Address | Watford Road Northwick Park Middlesex HA1 3TP United Kingdom |
---|---|
Telephone number | (United Kingdom) +44 20 7911 5000 |
Head | Jonathan Stockdale |
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.
Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846
Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5
Fuchs, Christian 2019. What is Critical Digital Social Research? Five Reflections on the Study of Digital Society. Journal of Digital Social Research. 1 (1), pp. 10-16. https://doi.org/10.33621/jdsr.v1i1.7
Fuchs, Christian 2019. M. N. Roy and the Frankfurt School: Socialist Humanism and the Critical Analysis of Communication, Culture, Technology, Fascism and Nationalism. Triple C: Communication, Capitalism & Critique. 17 (2), pp. 249-286. https://doi.org/10.31269/triplec.v17i2.1118
Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.
Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019
Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.
Singer, C., Steemers, J. and Sakr, N. 2019. Representing Childhood and Forced Migration: Narratives of Borders and Belonging in European Screen Content for Children. Jeunesse: Young People, Texts, Cultures. 11 (2), pp. 202-224.
Denisova, A. and O'Brien, M. 2019. From High Visibility to High Vulnerability: Feminist, Postcolonial and Anti-Gentrification Activism at Risk. Westminster Papers in Communication and Culture. 14 (1), pp. 94-98. https://doi.org/10.16997/wpcc.323
Verdegem, P. 2019. Digital capitalism: Defining the crisis and exploring the alternatives. Media Culture and Society. 41 (3), pp. 407-413. https://doi.org/10.1177/0163443717737615
Aouragh, M. and Sajir, Z. 2019. Solidarity, Social Media, and the “Refugee Crisis”: Engagement Beyond Affect. International Journal of Communication. 13 (1932), p. 550–577.
Fuchs, Christian 2019. Nationalism on the Internet: Critical Theory and Ideology in the Age of Social Media and Fake News. New York Routledge.
Sakr, N. and Steemers, J. 2019. Screen Media for Arab and European Children: Policy and Production Encounters in the Multiplatform Era. Basingstoke Palgrave Macmillan.
Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125
Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019
Goddard, M., Amaral, A., Bomfim, I, Conter, M., Fischer, G. and Silveira, F (ed.) 2019. MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II. Porto Alegre Marca de Fantasia.
Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228
Sabry, T. and Mansour, N. 2019. Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective. Palgrave Macmillan.
Denisova, A. 2019. Internet Memes and Society: Social, Cultural, and Political Contexts. New York, NY Taylor & Francis.
Denisova, A. and Herasimenka, A. 2019. How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter- Hegemony, and Emerging Resistant Publics. Social Media + Society. 5 (2), pp. 1-11. https://doi.org/10.1177/2056305119835200
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444
Specht, D. 2019. The Issue of Blogging: Using Visual Network Analysis to go Beyond Self-reporting Studies of Blogging. Journal of Learning and Teaching in the Digital Age. 4 (2), pp. 10-24.
Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019
Groves, Andrew 2019. Invisible Men: an Anthology from the Westminster Menswear Archive. University of Westminster. https://doi.org/10.34737/qqq4v
Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.
Fuchs, Christian 2019. Revisiting the Althusser/E. P. Thompson-Controversy: Towards a Marxist theory of communication. Communication and the Public. 4 (1), pp. 3-20. https://doi.org/10.1177/2057047319829586
Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001
Fuchs, Christian 2019. Herbert Marcuse: Einige gesellschaftliche Folgen moderner Technologie. Zeitschrift für Didaktik der Philosophie und Ethik. 41 (1), pp. 70-74.
D'Arma, A. 2019. PSM in Italy: Troubled RAI in a Troubled Country. in: Połońska, E. and Beckett, C. (ed.) Public Service Broadcasting and Media Systems in Troubled European Democracies Palgrave Macmillan. pp. 111-128
Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135
Fuchs, Christian 2019. Social Media, Big Data, and Critical Marketing. in: Tadajewski, M., Higgins, M., Denegri-Knott, J. and Varman, R. (ed.) The Routledge Companion to Critical Marketing London Routledge. pp. 467-481
Fuchs, Christian 2019. Appropriation of Digital Machines and Appropriation of Fixed Capital as the Real Appropriation of Social Being: Reflections on Toni Negri’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 215-221
Fuchs, Christian 2019. Karl Marx in the Age of Big Data Capitalism. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 53-71
Fuchs, Christian 2019. Beyond Big Data Capitalism, Towards Dialectical Digital Modernity: Reflections on David Chandler’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 43-51
Fuchs, Christian and Chandler, D. 2019. Introduction: Big Data Capitalism – Politics, Activism, and Theory. in: Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 1-20
Chandler, D. and Fuchs, Christian (ed.) 2019. Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data. London University of Westminster Press.
Dwyer, P. 2019. A theory of media production. in: Dwyer, P. (ed.) London Routledge.
Dwyer, P. 2019. Flexibility, Innovation, and Precarity in the Television Industry. in: Deuze, Mark and Prenger, Mirjam (ed.) Making Media: Production, Practices, and Professions Amsterdam Amsterdam University Press. pp. 347-359