Media, Arts and Design

Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018

Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.

Mano, W. 2016. The State and Public Broadcasting: Continuity and Change in Zimbabwe. in: Flew, T., Iosifides, P. and Steemers, J. (ed.) Global Media and National Policies: The Return of the State London Springer. pp. 190-205

Mano, W. and Milton, V.C. 2016. Citizen Journalism and the Ebola Outbreak in Africa . in: Mutsvairo, B. (ed.) Participatory Politics and Citizen Journalism in a Networked Africa Basingstoke Palgrave Macmillan. pp. 244-261

Mano, W. and Mukhongo L. 2016. Towards alternative media as critical media in Africa. Journal of Alternative and Community Media. Volume 1 (1), pp. 27-29.

Mano, W. 2016. Engaging with China’s Soft Power in Zimbabwe: Harare Citizens’ Perceptions of China-Zimbabwe Relations. in: Zhang, X., Wasserman, H. and Mano, W. (ed.) China's Media and Soft Power in Africa Palgrave Macmillan. pp. 163-180

Zhang, X., Wasserman, H. and Mano, W. (ed.) 2016. China's Media and Soft Power in Africa Promotion and Perceptions. Palgrave Macmillan.

Sprio, Margherita 2016. Performing history: girlhood and the apple (Samira Makhmalbaf, 1998). in: Handyside, F. and Taylor-Jones, K. (ed.) International Cinema and the Girl: Local Issues, Transnational Contexts Houndmills, Basingstoke Palgrave Macmillan. pp. 165-177

Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Thussu, D.K. 2016. The soft power of popular cinema: the case of India. Journal of Political Power. 9 (3), pp. 415-429. https://doi.org/10.1080/2158379X.2016.1232288

Thussu, D.K. 2016. La voix des pays du Sud? Les informations televisees en Inde (The Voice of the Global South? TV News From India). in: Koch, O. and Mattelart, T. (ed.) Geopolitique des televisions transnationales d’information Paris Mare & Martin. pp. 227-246

Thussu, D.K. 2016. Where Infotainment Rules: TV News from India. in: Cushion, S. and Sambrook, R. (ed.) The Rise of 24-hour News Television: Global Perspectives New York Peter Lang. pp. 295-306

Thussu, D.K. 2016. The Scramble for Asian Soft Power in Africa . in: Zhang, X., Wasserman, H. and Mano, W. (ed.) China’s Media and Soft Power in Africa: Promotion and Perceptions Basingstoke Palgrave Macmillan. pp. 33-45

Thussu, D.K. 2016. Communicating India’s Soft Power: Buddha to Bollywood. New Delhi Sage India.

Koksal, O. 2016. Aesthetics of Displacement: Turkey and its Minorities on Screen. Bloomsbury Academic.

Stehlikova, T. 2016. TRIESTE: In-between states.

Oppenheimer, J. 2016. Joshua Oppenheimer Early Works.

Corby, T. and Baily, G. 2016. Northern Polar Studies. 9656w.

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Wyver, J. 2016. ‘A profound commentary on kingship’: the monarchy and Shakespeare’s Histories on television 1957-65 . in: Morra, I. and Gossedge, R. (ed.) The New Elizabethan Age: Culture, Society and National Identity after World War II London I.B. Tauris. pp. 267-288

Brown, C., Stair, J. and Twomey, C. (ed.) 2016. Contemporary Clay and Museum Culture. Abingdon, Oxon Routledge.

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

Goodwin, P. 2016. Political Economy of Broadcasting: The Legacy of the Peacock Report on Financing the BBC. in: Rizzo, I. and Towse, R. (ed.) The Artful Economist: A New Look at Cultural Economics Switzerland Springer. pp. 67-87

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Youngs, G. 2016. Internet of Place: innovation in the data-rich experiential economy. Brighton, UK University of Brighton.

Craighead, A. and Thomson, J. 2016. Monsters Of the Machine. LaBoral, Gijion, Spain 18 Nov 2016 - 31 Aug 2017

Wright, A. 2016. Phantom Limb. Victoria Museum and Gallery, Liverpool 09 Jul 2016 - 11 Feb 2017

Wright, A. 2016. Hybrid Bodies at KKW. Kunstkraftwerk, Leipzig, Germany 18 - 26 Sep 2016

Wright, A. 2016. Seeing Things As They Are : Visual Narratives of Embodied Experience. Disability, Arts and Health Conference. University of Bergen, Norway 01 - 02 Sep 2016

Exarchos, M. 2016. Sonic Necessity and Compositional Invention in #Blues-Hop: Composing the Blues for Sample-Based Hip-Hop. New Zealand Musicological Society Annual Conference. Hamilton, New Zealand 19 - 20 Nov 2016

Exarchos, M. 2016. Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap. 2nd Annual Synthposium. Melbourne, Australia 14 Nov 2016

Craighead, A. and Thomson, J. 2016. The Story. The Story.

White, N. 2016. The Imaginary Archive; Third Campaign. The Imaginary Archive. Whitechapel Gallery, London 29 Jan 2016