Media, Arts and Design

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Stehlikova, T. Forthcoming. Wormwood Haunts.

Riley, M. and Fully Focused 2019. Bass Culture film.

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Wright, A. and Carnie, Andrew Forthcoming. Hybrid Bodies laser talk. London Laser 23. Central St Martins, London 18 Oct 2017

Stehlikova, T. Forthcoming. Touch Dark Matter.

Stehlikova, T. Forthcoming. Blue Hour .

Stehlikova, T. Forthcoming. 4 Generations of Women.

Wright, A. Forthcoming. Heart of the Matter PHI exhibition. Montreal 23 Jan - 15 Mar 2014

Wright, A. Forthcoming. Heart of the Matter - The Flesh of the World. Toronto 25 Jun - 10 Oct 2015

Wright, A. Forthcoming. Not Gone Not Forgotten. Winchester

Wright, A. Forthcoming. Cut. Winchester; Montreal

Thompson, Shirley 2019. Women of the Windrush Tell Their Stories.

Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019

Twomey, C. 2019. Monument - The golden thread 2019. Zuiderzee Museum Enkhuisen Holland 08 - 14 Apr 2019

Wright, A. 2019. Still Live.

Kempadoo, R. 2019. Like Gold Dust (2019). San Antonio, Texas, USA 21 Mar - 20 May 2019

Thorburn, J. 2019. Freud's Lost Lecture. Columbia Global Centres. Photography and Hysteria conference. Paris. France. Feb 2019 Award winner: Best Adaptation of Freudian Theory.  Sigmund Freud Film Festival. Tampa Florida USA. May 2019 Dream interpretations and re-imaginings. The Regent Street Cinema, London FINALIST. Oaxaca Film Festival. Mexico October 2019 Selected for the European Psychoanalytic Film Festival November 2019 Selected by The Freud Museum as part of ‘Festival of the Uncanny’. November 2019

Triscott, N., Achiampong, A. and Blandy, B. 2019. Genetic Automata by Larry Achiampong and David Blandy. Arts Catalyst, London 24 Jan - 30 Mar 2019

Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.

Aouragh, M. 2019. ‘White privilege’ and shortcuts to anti-racism. Race & Class. 61 (2), pp. 3-26. https://doi.org/10.1177/0306396819874629

Mano, W. 2019. Refocusing Media Development in Africa. in: Mano, W. and Abbott, S. (ed.) International Media Development New York Peter Lang. pp. 113-123

Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Iqbal, M. 2019. Reporting Violence and Naming Migrants in Assam The Coverage of Anti‐“Bengali Muslim” Violence in Assam by The Assam Tribune Newspaper. in: Retis, J. and Tsagarousianou, R. (ed.) The Handbook of Diasporas, Media, and Culture Hoboken, USA Wiley-Blackwell. pp. 311-327

Fuchs, Christian 2019. Rereading Marx in the Age of Digital Capitalism . London Pluto Press.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Musgrave, G. 2019. Making Sense of My Creativity: Reflecting on Digital Autoethnography. Journal of Artistic and Creative Education. 13 (1), pp. 1-11.

Specht, D. 2019. The Media and Communications Study Skills Student Guide . London University of Westminster Press.

Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.

Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846

Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5

Fuchs, Christian 2019. What is Critical Digital Social Research? Five Reflections on the Study of Digital Society. Journal of Digital Social Research. 1 (1), pp. 10-16. https://doi.org/10.33621/jdsr.v1i1.7

Fuchs, Christian 2019. M. N. Roy and the Frankfurt School: Socialist Humanism and the Critical Analysis of Communication, Culture, Technology, Fascism and Nationalism. Triple C: Communication, Capitalism & Critique. 17 (2), pp. 249-286. https://doi.org/10.31269/triplec.v17i2.1118

Groves Andrew and Sprecher, D. 2019. Invisible Men: An Anthology from the Westminster Menswear Archive.

Groves Andrew and Sprecher, D. 2019. Invisible Men Conference . Invisible Men Conference. Ambika P3 29 - 29 Oct 2019

Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Singer, C., Steemers, J. and Sakr, N. 2019. Representing Childhood and Forced Migration: Narratives of Borders and Belonging in European Screen Content for Children. Jeunesse: Young People, Texts, Cultures. 11 (2), pp. 202-224.

Denisova, A. and O'Brien, M. 2019. From High Visibility to High Vulnerability: Feminist, Postcolonial and Anti-Gentrification Activism at Risk. Westminster Papers in Communication and Culture. 14 (1), pp. 94-98. https://doi.org/10.16997/wpcc.323

Verdegem, P. 2019. Digital capitalism: Defining the crisis and exploring the alternatives. Media Culture and Society. 41 (3), pp. 407-413. https://doi.org/10.1177/0163443717737615