College | Design, Creative and Digital Industries |
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Head | Prof Catherine Dormor |
Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1
Sprecher, D. 2018. Knitwear in the Westminster Menswear Archive: Building a Collection. In the Loop at 10. Winchester School of Art, University of Southampton 19 - 20 Jul 2018 University of Southampton.
O'Brien, T. 2018. Town of Strangers: The Performative ‘Making-of’ Film and the Production of Reality. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qy214
Gupta, S. 2018. Queer Migrations. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qxq70
Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.
Kempadoo, Roshini 2018. Ghosting: Visualising a Caribbean. FotoFest's INDIA Symposium, 23/24 March 2018. FotoFest's INDIA Symposium. Asia Society Texas Center, 1370 Southmore Blvd, Houston TX 77004 22 - 23 Mar 2018
Kempadoo, Roshini 2018. Creating Interference Project (CIP) online. Creating Interference Project (CIP).
Shinkle, E. 2018. Painting, Photography, Photographs: George Shaw's Landscapes. in: Hallett, M. (ed.) George Shaw: A Corner of a Foreign Field Yale University Press. pp. 45-61
Loveday, C. and Gross, S. 2018. Why Psychological Analysis Shows We're Right To Worry For Musicians' Mental Health. The Quietus.
Pucill, S. 2018. Encounters of the Space Between: a Collaboration with Claude Cahun in Magic Mirror and Confessions to the Mirror. à la croisée des approches et des disciplines. Dialogue intercontinental. CNRS, Site Pouchet, 75017 Paris 25 - 26 Jun 2018
Ross, J. 2018. Japanese Artists' Film in 1968-69. in: Reichardt, J. (ed.) Fluorescent Chrysanthemum Remembered Gdansk Laznia Centre for Contemporary Art. pp. 58-60
Ross, J. and Stojkovic, J. 2018. Performance in Print: Channeling Tōmatsu Shōmei’s NO.541. Photography and Culture. 11 (2), pp. 181-196. https://doi.org/10.1080/17514517.2018.1467087
Triscott, N., Crisp, F., Sebastian, S., Shears, T., Malina, R., Nahum, Neyrinck, M., Saraceno, T., Cipcigan, F., Kukula, M., Lawson, H., Coy, P., Bello, M. and Thomson. J. Triscott, N. and Crisp, F. (ed.) 2018. The Live Creature and Ethereal Things: Physics in Culture. London Arts Catalyst (Publisher).
Triscott, N. 2018. The Live Creature and Ethereal Things. in: Triscott, N. and Crisp, F. (ed.) The Live Creature and Ethereal Things London Arts Catalyst (Publisher). pp. 12-24
Orlow, U. 2018. Film performance, conférence performance. in: Bullot, E. (ed.) Du film performatif It: éditions. pp. 21-25
Thomson, J. 2018. Phase Velocity and F-T-L in the G.V.D. in: Crisp, F. and Triscott, N. (ed.) The Live Creature and Ethereal Things: Physics in Culture London Arts Catalyst (Publisher). pp. 78-80
Cummings, P. 2018. Model for a Common Room. Post-Medium Collecting Study Day (Seminar). Victoria Gallery & Museum, University of Liverpool 02 Feb 2018
Cummings, P. 2018. Material Performance: Presentation/panel discussion. Beyond the Object Symposium. Uppsala Konstmuseum, Sweden 03 Jun 2018
Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018
Cummings, P. 2018. Fugitive Objects. Association for Art History 2018 Summer Symposium: (Re-)Forming Sculpture. The Hepworth Museum and University of Leeds 26 - 27 Jun 2018
Cummings, P. 2018. Seminar Presentation and Panel Discussion - Agenda Art & Craft: What is your question? Agenda Art and Craft: What is your question?. Cinema, Kunstnernes Hus, Wergelandsveien 17, Oslo 23 Nov 2018
Soutter, L. 2018. Why art photography? 2nd edition. Abingdon Routledge.
Soutter, L. 2018. Notes on Photography and Cultural Translation. Photographies. 11 (2-3), pp. 329-338. https://doi.org/10.1080/17540763.2018.1445018
Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.
Hogg, C. and Goddard, M. 2018. Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations. Critical Studies in Television: The International Journal of Television Studies. 13 (4), pp. 470-474. https://doi.org/10.1177/1749602018798217
Goddard, M. and Hogg, C. 2018. Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4. Critical Studies in Television: The International Journal of Television Studies. 13 (4).
Gross, S. 2018. Research and Culture Change – A Necessary Relationship . Global Summit On Mental Health Culture Change 2018 . London 10 - 13 Oct 2018
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? International Week - PXL-Music. Belgium 05 - 09 Feb 2018
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? Music and Depression . Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures.
Gross, S. and Musgrave, G. 2018. Can Music Make You Sick? Mental health and working conditions in the UK music industry. CAMEo Annual Conference . University of Leicester 12 - 14 Sep 2018
Marsh, J. 2018. Assembly: Artist Talk at Closeup Film Centre. Julie Marsh.
Orlow, U., Sheikh, S., Balani, S., Boehi, M., Flint, K., van Marle, K., von Zinnenburg, K., Coussonnet, C., Makhubu, N., Malcomess, B. and Flint, J. T. Sheikh, S. and Orlow, U. (ed.) 2018. Theatrum Botanicum. Berlin Sternberg Press.
Campany, D. 2018. The Singular Picture. in: Jeff Wall - Appearance Germany Edition Cantz. pp. 122-139
Campany, D. 2018. So Present, so Invisible - Conversations on Photography. London and Rome Contrasto.
Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263
Evans, J., Renner, T. and Tribble, P. 2018. Keeping Data Safe: how to implement a secure repository. Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018
Evans, J. 2018. Identifying the Different People and Systems Involved and Potential Areas for Risk. Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018
Evans, J. 2018. Implementing a next-gen repository mid-REF cycle…madness or a stroke of genius? Repository Fringe 2018. Royal Society of Edinburgh, Edinburgh 02 - 03 Jul 2018
Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.