Westminster School of Arts

Ross, J. 2015. Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun. in: The Geologic Imagination Sonic Acts Press. pp. 53-63

Hermes, K., Brookes, T. and Hummersone, C. 2015. The Influence of Dumping Bias on Timbral Clarity Ratings. 139th Audio Engineering Society Convention. New York, USA 29 Oct - 01 Nov 2015 Audio Engineering Society.

Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015

Bate, D. 2015. Art Photography. London Tate Publishing.

Kempadoo, R. 2015. Ghosts: Keith Piper/Roshini Kempadoo.

Kempadoo, R. 2015. Timings, Canon, and Art History. Small Axe: A Caribbean Journal of Criticism. 19 (2 47), pp. 167-176. https://doi.org/10.1215/07990537-3139298

Ingawanij, M.A. 2015. Long Walk to Life: the Films of Lav Diaz . Afterall . 40.

Goddard, M. 2015. Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality. New Media and Society. 17 (11), pp. 1761-1766. https://doi.org/10.1177/1461444814532193

Mazierska, E and Goddard, M. (ed.) 2015. Polish Cinema in a Transnational Context. Albany, New York State University of New York Press.

Wyver, J. 2015. Television and the Anti-Realist Theatricality of "not Shakespeare". Shakespeare Bulletin. 33 (4), pp. 543-568. https://doi.org/10.1353/shb.2015.0055

Wyver, J. 2015. Screening the RSC stage: the 2014 Live from Stratford-upon-Avon cinema broadcasts. Shakespeare. 11 (3), pp. 286-302. https://doi.org/10.1080/17450918.2015.1048280

Aitken, J. Forthcoming. Inaugural Talk - Why Fieldwork? Fieldwork Photography Forum. University of Central Lancashire 12 Nov 2015

Aitken, J. and Brake, J. 2015. Temporary Research Space - The Industrial Road Project - Guangzhou. Centre for Chinese Contemporary Art, Manchester 29 Sep 2015

Alamouti, D. 2014. Ghazi Rabihavi.

Orlow, Uriel and Mader, Rachel 2014. <<EINE>> OFFENHEIT, DIE MEHRDEUTIGKEIT ERMÖGLICHT EIN E-MAIL-AUSTAUSCH [ An openness that allows for ambiguity. An email exchange between Uriel Orlow and Rachel Mader]. in: Mader, Rachel (ed.) Radikal ambivalent: Engagement und Verantwortung in den Künsten heute [Radically Ambivalent: commitment and responsibility in the arts today] Diaphanes. pp. 159-174

Harrison, L. 2014. That I will do my best... Alexandra Palace 22 - 23 Feb 2014

Robert Leach 2014. Fashion Resource Book: Men . Thames & Hudson.

Lee, Yeseung 2014. Seaming, Writing and Making Strange: Between material and text. The Art of Research V: Experience, Materiality, Articulation Conference. Aalto University, School of Arts, Design and Architecture, Helsinki, Finland 26 - 27 Nov 2014 Empirica.

Lee, Yeseung 2014. The Poetics of Self-fashioning: Between nonsense and meaning. Fashion in fiction: style stories and transglobal narratives. City University of Hong Kong, China 12 - 14 Jun 2014

Lee, Yeseung 2014. The Skin, the Garment Surface and the Production of Modern Magic. Association of Art Historians 40th Anniversary Annual Conference. Historians 40th Anniversary Annual Conference. Royal College of Art, London 11 - 12 Apr 2014 Association of Art Historians.

Alamouti, D. 2014. The Goodbye Club.

Alamouti, D. 2014. Justice Seekers. Al Jazeera.

Bate, D. 2014. Review of "The Itinerant Languages of Photography" by Eduardo Cadava and Gabriela Nouzeilles. caa.reviews. https://doi.org/10.3202/caa.reviews.2014.138

Riley, M. 2014. Bass Culture. University of Westminster. https://doi.org/10.34737/qqvqz

Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333

Orlow, U., Thal, A., Pappé, I., Gordon, A., Bullot, E., Nashif. I. and Ghanadry, Y. Orlow, U. and Thal. A. (ed.) 2014. Unmade Film. Zurich Edition Fink, Zurich.

Dawood, S. 2014. Towards the Possible Film .

Triscott, N., La Frenais, R., Padilla Domene, A. and Puig Domene, I. 2014. SEFT-1 Abandoned Railways Exploration Probe - Modern Ruins 1:220. Furtherfield Pavilion, Finsbury Park, London N4 2NQ 20 Jun - 27 Jul 2014

Triscott, N. 2014. Self-Experimentation & the Nervous Culture: Neal White’s Ethics Committee of 1. in: Trust Me, I’m an Artist: Towards an Ethics of Art and Science Collaboration Waag Society.

Triscott, N. and La Frenais, R. 2014. Republic of the Moon. Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH 10 Jan - 02 Feb 2014

Wyver, J. 2014. Serjeant Musgrave's Dance and the politics of possibility in two television adaptations. Critical Studies in Television. 9 (3), pp. 89-99. https://doi.org/10.7227/CST.9.3.9

Wyver, J. 2014. Television. in: Stephens, C. and Stonard, J.-P. (ed.) Kenneth Clark: Looking for Civilisation London Tate Publishing. pp. 123-32

Kamvasinou, K. 2014. Reimagining Interim Landscapes. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging Landscapes: Between Production and Representation Farnham Routledge. pp. 147-159

Oppenheimer, J 2014. The Look of Silence. Venice Film Festival

Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

Campany, D. 2014. Photography, Encore. in: Time Present : Photography from the Deutsche Bank Collection Frankfurt am Main, Germany Deutsche Bank AG.

Campany, D. 2014. Angel of History in the Age of the Internet. in: Krempel, L. (ed.) Stan Douglas: Mise en Scene Munich- New York - London Prestel.

Campany, D. 2014. Architecture as photography: document, publicity, commentary, art. in: Constructing Worlds: Photography and Architecture in the Modern Age Munich, London, New York Prestel.

Campany, D. 2014. Walker Evans: the magazine work. Gottingen, Germany Steidl Verlag.