Westminster School of Arts

Campany, D. 2007. 'A theoretical diagram in an empty classroom': Jeff Wall's picture for women. Oxford Art Journal. 30 (1), pp. 7-25. https://doi.org/10.1093/oxartj/kcl033

Orlow, Uriel 2007. Photography as cinema: 'La jetée' and the redemptive powers of the image (2006). in: Campany, D. (ed.) The Cinematic Whitechapel Gallery / MIT Press. pp. 177-184

Orlow, U. 2007. The Dialectical Image. in: Campany, D. (ed.) The Cinematic Whitechapel Gallery.

Bate, D. 2007. The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge. Afterimage: The Journal of Media Arts and Cultural Criticism. 35 (3), pp. 3-6. https://doi.org/10.1525/aft.2007.35.3.3

Bate, D. 2007. The Politics Of Friendship. Angelaki. 12 (3), pp. 107-113. https://doi.org/10.1080/09697250802041186

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346

Goddard, M. 2007. East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu. Studies in French Cinema. 7 (2), pp. 107-117.

Wyver, J. ten Brink, J. (ed.) 2007. Vision on: film, television and the arts in Britain. London, UK Wallflower Press.

Ursu, M.F., Cook, J.J., Zsombori, V., Zimmer, R., Kegel, I., Williams, D., Thomas, M., Wyver, J. and Mayer, H. 2007. Conceiving ShapeShifting TV: a computational language for truly-interactive TV. in: Cesar, P., Chorianopoulos, K. and Jensen, J.F. (ed.) Interactive TV: a shared experience Berlin Springer.

Twomey, C. 2007. Think tank trophy. Contemporary Applied Arts London Jan 2007

Twomey, C. 2007. Contemporary clay. in: Hanaor, C. (ed.) Breaking the mould: new approaches to ceramics London Black Dog.

Twomey, C. 2007. Blossom.

Thomas, R. 2007. Miss Frontier Mail: the film that mistook its star for a train. in: Narula, M., Sengupta, S., Bagchi, J. and Sundaram, R. (ed.) Sarai Reader 07: Frontiers Delhi, India Centre for the Study of Developing Societies. pp. 294-309

Pucill, S. 2007. Taking My Skin. Toronto, Canada 12 Apr 2007

Pucill, S. 2007. Blind Light (2007). 66 East 4th Street, New York, NY 10003 01 Dec 2007

Orlow, U. and Farqhuar, M. 2007. The transgenerational memory of monkeys. South London Gallery 07 Nov 2007

Orlow, U. 2007. Descent. Artneuland, Berlin 25 Nov 2006 - 05 Apr 2007

Orlow, U. 2007. The Benin Project. BFI Southbank 16 Jun 2007

Orlow, U. 2007. The Benin Project. Fribourg Kunsthalle /Centre dArt Contemporain, Switzerland 06 Jul - 19 Aug 2007

Oppenheimer, J. and Uwemedimo, M. 2007. Participatory imagination and narration in the work of vision machine and Jean Rouch. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.

Oppenheimer, J. and Uwemedimo, M. 2007. Beneath the sheets of history: historical recovery in the work of Vision Machine Project. in: Marchessault, J. and Lord, S. (ed.) Fluid screens, expanded cinema Toronto, Canada University of Toronto Press. pp. 167-183

Oppenheimer, J. 2007. Show of force.

Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.

Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47

Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium

Dawood, S. 2007. Artists' studio.

Dawood, S. Perrot, C. (ed.) 2007. Artist's studio. London Culture Shock Media.

Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75

Campany, D. 2007. Photography and cinematic surface. Aperture. 188, pp. 40-49.

Bate, D., Wollen, P., Christie, I. and Cowie, E. 2007. Everyday madness: surrealism, ethnography and the photographic image. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.

Bate, D. 2007. Emperor's new clothes. in: Elkins, J. (ed.) Photography theory London Routledge. pp. 253-255

Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.

Campany, D. (ed.) 2007. The cinematic. London ; Cambridge, Mass Whitechapel ; MIT Press.

Oppenheimer, J. 2006. Short films 2001-3.

Bradeanu, A. and Thomas, R. 2006. Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania. South Asian Popular Culture. 4 (2), pp. 141-146. https://doi.org/10.1080/14746680600797129

Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.

Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1

Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359

Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.