Westminster School of Arts

Aitken, J. 2016. The War at Home. Photography & The Left. University Nova de Lisboa / National Museum of Contemporary Art 16 - 17 Jun 2016

Aitken, J. and Brake, J. 2016. Picturing Change: Photographic Discourses and Urban Transformation . Barış Öztürk (ed.) Contemphoto '16: 3rd International Visual Culture and Contemporary Photography Conference. Dakam: Eastern Mediterranean Academic Research Centre, Istanbul, Turkey 27 - 27 May 2016 Özgür Öztürk BİLSAS.

Goddard, M. and Silveira, F 2016. David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks. Questões Transversais - Revista de Epistemologias da Comunicação. 3 (6), pp. 120-126.

Goddard, M. 2016. Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks. Senses of Cinema. 79 4.

Soezen, D. 2016. Kahvehane Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Soezen, D. 2016. Kahvehane (Coffeehouse) Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Aitken, J. and Brake, J. 2016. Picturing Gentrification: Representation of Urban Change, Pendleton Salford. From Contested Cities to Global Urban Justice. Universidad Autonoma de Madrid, Spain 04 - 07 Jul 2016

Aitken, J. and Brake, J. 2016. The War at Home. Photography & the Left. Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas 16 - 17 Jun 2016

Aitken, J. 2016. Developing Frontiers: Photographies as borderwork in the case of Xian urban village, Guangzhou. Visualising Chinese Borders . Manchester Metropolitan University 06 Apr 2016

Tabrizian, M. 2015. 'Looking back' - on the young unemployed. Venice Biennial 09 May - 22 Nov 2015

Leach, Robert and Groves, Andrew 2015. Archetypes. London Gallery West, The Forum, University of Westminster Watford Road, Northwick Park, Middlesex HA1 3TP 15 May 2015

Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Cummings, P. 2015. Production Line. Southampton

Robert Leach 2015. Fashion Resource Book : insupireÌ„shon o eru tame no aidea soÌ„su to jitsureishuÌ [Tankobon Softcover - Japan]. Tankobon, Japan.

Bate, D. 2015. Doubled Up: the Art of the Body. in: Enans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance Intellect. pp. 39-41

Sprecher, Danielle 2015. Book Review: Advertising Menswear: Masculinity and Fashion in the British Media since 1945. Journal of Design History. 28 (3), pp. 329-330. https://doi.org/10.1093/jdh/epv030

Lee, Yeseung 2015. Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion. Luxury: History, Culture, Consumption. 2 (1), pp. 61-80. https://doi.org/10.1080/20511817.2015.11428565

Lee, Yeseung 2015. The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion. Critical Studies in Fashion & Beauty. 6 (1), pp. 75-93. https://doi.org/10.1386/csfb.6.1.75_1

Bate, D. 2015. Art Photography. Tate Publishing.

Danino, N., Matthee, J., Novaczek, R., Pucill, S. and Syed, A. 2015. Roundtable Discussion: The Women of the London Filmmaker’s Co-op. The Moving Image Review & Art Journal (MIRAJ). 4 (1&2), pp. 164-179. https://doi.org/10.1386/miraj.4.1-2.164_1

Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Sprecher, D. and Raw, Natalie 2015. Tailored: A Very British Fashion.

Orlow, U. 2015. Made-Unmade.

Orlow, U. 2015. Unmade Film.

Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015

Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015

Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250

Campany, D. 2015. Photography as Rehearsal / Rehearsal as Photography. in: Teichmann, E. and Stewart, C. (ed.) Staging Rehearsal London Black Dog Publishing.

Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.

Campany, D. 2015. A Handful of Dust. London MACK.

Ross, J. 2015. Short Special: Basim Magdy. International Film Festival Rotterdam 25 - 25 Jan 2015

Ross, J. 2015. Spectral Presence: Expanded cinema from Britain and beyond. Art Cinema OFFoff 23 - 23 Oct 2015

Ross, J. 2015. Ito Takashi: Moving Still. Eye Film Institute 01 - 01 Dec 2015

Ross, J. 2015. An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art. PhotoResearcher. 24, pp. 32-37.

Ross, J. 2015. Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun. in: The Geologic Imagination Sonic Acts Press. pp. 53-63

Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.