Westminster School of Arts

Campany, D. 2014. The Open Road: Photography and the American Road Trip. New York, USA Aperture Foundation, Inc..

Ross, J. 2014. In & Out of Japan: Documenting Travels in Japanese Experimental Film and Art 1960-1980. Eye Film Institute 18 - 18 Feb 2014

Ross, J. 2014. Screen Play: an evening with Takahiko Iimura. Rongwrong, Amsterdam 20 - 20 Oct 2014

Ross, J. 2014. Takahiko Iimura: Movies & Performances. Eye Film Institute 2014

Ross, J. 2014. 「もうヨーロッパに何も期待しなくていいんだ」 日本の非商業映画・実験映画ヨーロッパ公開史. 言語文化. 31.

Ross, J. 2014. Eiga o chokusetsu kōdō toshite. in: Akseagawa Genpei Japan Kawade Shobo Shinsha. pp. 225-233

Ross, J. 2014. In the Realm of the Senses. in: The Routledge Encyclopedia of Films Routledge.

Goddard, M. 2014. Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era. in: Apprich, C., Slater, J.B., Iles, A. and Schultz, O.L. (ed.) Provocative Alloys: A Post-Media Anthology Mute Books. pp. 44-61

Goddard, M. 2014. Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski. in: Mazierska, E. and Goddard, M. (ed.) Polish Cinema in a Transnational Context Boydell & Brewer. pp. 236-257

Watson, F. 2014. Liquid history, anxious future: the Thames estuary, a landscape under threat. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging landscapes: between production and representation Farnham Ashgate. pp. 39-44

Thomas, R. 2014. Bombay before Bollywood: film city fantasies. New Delhi, India Orient BlackSwan.

Shinkle, E. 2014. Prelude to a future: global risk and environmental apocalypse in contemporary landscape photography. in: Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) Emerging landscapes: between production and representation Farnham Ashgate. pp. 29-38

Riley, M. 2014. Bass Culture: an alternative sound track to Britishness. in: Stratton, J. and Zuberi, N. (ed.) Black Popular Music in Britain since 1945 Farnham Ashgate. pp. 101-114

Deriu, D., Kamvasinou, K. and Shinkle, E. (ed.) 2014. Emerging landscapes: between production and representation. Farnham Ashgate.

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Klewitz, R. 2013. WZ59_Mont2 (2013) – Now. Kuching, Malaysia

Orlow, U. 2013. Rituals of Filming and the Dialogic Camera. Moving Image Review & Art Journal . 2 (1), pp. 98-105. https://doi.org/10.1386/miraj.2.1.98_7

Orlow, U. 2013. Archives of stone, archives of air. Journal of Visual Culture. 12 (3), pp. 404-413. https://doi.org/10.1177/1470412913503533

Harrison, L. 2013. The Wind Singer. Girlguiding ICANDO, London Apr 2013

Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Mariam at Burford: Youth and Young Girlhood.

Lost Text/Found Space, McCutcheon, R. and Harrison, L. 2013. Cary: The Mariam Cycles.

Kempadoo, R. 2013. Gazing Outwards and Looking Back: Configuring Caribbean Visual Culture. Small Axe: A Caribbean Journal of Criticism. 17 (2 (41)), pp. 136-153. https://doi.org/10.1215/07990537-2323364

Alamouti, D. 2013. Boys with Broken Ears/ Iran's Sporting Dreamers. Aljazeera.

Bate, D. 2013. The Digital Condition of Photography: Cameras, Computers and Display. in: Lister, M. (ed.) The Photographic Image in Digital Culture. 2nd edition Routledge.

Dawood, S. 2013. Black Sun Alchemy, Diaspora and Heterotopia. in: van Noord, G. (ed.) Black Sun London Ridinghouse. pp. pp 4-80

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Kempadoo, R. 2013. Imagining Her(story): Engendering archives. in: Thornham, H. and Weissmann, E. (ed.) Renewing Feminisms: Radical Narratives, Fantasies and Futures in Media Studies London & New York I.B. Tauris. pp. 84-103

Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

Campany, D. 2013. Gasoline. London MACK.

Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

Goddard, M. 2013. No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries. in: Halligan, B., Edgar, R. and Fairclough-Isaacs, K. (ed.) The Music Documentary: Acid Rock to Electropop New York, London Routledge. pp. 115-130

Goddard, M. 2013. Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music. in: Goddard, M., Halligan, B. and Spelman, N. (ed.) Resonances: Noise and Contemporary Music London; New York Bloomsbury Academic.

Goddard, M. 2013. Cinema, Insatiability and Impure Form: Witkacy on Film. The Polish Journal of Aesthetics/Estetyka i Krytyka. 31 (4), pp. 99-108.

Goddard, M. 2013. Impossible Cartographies: Approaching Raúl Ruiz's Cinema. Em Questão. 19 (1), pp. 22-41. https://doi.org/10.19132/1808-5245191.22-41

Goddard, M., Halligan, B and Spelman, N (ed.) 2013. Resonances: Noise and Contemporary Music. London Bloomsbury Academic.

Goddard, M. 2013. The Cinema of Raul Ruiz: Impossible Cartographies. London Wallflower Press.

ten Brink, J. and Oppenheimer, J. 2013. Invincible.

Wilson, L.G. 2013. "Miraculous constellations in real material”: spiritualist phenomena, dada photomontage and magic. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Thompson, Shirley 2013. Nanny of the maroons.