513. https://doi.org/10.1177/02557614221107917

Monika Jaeckel 2022. Listening as act of response-ability. Interactive Film & Media Journal. 2 (2). https://doi.org/10.32920/ifmj.v2i2.1574

Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

Jaeckel, M. 2022. Book review: Island encounters. Timor-Leste from the outside in, Lisa Palmer, (Monographs in anthropology series) , ANU Press, The Australian National University, Acton ACT Australia (2021), 10.22459/IE.2021, xviii, 228 pages, ebook, ISBN: 9781760464509. Emotion, Space and Society. 44 100884. https://doi.org/10.1016/j.emospa.2022.100884

Sprecher, Danielle 2022. Westminster Menswear Archive: Objects and Collecting. Fashioning the male: on collecting, curating, displaying masculine attire. London College of Fashion 14 May 2022

Upeniece, Vita 2022. The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vw732

Groves, Andrew 2022. Inside the Westminster Menswear Archive: A case study of garment-research as a pedagogical practice. IFFTI2022. University of Nottingham 05 - 08 Apr 2022 International Foundation of Fashion Technology Institute.

Boon, H. 2022. In The Future . RIFFS Journal. Special Issue – Riffs ft. IASPM Canada.

Sprecher, Danielle 2022. Book Review: Dandy Style: 250 Years of British Men's Fashion. Costume. 56 (1), pp. 142-143. https://doi.org/10.3366/cost.2022.0222

Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.

Boon, H. 2022. Music Income, Self Authoring and the Digitally Mediated Career. Music and the University - History, Models, Prospects. City University 07 - 09 Jul 2022

Vials Moore, A., Evans, J. and Kotarski, R. 2022. Composing for the non-text infrastructure dance. NISO Plus 2022: Global Conversations: Global Connections. Online 15 - 17 Feb 2022 University of Westminster. https://doi.org/10.34737/vv0z9