Media, Arts and Design

Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019

Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centres. Photography and Hysteria conference. Paris. France. Feb 2019 Award winner: Best Adaptation of Freudian Theory.  Sigmund Freud Film Festival. Tampa Florida USA. May 2019 Dream interpretations and re-imaginings. The Regent Street Cinema, London FINALIST. Oaxaca Film Festival. Mexico October 2019 Selected for the European Psychoanalytic Film Festival November 2019 Selected by The Freud Museum as part of ‘Festival of the Uncanny’. November 2019

Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London 24 Jan - 30 Mar 2019

Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.

Aouragh, M. 2019. ‘White privilege’ and shortcuts to anti-racism. Race & Class. 61 (2), pp. 3-26. https://doi.org/10.1177/0306396819874629

Mano, W. 2019. Refocusing Media Development in Africa. in: Mano, W. and Abbott, S. (ed.) International Media Development New York Peter Lang. pp. 113-123

Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Iqbal, M. 2019. Reporting Violence and Naming Migrants in Assam The Coverage of Anti‐“Bengali Muslim” Violence in Assam by The Assam Tribune Newspaper. in: Retis, J. and Tsagarousianou, R. (ed.) The Handbook of Diasporas, Media, and Culture Hoboken, USA Wiley-Blackwell. pp. 311-327

Fuchs, Christian 2019. Rereading Marx in the Age of Digital Capitalism . London Pluto Press.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Musgrave, G. 2019. Making Sense of My Creativity: Reflecting on Digital Autoethnography. Journal of Artistic and Creative Education. 13 (1), pp. 1-11.

Specht, D. 2019. The Media and Communications Study Skills Student Guide . London University of Westminster Press.

Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.

Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846

Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5

Fuchs, Christian 2019. What is Critical Digital Social Research? Five Reflections on the Study of Digital Society. Journal of Digital Social Research. 1 (1), pp. 10-16. https://doi.org/10.33621/jdsr.v1i1.7

Fuchs, Christian 2019. M. N. Roy and the Frankfurt School: Socialist Humanism and the Critical Analysis of Communication, Culture, Technology, Fascism and Nationalism. Triple C: Communication, Capitalism & Critique. 17 (2), pp. 249-286. https://doi.org/10.31269/triplec.v17i2.1118

Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.

Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019

Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Singer, C., Steemers, J. and Sakr, N. 2019. Representing Childhood and Forced Migration: Narratives of Borders and Belonging in European Screen Content for Children. Jeunesse: Young People, Texts, Cultures. 11 (2), pp. 202-224.

Denisova, A. and O'Brien, M. 2019. From High Visibility to High Vulnerability: Feminist, Postcolonial and Anti-Gentrification Activism at Risk. Westminster Papers in Communication and Culture. 14 (1), pp. 94-98. https://doi.org/10.16997/wpcc.323

Verdegem, P. 2019. Digital capitalism: Defining the crisis and exploring the alternatives. Media Culture and Society. 41 (3), pp. 407-413. https://doi.org/10.1177/0163443717737615

Aouragh, M. and Sajir, Z. 2019. Solidarity, Social Media, and the “Refugee Crisis”: Engagement Beyond Affect. International Journal of Communication. 13 (1932), p. 550–577.

Fuchs, Christian 2019. Nationalism on the Internet: Critical Theory and Ideology in the Age of Social Media and Fake News. New York Routledge.

Sakr, N. and Steemers, J. 2019. Screen Media for Arab and European Children: Policy and Production Encounters in the Multiplatform Era. Basingstoke Palgrave Macmillan.

Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125

Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019

Goddard, M., Amaral, A., Bomfim, I, Conter, M., Fischer, G. and Silveira, F (ed.) 2019. MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II. Porto Alegre Marca de Fantasia.

Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228

Sabry, T. and Mansour, N. 2019. Children and Screen Media in Changing Arab Contexts: An Ethnographic Perspective. Palgrave Macmillan.

Denisova, A. 2019. Internet Memes and Society: Social, Cultural, and Political Contexts. New York, NY Taylor & Francis.

Denisova, A. and Herasimenka, A. 2019. How Russian Rap on YouTube Advances Alternative Political Deliberation: Hegemony, Counter- Hegemony, and Emerging Resistant Publics. Social Media + Society. 5 (2), pp. 1-11. https://doi.org/10.1177/2056305119835200

Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444

Specht, D. 2019. The Issue of Blogging: Using Visual Network Analysis to go Beyond Self-reporting Studies of Blogging. Journal of Learning and Teaching in the Digital Age. 4 (2), pp. 10-24.

Wright, A. and Redler Hawes, Hannah 2019. Sutured Selves, Remapping the Boundaries between our bodies, our selves and our kin. Representing the Medical Body. London Science Museum 28 Mar 2019

Groves, Andrew 2019. Invisible Men: an Anthology from the Westminster Menswear Archive. University of Westminster. https://doi.org/10.34737/qqq4v

Kempadoo, R. 2019. Urban Candy: Screens, Selfies and Imaginings. in: Willis, Deborah, Toscano, Ellyn and Brooks Nelson, Kalia (ed.) Women and Migration: Responses in Art and History Cambridge, UK OpenBook Publishers. pp. 301 - 322

Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.