Westminster School of Arts

Fry, C. 2018. Selfie.

Pucill, S. 2018. UCL Art Museum Screening: Confessions To The Mirror + Q+A with Maria Walsh. Bloomsbury Studio, UCL, London 22 May 2018

Klewitz, R. 2018. WZ604_Mont1 (2018) – Inflatable. Bournemouth, England

Pucill, S. 2018. Bagdam Lesbian Festival, Toulouse, France, screening of Confessions to the Mirror . Toulouse, France 29 Mar - 14 Apr 2018

Twomey, C. 2018. Wuthering Heights - A Manuscript. Bronte Parsonage Museum 08 2017 - 08 Apr 2020

Wyver, J., others 2018. Hamlet. London

White, N. 2018. Brownsea: An Imaginary Island (An Island of the Imaginary). Arts Catalyst, London 22 Mar 2018 - 12 May 2019

MOORE, D. 2018. Lisa and John-Oh my Days!

MOORE, D. 2018. Pictures from the Real World [2017]. Belfast Exposed 08 Mar 2018 - 13 Jun 2019

Klewitz, R. 2018. WZ557_Mont1 (2018) – Horses. Bournemouth, England

Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting: INDIA - Contemporary Photographic and New Media Art. Silver Street Studios, 2000 Edwards Street, Houston, USA TX 77007 10 Mar - 22 Apr 2018

Cummings, P. 2018. Season. London

MOORE, D. 2018. Lisa and John- Look at Us!

Dawood, S. 2018. Kalimpong (A Lost Future: Shezad Dawood) . The Rubin Museum of Art (NYC, USA) 23 Feb - 21 May 2018

Pucill, S. 2018. BEEF Bristol Screening: Confessions To The Mirror and Q+A with Vicky Smith. Cube Microplex Cinema, Bristol 20 Feb 2018

Ross, J. 2018. See Through. Tokyo Photographic Art Museum 08 - 24 Feb 2019

Twomey, C. 2018. Vase Silkborg . Asger Jorn Museum, Denmark 10 Feb - 10 Jun 2018

Dr Hannah Rumball 2018. A Celebration of Plainness: Worthing Museum’s Quaker Wedding Bonnet, 1843.

Evgenia Giannopoulou, Hannes Schumacher, Johan Grimonprez, Michael Hardt, Alexander García Düttmann, Mikhail Karikis, Uriel Orlow and Simon Critchley Evgenia Giannopoulou and Hannes Schumacher (ed.) 2018. Love & politics. Freigeist Verlag.

Kispert, M. 2018. superconductr: digital platform labour and neoliberal subjectivity. IIPPE 9th Annual Conference in Political Economy. Juraj Dobrila University of Pula, Croatia 12 - 14 Sep 2018

Harrison, L. 2018. Memories of Fiction: The Living Library.

Peters, T. 2018. Member of panel: Curating Clay: What are the challenges in 2018 and beyond? Restating Clay Conference: Making, Learning, Communicating & Collecting Contemporary Studio Ceramics. Centre of Ceramic Art (CoCA), York Art Gallery 19 - 20 Mar 2018

Rumball, H. 2018. “It makes us cringe these days”: Killerton House National Trust and the alteration of Elizabeth Petipher Cash’s everyday Quaker bonnets. Textiles and Dress from Below: Ordinary and everyday textiles and dress in museums and historic houses. University of Wolverhampton, United Kingdom 07 Jun 2018

Rumball, H. 2018. A Celebration of Plainness: Worthing Museum’s Quaker Wedding Bonnet, 1843.

Rumball, H. and Vaughan Kett, A. 2018. Conference review: Restraint and Excess in Fashion: Costume Colloquium V, 16 – 20 November, 2016, Florence, Italy. Centre for Design History, University of Brighton.

Hannah Rumball 2018. British Quaker Women's Fashionable Adaptation of their Plain Dress, 1860–1914. Costume. 52 (2), pp. 240-260. https://doi.org/10.3366/cost.2018.0070

Harrison, L. 2018. Control, collaboration and audience engagement in interactive sound installations. PhD thesis Royal Holloway, University of London Music

Clark, G. 2018. There is no motion in a motion picture. in: Johnston, C (ed.) Gavin Hipkins: The Domain New Zealand Victoria University Press.

Clark, G. 2018. Under The Earth. in: Jungyeon Ku, H (ed.) Im Heung-soon: Toward a Poetics of Opacity and Hauntology Seoul, South Korea National Museum of Modern and Contemporary Art, Seoul.

Lee, Yeseung 2018. Apparition: the (im)materiality of Modern Surface. Apparition: the (im)materiality of Modern Surface. De Montfort University, Leicester 09 Mar 2018

Lee, Yeseung 2018. Textilesphere: To mark is to be marked. Textile and Place. Manchester Metropolitan University 12 - 13 Apr 2018

Granese, M., Alamouti, D. and Nazari, N. 2018. The Night The Wind Blew: Allegorical short drama written and directed by David Alamouti.

Bate, D. 2018. La fotografia d’arte. Einaudi.

Gortazar, P. 2018. Towards an Emancipation of Photographic Vision: ‘Visualism’, ‘Opsognomie’ and ‘Elementary Photography’. Practices, Circulation and Legacies: Photographic Histories in Central and Eastern Europe. Ljubljana, Slovenia 08 - 10 May 2018

Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Christodoulou, C. 2018. Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music. Scene. 6 (2), pp. 107-120. https://doi.org/10.1386/scene_00012_1

Sprecher, D. 2018. Knitwear in the Westminster Menswear Archive: Building a Collection. In the Loop at 10. Winchester School of Art, University of Southampton 19 - 20 Jul 2018 University of Southampton.

O'Brien, T. 2018. Town of Strangers: The Performative ‘Making-of’ Film and the Production of Reality. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qy214

Gupta, S. 2018. Queer Migrations. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qxq70

Kempadoo, Roshini 2018. Roshini Kempadoo - Ghosting Portfolio pages in the 2018 Fotofest Biennial Catalogue - INDIA: Contemporary Photographic and New Media Art. in: Gupta, S. and Evans, S. (ed.) INDIA: Contemporary Photographic and New Media Art Houston, USA and Amsterdam, The Netherlands Fotofest Inc. Houston and Schilt Publishing, Amsterdam.