| College | Design, Creative and Digital Industries |
|---|---|
| Head | Ms Virginia Grose |
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359
Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.
Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856
Twomey, C. 2006. Temporary. Northern Clay Centre, Minneapolis, USA 14 Jul - 27 Aug 2006
Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.
Rawlings, J. 2006. Mariners and migrants: in search of home.
Pucill, S. 2006. The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92
Pucill, S. 2006. Stages of Mourning. 66 East 4th Street, New York, NY 10003 18 Nov 2006
Orlow, U. 2006. The world possessed. Museum of Garden History, London, UK 03 Jul - 29 October 2006
Orlow, U. 2006. Midday/Midnight (66° 33'). ICA, London 24 May - 16 Jul 2006
Orlow, U. 2006. Latent archives, roving lens. in: Lanyon, J. and Connarty, J. (ed.) Ghosting: the role of the archive within contemporary artists' film and video Bristol, UK Picture This Moving Image.
Orlow, U. 2006. Housed memory. Dark Studio, Arnolfini, 16 Narrow Quay, Bristol, UK 03 - 25 Jun 2006
Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100
Gray, R. 2006. Morpho-illogical: Collage Reportage. Victoria and Albert Museum, London 02 Feb 2006 - 23 Apr 2006
Campany, D. 2006. Posing, acting and photography. in: Green, D. and Lowry, J. (ed.) Stillness and time: photography and the moving image Brighton, UK Photoworks / Photoforum. pp. 97-112
Bate, D. 2006. Zone. A series of 16 photographs exploring dimensions of social change in Eastern Europe after the Soviet Union through the case study of one city, Tallinn.
Matheson, N. (ed.) 2006. The sources of surrealism. Hastings Lund Humphries.
Matheson, N. (ed.) 2006. The sources of surrealism. Hastings, UK Helm Information.
Carty, A. 2005. The Iraq invasion as a recent United Kingdom 'contribution to international law'. European Journal of International Law. 16 (1), pp. 143-151. https://doi.org/10.1093/ejil/chi109
Bate, David 2005. Editorial. History of Photography. 29 (2), pp. 97-99. https://doi.org/10.1080/03087298.2005.10441362
Goddard, M. 2005. The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety. Pli: Warwick Journal of Philosophy. 16.
Goddard, M. 2005. 68-77-99 and Beyond: Bifo's Futural Thought. Cultural Studies Review. 11 (2), pp. 49-56. https://doi.org/10.5130/csr.v11i2.3638
Goddard, M. 2005. Diagram for a Transversal, Molecular Feminism? Women: A Cultural Review. 16 (3), pp. 271-283. https://doi.org//10.1080/09574040500321339
Thomas, R. 2005. Zimbo and son meet the girl with a gun. in: Blamey, D. and D'Souza, R. (ed.) Living pictures: perspectives on the film poster in India London, UK Open Editions. pp. 27-44
Thomas, R. 2005. Not Quite (Pearl) White: Fearless Nadia, queen of the stunts. in: Kaur, R. and Sinha, A.J. (ed.) Bollywood: popular Indian cinema through a transnational lens London, UK Sage. pp. 35-69
Shinkle, E. 2005. Feel it, don't think: the significance of affect in the study of digital games. DiGRA 2005: Changing Views: Worlds in Play, 2005 International Conference. Vancouver 16-20 Jun 2005
Shinkle, E. 2005. Corporealis ergo sum: affective response in digital games. in: Garrelts, N. (ed.) Digital gameplay: essays on the nexus of game and gamer North Carolina, USA McFarland & Co. pp. 21-35
Orlow, U. 2005. What the billboard saw / la ville mode d'emploi. Fribourg, Switzerland Kunsthalle Fribourg Fri-Art.
Orlow, U. 2005. Urban Inventory #1-4. Fri-Art centre d'art contemporain/Kunsthalle, Fribourg, Switzerland 01 Jul - 04 Sep 2005
Orlow, U. 2005. Talk is cheap: some notes on freedom of speech and the ethics of listening in Route 181 by Michel Khleifi and Eyal Sivan. 1+1+1. 2.
Orlow, U. 2005. Inside the archive. City Gallery Leicester offsite exhibition at New Walk Museum, Leicester, UK 14 Apr - 06 May 2006
Orlow, U. 2005. Excerpts from 'time and again'. Printed Project. 4.
Matheson, N. 2005. The phantom of surrealism: photography, cultural identity and the reception of surrealism in England. History of Photography. 29 (2), pp. 149-162.
Dowmunt, T. and Thomas, R. 2005. Supervising and examining practice-based PhDs in the moving image. Journal of Media Practice. 6 (2), pp. 121-126. https://doi.org/10.1386/jmpr.6.2.121/7