Westminster School of Arts

David Bate 2016. Documentary and Storytelling. in: Photography: the Key Concepts. 2nd edition Bloomsbury.

David Bate 2016. Snapshots and Institutions. in: Photography: the Key Concepts. 2nd edition Routledge.

David Bate 2016. The Scopic Drive. in: Photography: the Key Concepts. 2nd edition Bloomsbury.

David Bate 2016. Seeing Portraits. in: Photography: The Key Concepts. 2nd edition Routledge.

Rumball, H. 2016. Visibility and Invisibility. Critical Studies. 2, pp. 30-39.

Clark, G. and Menzies, L. 2016. Moving Towards The Sun. in: Bannan, S. (ed.) House Studies II Auckland, New Zealand Jonathan Smart Gallery.

Clark, G. 2016. On Correct Colour: On Margaret Honda's films. in: Moshayedi, A and Walker, H (ed.) Made In LA: a, the, through, only Hammer Museum / UCLA.

Clark, G. 2016. To Pour Milk Into a Glass: Film, Video and Conceptual Art in Britain 1964–1979. in: Wilson, A. (ed.) Conceptual Art in Britain 1964–1979 London Tate Publishing.

Lee, Y. 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

Klewitz, R. 2016. Insights into an Artistic Practice through Self-Reflection. The International Journal of Arts Education. 11 (2), pp. 13-25. https://doi.org/10.18848/2326-9944/cgp/v11i02/13-25

Lee, Yeseung 2016. The Authentic Surface: Making Garments, Selves and Others. In Pursuit of Luxury 2. LIM College, New York 06 May 2016

Lee, Yeseung 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

Lee, Yeseung 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol and Chicago Intellect.

Bate, D. 2016. Daguerre’s Abstraction. Photographies. 9 (2), pp. 135-146. https://doi.org/10.1080/17540763.2016.1185881

White, N. 2016. Is a meaningful dialogue possible between research practices in the arts and in science and technology? Data Rush Symposium. Angewandte Innovation Laboratory 17 - 17 May 2016

Shinkle, E. 2016. The Universal Foreground: Ordinary Landscapes and Boring Photographs. in: Gardiner, M. and Haladyn, J.J. (ed.) Boredom Studies: Frameworks and Perspectives London Routledge. pp. 99-111

Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Hermes, K. 2016. The harmonic centroid as predictor of single sound spectral clarity.

White, N. 2016. A Call for Radical Time. in: Le Feuvre, Lisa (ed.) A Lesson in Sculpture with John Latham Leeds Henry Moore Institute.

Cumberland, S. 2016. Pictures Out of Painting. University of Westminster. https://doi.org/10.34737/qqqz8

Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).

Gross, S. 2016. Let's Talk About Sex: Gender Trouble in the Music Industry. Sørveiv Conference . Kristiansand 28 - 29 Oct 2016

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Sprecher, D. 2016. Well Dressed Men: From Montague Burton to Topman. in: Selby, Elizabeth (ed.) Moses, Mods and Mr Fish: The Menswear Revolution London Jewish Museum London. pp. 79-88

Sprecher, D. 2016. Fashion for the High Street: The Design and Making of Menswear in Leeds 1945-1980. PhD thesis University of Leeds School of History

Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Dawood, S. 2016. Kalimpong. Timothy Taylor, London 16 Sep 2016 - 22 Oct 2017

Gross, S. and Musgrave, G. 2016. Can Music Make You Sick Part 1? A Study Into The Incidence of Musicians' Mental Health. MusicTank.

Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016

Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018

Triscott, N. and Steadman, A. 2016. Notes from the Field: Commoning Practices in Art and Science. Arts Catalyst Centre for Art, Science & Technology 74-76 Cromer Street London WC1H 8DR 28 Jan - 19 Mar 2016

Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.

Stevens, S. 2016. Lo Inconmensurable, Una Idea de Europa. Madrid 29 Apr - 28 Aug 2016

Groves, Andrew 2016. Symposium: The Vanishing Art of Camouflage .

Sprio, Margherita 2016. Performing history: girlhood and the apple (Samira Makhmalbaf, 1998). in: Handyside, F. and Taylor-Jones, K. (ed.) International Cinema and the Girl: Local Issues, Transnational Contexts Houndmills, Basingstoke Palgrave Macmillan. pp. 165-177

Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Groves, Andrew and Leach, Robert 2016. The Vanishing Art of Camouflage.

Oppenheimer, J. 2016. Joshua Oppenheimer Early Works.