Westminster School of Arts

Aitken, J. and Brake, J. 2016. Picturing Change: Photographic Discourses and Urban Transformation . Barış Öztürk (ed.) Contemphoto '16: 3rd International Visual Culture and Contemporary Photography Conference. Dakam: Eastern Mediterranean Academic Research Centre, Istanbul, Turkey 27 - 27 May 2016 Özgür Öztürk BİLSAS.

Goddard, M. and Silveira, F 2016. David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks. Questões Transversais - Revista de Epistemologias da Comunicação. 3 (6), pp. 120-126.

Goddard, M. 2016. Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks. Senses of Cinema. 79 4.

Soezen, D. 2016. Kahvehane Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Soezen, D. 2016. Kahvehane (Coffeehouse) Kongresspark. Vienna, Austria 04 - 18 Jun 2016

Aitken, J. and Brake, J. 2016. Picturing Gentrification: Representation of Urban Change, Pendleton Salford. From Contested Cities to Global Urban Justice. Universidad Autonoma de Madrid, Spain 04 - 07 Jul 2016

Aitken, J. and Brake, J. 2016. The War at Home. Photography & the Left. Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas 16 - 17 Jun 2016

Aitken, J. 2016. Developing Frontiers: Photographies as borderwork in the case of Xian urban village, Guangzhou. Visualising Chinese Borders . Manchester Metropolitan University 06 Apr 2016

Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

Tabrizian, M. 2015. 'Looking back' - on the young unemployed. Venice Biennial 09 May - 22 Nov 2015

Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Cummings, P. 2015. Production Line. Southampton

Robert Leach 2015. Fashion Resource Book : insupireÌ„shon o eru tame no aidea soÌ„su to jitsureishuÌ [Tankobon Softcover - Japan]. Tankobon, Japan.

Bate, D. 2015. Doubled Up: the Art of the Body. in: Enans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance Intellect. pp. 39-41

Sprecher, Danielle 2015. Book Review: Advertising Menswear: Masculinity and Fashion in the British Media since 1945. Journal of Design History. 28 (3), pp. 329-330. https://doi.org/10.1093/jdh/epv030

Lee, Yeseung 2015. Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion. Luxury: History, Culture, Consumption. 2 (1), pp. 61-80. https://doi.org/10.1080/20511817.2015.11428565

Lee, Yeseung 2015. The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion. Critical Studies in Fashion & Beauty. 6 (1), pp. 75-93. https://doi.org/10.1386/csfb.6.1.75_1

Bate, D. 2015. Art Photography. Tate Publishing.

Danino, N., Matthee, J., Novaczek, R., Pucill, S. and Syed, A. 2015. Roundtable Discussion: The Women of the London Filmmaker’s Co-op. The Moving Image Review & Art Journal (MIRAJ). 4 (1&2), pp. 164-179. https://doi.org/10.1386/miraj.4.1-2.164_1

Hermes, K., Brookes, T. and Hummersone, C. 2015. The harmonic centroid as predictor of single sound spectral clarity.

Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Kempadoo, R. 2015. Face Up (2015). University of Westminster. https://doi.org/10.34737/qq895

Sprecher, D. and Raw, Natalie 2015. Tailored: A Very British Fashion.

Orlow, U. 2015. Made-Unmade.

Orlow, U. 2015. Unmade Film.

Triscott, N., Hauser, J., Cohen, R. and Van Balen, T. 2015. Revital Cohen & Tuur Van Balen: assemble | standard | minimal. Schering Stiftung, Unter den Linden 32-34, 10117 Berlin, Germay 23 Jan - 03 May 2015

Triscott, N. 2015. Holoturian - Ariel Guzik. Edinburgh Art Festival 30 Jul - 30 Aug 2015

Wyver, J. 2015. Myriad mediations: Henry Moore and his works on screen, 1937-1983. Tate Publishing.

Wyver, J. 2015. The filmic fugue of Ken Russell’s Pop Goes the Easel. Journal of British Cinema and Television. 12 (4), pp. 438-451. https://doi.org/10.3366/jbctv.2015.0279

Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Orlow, U. 2015. Grey, Green, Gold .

Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017

Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250

Campany, D. 2015. Photography as Rehearsal / Rehearsal as Photography. in: Teichmann, E. and Stewart, C. (ed.) Staging Rehearsal London Black Dog Publishing.

Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.

Campany, D. 2015. A Handful of Dust. London MACK.

Ross, J. 2015. Short Special: Basim Magdy. International Film Festival Rotterdam 25 - 25 Jan 2015