Media, Arts and Design

Pisano, P., Rieple, A. and Pironti, M. 2017. Strategic Approaches. in: Rees, G. and Smith, P. (ed.) Strategic Human Resource Management: An international perspective. 2nd edition London Sage. pp. 37-74

Triscott, N., Waite, J. and Lastra, C. 2017. Real Lives Half Lives: Fukushima. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 19 May - 15 Jul 2017

Triscott, N., Autogena, L., Portway, J. and Ahmed, N. 2017. Conflict Minerals: Lise Autogena & Joshua Portway, Nabil Ahmed. Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR 24 Mar - 22 Apr 2017

Triscott, N. and Simmonds, M.P. Triscott, N. (ed.) 2017. Holoturian, Ariel Guzik. London

Triscott, N. 2017. Curating contemporary art in the framework of the planetary commons. The Polar Journal. 7 (2), pp. 374-390. https://doi.org/10.1080/2154896X.2017.1373916

Mano, W., Knorpp, B. and Agina, A. (ed.) 2017. African Film Cultures: Contexts of Creation and Circulation. Newcastle Upon Tyne Cambridge Scholars Publishing.

Milton, V.C. and Mano, W. 2017. Identity 2.0: Negotiating identity and the politics of belonging in cyberspace. in: Fourie, P. (ed.) Media Studies Volume 4: Social (New) Media and Mediated Communication Today Cape Town Juta. pp. 167-207

Mano, W. and Willems, W. 2017. Decolonizing and provincializing audience and internet studies: contextual approaches from African vantage points. in: Willems, W. and Mano, W. (ed.) Everyday Media Culture in Africa: Audiences and Users Routledge.

Fry, C. 2017. G-in-sunglassess.mov.

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The United Nations Church Centre, New York, USA May - Jun 2017

Fusari, M. 2017. Visual Storytelling and Cultures: a 20 Year Long Journey from Cairo to China. The Streaming Museum, New York, USA May - Jul 2017

Fusari, M. 2017. From The Photograph To The Meta-Image My Practice-Led Search For A New Digital Epistemology. Proceedings. 1 (9) 889. https://doi.org/10.3390/proceedings1090889

Wyver, J. 2017. Exploring the lost television and technique of Fred O'Donovan. Historical Journal of Film, Radio and Television. 37 (1), pp. 5-23. https://doi.org/10.1080/01439685.2016.1272807

Wyver, J. and various 2017. Donmar Shakespeare Trilogy. London

Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Corby, T. and Baily, G. 2017. Minima-Maxima. London Tom Corby.

Bunz, M. and Janciute, L. 2017. Artificial intelligence and the internet of things: opportunities and challenges for UK’s policy makers. London Communications and Media Research Institute (CAMRI), University of Westminster.

Rieple, A., Kapetaniou, C., Pilkington, A., Fransden, T. and Pisano, P. 2017. Building the layers of a manufacturing taxonomy: how 3D printing is creating a new landscape of production eco-systems and competitive dynamics. Academy of Management: At the Interface. Atlanta, Ga 04 - 08 Aug 2017 Academy of Management. https://doi.org/10.5465/AMBPP.2017.17598abstract

Thompson, Shirley 2017. Diversity in the Contemporary Classical Composition - Time for Action. Classical Next 2017. Rotterdam 18 - 20 May 2017 Classical Next.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Thompson, Shirley 2017. The Woman Who Refused to Dance - an opera for solo singer, dancer/s, orchestra, speaker, video. STM Productions.

Linde, Matthew and Groves, Andrew 2017. The Overworked Body: An Anthology of 2000s Dress Curated by Matthew Linde. Goethe Institut, 38 Ludlow Street New York, NY 10002 10 Sep - 15 Oct 2017

Stehlikova, T. 2017. Journey to the Interior. Dissenters Chapel and gallery 21 - 21 May 2017

Bunz, M. 2017. Submission to House of Lords Select Committee on Artificial Intelligence. UK Parliament.

Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Ingawanij, M.A. 2017. Lav Diaz: Journeys .

White, N. 2017. The potential of destruction in art and science. Interdisciplinary Science Reviews. 42 (1-2), pp. 214-224. https://doi.org/10.1080/03080188.2017.1297166

Johanssen, J. 2017. Book Review: Knafo / Lo Bosco - The Age of Perversion: Desire and Technology in Psychoanalysis and Culture. Journal of Media Critiques. 3 (10), pp. 205-211. https://doi.org/10.17349/jmc117213

Wyver, J. 2017. Scenes from Cymbeline and the language of the early television studio. in: Hatchuel, D. and Vienne-Guerrin, N. (ed.) Shakespeare on Screen: The Tempest and Late Romances Cambridge Cambridge University Press. pp. 56-70

Twomey, C. 2017. Factory: the seen and the unseen. Tate Modern 28 Sep - 08 Oct 2017

D'heer, E. and Verdegem, P. 2017. Media coverage of an election campaign on Twitter. The case of Belgium in the EU elections. in: Davis, R., Holtz-Bacha, C. and Just, M.R. (ed.) Twitter and Elections around the World: Campaigning in 140 Characters or Less London Routledge. pp. 57-71

Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Cummings, P. 2017. Triumph of the Immaterial. Victoria and Albert Museum, London

Cummings, P. 2017. Of Desire . France

Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017