Westminster School of Arts

Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London

Kempadoo, R. 2020. Virtual Exiles (2000) and Mooove[s] (2020). Herbert Art Gallery & Museum, Coventry 13 Oct - 13 Dec 2020

Waring, C. Forthcoming. Visual Terrorism: The weaponisation of photography, image-based violence and the online sex worker. in: Cooper, E. and Maginn, P. (ed.) Navigating Contemporary Sex Work: Gender, Justice and Policy in the 21st century Palgrave Macmillan.

Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021

Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

Boon, H. 2020. Sonic Recursion - Sound Based Music. London

Stewart, K. 2020. Residency at Kunstland, Norway . Norway 14 Feb - 09 Aug 2020

Boon, H. 2020. Music for a Non-Comported Reality Project. London

Boon, H. 2020. Not From Round Here. London

Boon, H. 2020. Symbolic Violence (Critical Theory). London

Gooderson, M. and Greenwood., C 2020. WaveScape. Online 12 Jun 2020 - 03 Jul 2021

Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . 20 Jun 2020

Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020

Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020

Stewart, K. 2020. Tell Me The Story of All These Things. Firstsite 28 Mar - 28 Jun 2020

Boon, H. 2020. Improvisation Demonstration Number 1.

Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Stewart, K. Forthcoming. Too Cute . Birmingham Museum and Art Gallery 26 Jan - 12 May 2019

Stewart, K. Forthcoming. Public Art Commission / Glen Cinema Disaster. Renfrewshire Council.

Alejandro Gil Alzate, Fernando Andres Castro Torres, Verónica Posada Álvarez and Posada Alvarez, V. 2020. Investigar la identidad de género: representaciones colectivas, comunicación y lenguaje [Researching Gender Identity: Collective Representations, Communication and Language]. Anagramas: Rumbos y Sentidos de la Comunicación. 19 (37), pp. 87-109. https://doi.org/10.22395/angr.v19n37a5

Elīna Ruka and David Bate 2020. Interview: Elīna Ruka - Art Without Coincidences. in: Photography as Critical Practice: Notes on Otherness Intellect. pp. 162-173

David Bate 2020. A House in Germany. Membrana Journal of Photography. 5 (1). https://doi.org/10.47659/m8.010.pro

Rumball, H. 2020. How waterproof were Ulsters? Analysing the waterproof claims of Ladies c 19th ulsters. Early tailored clothes for women, 1800-1875: TEAMS RIG Tailoring Group Meeting. Online - London 26 Nov 2020

Mary Martins 2020. Capoeira: An exploration of animism and the representation of the spirit through ethnographic animation. Animation Practice, Process & Production. 9 (1), pp. 37-56. https://doi.org/10.1386/ap3_000016_1

Christodoulou, C. 2020. Bring the Break-beat Back! Authenticity and the politics of rhythm in drum & bass. Dancecult: journal of electronic dance music culture. 12 (1), pp. 3-21. https://doi.org/10.12801/1947-5403.2020.12.01.08

Lee, Yeseung 2020. The Textilesphere: The threshold of everyday contacts. Textile: Cloth and Culture. 18 (2), pp. 160-179. https://doi.org/10.1080/14759756.2019.1652429

Lee, Yeseung (ed.) 2020. Surface and Apparition: The Immateriality of Modern Surface. London and New York Bloomsbury Academic.

Alamouti, D. 2020. The digital ethical space: towards a transnational documentary ethics, a filmmaker\textquoterights point of view. Transnational Cinemas. 11 (2), pp. 103-120. https://doi.org/10.1080/25785273.2020.1734305

Sjogren, Peter-Arne 2020. Diving: using fiction narrative and intermedial assemblage to understand family histories in colonial India between 1933-1947. PhD thesis University of Westminster https://doi.org/10.34737/vq188

Kempadoo, R. 2020. Photobook Review: Maud Sulter: Passion. Aperture: the PhotoBook Review. 018.

Bate, David 2020. Editorial. Photographies. 13 (3), p. 295. https://doi.org/10.1080/17540763.2020.1794367

Jaeckel, Monika 2020. Unlearning as Moving Towards Dehumanism and Decolonial Entanglements – Singh, Julietta (2018): <i>Unthinking Mastery: Dehumanism and Decolonial Entanglements</i>. Durham, NC: Duke University Press. Anthropocenes – Human, Inhuman, Posthuman. 1 (1). https://doi.org/10.16997/ahip.19

Bate, D. 2020. The Indexical Imagination. in: Bull, S. (ed.) A Companion to Photography Wiley. pp. 85-96

Marsh, J. 2020. Assembly. University of Westminster. https://doi.org/10.34737/v844y

Ross, J. 2020. Killer Joe’s: 1960s Japanese Expanded Cinema in Discotheques. The Broadcast.

Hirasawa, G., Adachi-Tasch, A. and Ross, J. (ed.) 2020. Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s. Berlin Archive Books.

Wyver, J. 2020. Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939. Critical Studies in Television: The International Journal of Television Studies. 15 (4), pp. 426-428. https://doi.org/10.1177/1749602020951653a