Westminster School of Arts

Mitterfellner, O. 2019. Fashion Marketing and Communication: Theory and Practice across the Fashion Industry. Abingdon Routledge.

Rumball, H. 2019. As “a hedge, as a convenience, a good thing”: Elizabeth Petipher Cash’s continued fashioning of a Plain appearance. 107th CAA Annual Conference. New York, New York, United States 13 - 16 Feb 2016

Rumball, H. 2019. Symposium Review: Reframing 19th-century Fashion and Dress Symposium. Centre for Design History, University of Brighton.

Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.

Cummings, P. 2019. Sustaining Instability. Clay Across Cultures Symposium. Mesher, Istanbul Nov 2019

Jaeckel, M. 2019. Signalling - at the molecular level. Hyphen Journal. 1.

de Oliveira, A.A. and Bate, D. 2019. Instinct. Membrana Journal of Photography. 4 (1). https://doi.org/10.47659/m6.020.int

Evans, J. 2019. Building a repository in collaboration with our research community to support practice-research. Capturing practice research: improving visibility and searchability. London 15 Mar 2019

Reynolds, L. (ed.) 2019. Women Artists, Feminism and the Moving Image: Contexts and Practices. Bloomsbury Academic.

Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18

Gortazar, P. 2019. Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work. Fotocinema. 19, pp. 101-123. https://doi.org/10.24310/Fotocinema.2019.v2i19.6647

Gortazar, P. 2019. Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89). Photography and Culture. 12 (2), pp. 151-170. https://doi.org/10.1080/17514517.2019.1596598

Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Sprecher, D. 2019. I am an ordinary man: Getting and wearing suits in Britain 1945-1980. Everyday Fashion: Extraordinary Stories of Ordinary Clothes. University of Huddersfield and University of Leeds 27 - 28 Jun 2019 University of Huddersfield.

Sprecher, D. 2019. Fashion parades - for men only: Multiple tailor Hepworths, designer Hardy Amies and the marketing of men's suits in Britain in the 1960s. Critical Studies in Men's Fashion. 6 (1&2), pp. 161-178. https://doi.org/10.1386/csmf_00010_1

Janeiro Fernandes, A. 2019. Gazing at the family: archives, performance and Portuguese photography (1940-1975). PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qy47z

Fry, C. 2019. Visuality and the haptic qualities of the line in generative art. 22nd Generative Art Conference. Museo Nazionale Etrusco di Villa Giulia, Rome, Italy 19 - 21 Dec 2019 Domus Argenia Publisher.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Musgrave, G. 2019. Making Sense of My Creativity: Reflecting on Digital Autoethnography. Journal of Artistic and Creative Education. 13 (1), pp. 1-11.

Tabrizian, M. 2019. off screen . Kerber.

Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

Christodoulou, C. 2019. Sweet Harmony: Rave|Today (Exhibition Review). Dancecult: Journal of Electronic Dance Music Culture. 11 (1), pp. 101-102. https://doi.org/10.12801/1947-5403.2019.11.01.07

Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846

York, A. 2019. Transforming musical performance: the audience as performer. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music London Routledge. pp. 3-23

Goddard, M. 2019. “Art is Energy, Art is Power”: An Interview with Józef Robakowski. Apparatus Journal.

Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.

Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019

Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Ross, J. 2019. Interview with Lukas Marxt. in: Slanar, C. (ed.) Lukas Marxt: From Light to Cold Vienna VfmK Verlag für moderne Kunst GmbH.

Dornieden, A, Gonzáles, J.D. and Ross, J. 2019. (Reopening) the Open Frame. in: Greenfield, L., Philips, D.S., Schroedinger, K., Speidel, B. and Widmann, P. (ed.) Film in the Present Tense: Why can’t we stop talking about analogue film? Berlin Archive Books. pp. 111-114

Ross, J. 2019. America, America, America: Japanese artists in the United States in the Sixties and Seventies. in: Jhaveri, S. (ed.) America: Films from Elsewhere India The Shoestring Publisher.

Ledésert, C. 2019. I IS ANOTHER: The fabulative filmic collaboration with someone recovering from addiction. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qvwq0

Saunders, W. 2019. Harry Partch: A Catalyst for Queer Compositionism. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qv97w

Sözen, D. 2019. The Art of Un-belonging. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qv976

Hermes, K. 2019. Factors influencing the spectral clarity of vocals in music mixes. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Hermes, K. 2019. Enhancing creativity through automatic mixing research: testing spectral clarity predictors in the mix process. in: Gullö, J.O. (ed.) Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi – Stockholm 2017 Stockholm, Sweden Royal College of Music (KMH) & Art of Record Production. pp. 155-170

Hermes, K. 2019. Optimizing vocal clarity in the mix. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business UK Routledge.

Evans, J. 2019. The Repository is the CRIS, and the CRIS is the Repository. Open Repositories Conference. Hamburg, Germany 10 - 13 Jun 2019