Westminster School of Arts

David Bate 2016. Photography and Art. in: Photography: the Key Concepts. 2nd edition Routledge.

David Bate 2016. Photography Theory. in: Photography: the Key Concepts. 2nd edition Routledge.

David Bate 2016. The Object of Still-Life. in: Photography: the Key Concepts. 2nd edition Routledge.

David Bate 2016. Global Photography. in: Photography: the Key Concepts. 2nd edition Bloomsbury.

David Bate 2016. Documentary and Storytelling. in: Photography: the Key Concepts. 2nd edition Bloomsbury.

David Bate 2016. Snapshots and Institutions. in: Photography: the Key Concepts. 2nd edition Routledge.

David Bate 2016. The Scopic Drive. in: Photography: the Key Concepts. 2nd edition Bloomsbury.

David Bate 2016. Seeing Portraits. in: Photography: The Key Concepts. 2nd edition Routledge.

Rumball, H. 2016. Visibility and Invisibility. Critical Studies. 2, pp. 30-39.

Lee, Y. 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

Klewitz, R. 2016. Insights into an Artistic Practice through Self-Reflection. The International Journal of Arts Education. 11 (2), pp. 13-25. https://doi.org/10.18848/2326-9944/cgp/v11i02/13-25

Lee, Yeseung 2016. The Authentic Surface: Making Garments, Selves and Others. In Pursuit of Luxury 2. LIM College, New York 06 May 2016

Lee, Yeseung 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

Lee, Yeseung 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol and Chicago Intellect.

Bate, D. 2016. Daguerre’s Abstraction. Photographies. 9 (2), pp. 135-146. https://doi.org/10.1080/17540763.2016.1185881

Shinkle, E. 2016. The Universal Foreground: Ordinary Landscapes and Boring Photographs. in: Gardiner, M. and Haladyn, J.J. (ed.) Boredom Studies: Frameworks and Perspectives London Routledge. pp. 99-111

Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Hermes, K. 2016. The harmonic centroid as predictor of single sound spectral clarity.

Cumberland, S. 2016. Pictures Out of Painting. University of Westminster. https://doi.org/10.34737/qqqz8

Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).

Gross, S. 2016. Let's Talk About Sex: Gender Trouble in the Music Industry. Sørveiv Conference . Kristiansand 28 - 29 Oct 2016

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Sprecher, D. 2016. Well Dressed Men: From Montague Burton to Topman. in: Selby, Elizabeth (ed.) Moses, Mods and Mr Fish: The Menswear Revolution London Jewish Museum London. pp. 79-88

Sprecher, D. 2016. Fashion for the High Street: The Design and Making of Menswear in Leeds 1945-1980. PhD thesis University of Leeds School of History

Dawood, S. 2016. Dances with Cryptids. in: Palestra, C. (ed.) Kalimpong London Sternberg Press. pp. 54-62

Dawood, S. 2016. Kalimpong. Timothy Taylor, London 16 Sep 2016 - 22 Oct 2017

Gross, S. and Musgrave, G. 2016. Can Music Make You Sick Part 1? A Study Into The Incidence of Musicians' Mental Health. MusicTank.

Triscott, N. 2016. Critical Art and Outer Space: a curatorial inquiry into space as a global commons. Association of American Geographers Annual Meeting 2016. San Francisco 29 Mar - 02 Apr 2016

Triscott, N., Harwood, G., Kurtz, S. and Lastra, C. 2016. Graveyard of Lost Species - Critical Art Ensemble / YoHa. Site specific, Leigh-on-Sea marshes, Southend, Essex. Ordinance survey grid ref: TQ 82738 85478 07 Jul 2016 - 31 Dec 2018

Triscott, N. and Steadman, A. 2016. Notes from the Field: Commoning Practices in Art and Science. Arts Catalyst Centre for Art, Science & Technology 74-76 Cromer Street London WC1H 8DR 28 Jan - 19 Mar 2016

Triscott, N. 2016. Transmissions from the Noosphere: Contemporary art and outer space. in: The Palgrave Handbook of Society, Culture & Outer Space Palgrave Macmillan.

Groves, Andrew 2016. Symposium: The Vanishing Art of Camouflage .

Tabrizian, M. 2016. ‘You don’t know what nights are like?’ – public art project.

Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Groves, Andrew and Leach, Robert 2016. The Vanishing Art of Camouflage.

Oppenheimer, J. 2016. Joshua Oppenheimer Early Works.

Thompson, Shirley 2016. Diversity in Classical Music Composition. Diversity in Classical Music. 19 Oct 2016 - 19 Aug 2017

Thompson, Shirley 2016. The Franklin Effect - CD.

Thompson, Shirley 2016. Life Sequences: Machinery of Replication and Random Sequences. STM Productions.