School | Media, Arts and Design |
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Head | Prof Rosie Thomas |
Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50
Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.
Wrigley, A. and Wyver, J. (ed.) 2022. Screen Plays: Theatre Plays on British Television. Manchester Manchester University Press.
Groves, Andrew 2021. Face masks from the Westminster Menswear Archive. Online Dec 2021 - Jan 2023
Kempadoo, Roshini 2021. Ghosting (2004) in Life Between Islands: Caribbean-British Art 1950s – Now . Tate Britain, London, United Kingdom 01 Dec 2021 - 03 Apr 2022
Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022
Groves, Andrew and Sprecher, Danielle 2021. C.P. Library. Darwen Library, Lancashire 01 - 30 Oct 2021
Kempadoo, Roshini 2021. Ghosting (2004) in Fragments of Epic Memory. Toronto, Ontario, Canada 01 Sep 2021 - 21 Feb 2022
Wyver, J. 2021. Coventry Cathedral: Building for a New Britain. London
White, N., Bremner, L., Cook, J. and Cullen, B. 2021. Between the Barometer and the Dragonfly. Venice Biennale of Architecture
Groves Andrew 2021. Undercover – From Necessity to Debris: The Pollution of Face Coverings During COVID-19. https://opensea.io/collection/undercover-from-necessity-to-debris 11 May - 05 Jun 2021
Groves Andrew and Sprecher, D. 2021. Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19. Online 11 May - 05 Jun 2021
Clark, G. and Ndiritu, G 2021. ‘Double Lives: A Conversation between Grace Ndiritu and George Clark’. in: Ball, E. (ed.) Old Land New Waters Freelands Foundation.
Kempadoo, Roshini 2021. Digital Media Practice as Critique: Roshini Kempadoo's Installations: Ghosting and Endless Prospects. in: Bailey, D.A. and Thompson, A. (ed.) Liberation Begins In The Imagination: Writings on Caribbean-British Art London Tate Publishing in partnership with International Curators Forum (ICF). pp. 280 - 286
Kempadoo, Roshini 2021. Life Between Islands: Caribbean-British Art 1950s–Now exhibition book. Tate Publishing.
Kempadoo, Roshini 2021. Defining Women Subjects: Photographs in Trinidad (1860s – 1960s). in: Kempadoo, K. and Deshong, H. (ed.) Methodologies in Caribbean Research on Gender and Sexuality Kingston Ian Randle Publishers. pp. 351-369
Kempadoo, Roshini 2021. Imagining Activism: Black, Gold, Dust. Kunstlicht. 42 (3/4), pp. 63-68.
Moore, D. 2021. English Domestic Interiors, 1986-88. https://www.caferoyalbooks.com/search?q=david+moore Café Royal Books..
Wyver, J. 2021. ‘Filming the invisible’: Barrie Gavin in conversation with John Wyver. Journal of Popular Television. 9 (1), pp. 15-28. https://doi.org/10.1386/jptv_00039_7
Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056
Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.
Groves, Andrew 2021. Introduction. in: C.P. Company 971-021: An Informal History of Italian Sportswear Italy Tristate International SA. pp. 13-15
Boon, H. 2021. The Condition of My Existence. Riffs Journal. https://doi.org/10.34737/v4y82
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186
Ride, P. 2021. Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange . Tate Papers. 34.
Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. 54 (Summer 1), pp. 84-103.
Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.
Fusari, M. 2021. Which Visual Transmission Of Knowledge For A Hawza Knowledge? in: Gleave, R. (ed.) Knowledge and Authority in Shi'i Islam: Volume 1: Clerics and the Hawza System in the Middle East London I.B. Tauris.
Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.
White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway
Wyver, J. 2020. Drama Out of a Crisis: A Celebration of Play for Today. London
Kempadoo, R. 2020. Virtual Exiles (2000) and Mooove[s] (2020). Herbert Art Gallery & Museum, Coventry 13 Oct - 13 Dec 2020
Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021
Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021
Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . 20 Jun 2020
Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020